The Passaguai Family Gets Rich is a 1952 Italian comedy film directed by Aldo Fabrizi and starring Fabrizi, Erminio Macario, Ave Ninchi and Giovanna Ralli. It is the sequel to the hit 1951 film The Passaguai Family.
They Were Three Hundred is a 1952 Italian historical drama film directed by Gian Paolo Callegari and starring Rossano Brazzi, Franca Marzi and Myriam Bru. It was shot at the Scalera Studios in Rome with location shooting on the Via Tiburtina. The film's sets were designed by the art director Virgilio Marchi.
I, Hamlet is a 1952 Italian comedy film directed by Giorgio Simonelli and starring Erminio Macario, Franca Marzi and Rossana Podestà. A parody of William Shakespeare's tragedy Hamlet, its lack of commercial success led the newly formed production company Macario Film to a rapid bankruptcy.
Lieutenant Giorgio is a 1952 Italian historical melodrama film directed by Raffaello Matarazzo and starring Massimo Girotti, Milly Vitale and Paul Muller. It was shot at the Ponti-De Laurentiis Studios in Rome and on location around San Giovanni in Fiore in Calabria. The film's sets were designed by the art director Piero Filippone.
The Island Monster is a 1954 Italian thriller film directed by Roberto Bianchi Montero and starring Boris Karloff, Franca Marzi and Germana Paolieri. It was made at Cinecitta Studios with location shooting taking place on the island of Ischia.
Rivalry is a 1953 Italian melodrama film. Written, produced and overseen by Roberto Rossellini, it marked the directorial debut of Giuliano Biagetti. The film was shot and set in Castiglione della Pescaia.
The Rival is a 1955 Italian-French melodrama film directed by Anton Giulio Majano.
The Black Devil is a 1957 Italian adventure film written and directed by Sergio Grieco.
La garçonnière is a 1960 Italian romance-drama film written and directed by Giuseppe De Santis.
Antonio Meucci is a 1940 Italian historical film directed by Enrico Guazzoni and starring Luigi Pavese, Leda Gloria, and Nerio Bernardi. It portrays the life of Antonio Meucci, the nineteenth century inventor and supporter of Giuseppe Garibaldi. The film was shot at the Cinecittà Studios in Rome.
La Fornarina is a 1944 Italian historical drama film directed by Enrico Guazzoni and starring Lída Baarová. It is loosely based on real life events of Raphael's model Margarita Luti.
La trovatella di Milano is a 1956 Italian historical melodrama film produced and directed by Giorgio Capitani and starring Massimo Serato and Franca Marzi. Set during the Five Days of Milan, it is loosely based on a novel with the same name written by Carolina Invernizio. It grossed 146 million lire at the Italian box office.
Cavallina storna is a 1953 Italian historical melodrama film directed by Giulio Morelli and starring Gino Cervi. It is loosely based on several autobiographical poems by Giovanni Pascoli. It grossed about 145 million lire at the Italian box office.
Frine, Courtesan of Orient is a 1953 Italian epic adventure film directed by Mario Bonnard and starring Elena Kleus and Pierre Cressoy. Sergio Leone served as assistant director.
Pirates of Malaya is a 1941 Italian historical adventure film directed by Enrico Guazzoni and starring Massimo Girotti, Clara Calamai and Camillo Pilotto.
The Black Captain is a 1951 Italian historical adventure film directed by Giorgio Ansoldi and Alberto Pozzetti and starring Steve Barclay, Marina Berti and Paul Muller.
A Little Wife is a 1943 Italian "white-telephones" drama film directed by Giorgio Bianchi and starring Fosco Giachetti, Assia Noris and Clara Calamai.
Barrier of the Law is a 1954 Italian thriller film directed by Piero Costa and starring Rossano Brazzi, Lea Padovani and Maria Frau. It was shot at the Fert Studios in Turin. The film's sets were designed by the art director Saverio D'Eugenio.
Tripoli, Beautiful Land of Love is a 1954 Italian comedy war film directed by Ferruccio Cerio and starring Alberto Sordi, Lyla Rocco and Fulvia Franco. It takes its title from a traditional song of the same name which features prominently on the soundtrack. The plot draws some inspiration from that of The Three Musketeers. It was shot in Ferraniacolor and took around 248 million lire at the Italian box office.
Final Pardon is a 1952 Italian melodrama film directed by Renato Polselli and starring John Kitzmiller, Franca Marzi, Adriano Rimoldi. The film's sets were designed by the art director Vittorio Valentini.
