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Pierrot is a stock character of pantomime and commedia dell'arte, whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of Pierre (Peter), via the suffix -ot. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap.
Jean-Luc Godard was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement and was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork.
Sprechgesang and Sprechstimme are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, Sprechgesang is directly related to the operatic recitative manner of singing, whereas Sprechstimme is closer to speech itself.
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire", commonly known simply as Pierrot lunaire, Op. 21, is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter who delivers the poems in the Sprechstimme style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921.
Pierrot le Fou is a 1965 French New Wave film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo and Anna Karina. The film is based on the 1962 novel Obsession by Lionel White. It was Godard's tenth feature film, released between Alphaville and Masculin, féminin. The plot follows Ferdinand, an unhappily married man, as he escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by OAS hitmen from Algeria.
Pierrot Co., Ltd. is a Japanese animation studio established in May 1979 by former employees of both Tatsunoko Production and Mushi Production. Its headquarters are located in Mitaka, Tokyo. Pierrot is renowned for several worldwide popular anime series, such as Naruto, Bleach, Yu Yu Hakusho, Black Clover, Boruto: Naruto Next Generations, Tokyo Ghoul, and Great Teacher Onizuka.
Going Places is a 1974 French comedy-drama film co-written and directed by Bertrand Blier, and based on his own novel. Its original title is Les Valseuses, which translates into English as "the waltzers" (female), a vulgar French slang term for "the testicles". It stars Miou-Miou, Gérard Depardieu and Patrick Dewaere.
Prince Jean-Louis Michel Paul Pierrot, Baron of Haïti was a career officer general in the Haitian Army who also served as President of Haiti from 16 April 1845 to 1 March 1846.
Tarucus is a butterfly genus in the family Lycaenidae. They are commonly known as blue Pierrots or simply Pierrots. The latter name is often used for the closely related genus Castalius. The delimitation of Castalius versus Tarucus is not yet fully resolved, with some species, such as the dark Pierrot, having been moved between the two genera repeatedly. It may even be that they are eventually regarded as synonymous, and in that case the older name Castalius would supersede Tarucus by the Principle of Priority.
Triadisches Ballett is a ballet developed by Oskar Schlemmer. The ballet became the most widely performed avant-garde artistic dance and while Schlemmer was at the Bauhaus from 1921 to 1929, the ballet toured, helping to spread the ethos of the Bauhaus.
Tarucus balkanicus, the Balkan Pierrot or little tiger blue, is a small butterfly that belongs to the lycaenids or blues family. It is found in Mauritania, Niger, Sudan (Khartoum), Uganda, Saudi Arabia, the United Arab Emirates, Oman, North Africa, the Balkans, western Asia, parts of central Asia and in India. The habitat consists of very arid savanna.
Story of Women is a 1988 French drama film directed by Claude Chabrol, based on the true story of Marie-Louise Giraud, guillotined on 30 July 1943 for having performed 27 abortions in the Cherbourg area, and the 1986 book Une affaire de femmes by Francis Szpiner.
A concert party, also called a Pierrot troupe, is the collective name for a group of entertainers, or Pierrots, popular in Britain during the first half of the 20th century. The variety show given by a Pierrot troupe was called a Pierrot show.
Once Upon a Time… is a French educational animation franchise, created by Procidis. There are seven distinct series, each focusing on different aspects of knowledge. These are mostly historical, with Once Upon a Time… Man being focused on the overall history of mankind, and most of the others are more focused on specified historical fields, such as the lives and exploits of the explorers or inventors. Life, however, featured an explanation on the workings of the body.
Paul Legrand, born Charles-Dominique-Martin Legrand, was a highly regarded and influential French mime who turned the Pierrot of his predecessor, Jean-Gaspard Deburau, into the tearful, sentimental character that is most familiar to post-19th-century admirers of the figure. He was the first of the Parisian mimes of his era to take his art abroad—to London, in late 1847, for a holiday engagement at the Adelphi—and, after triumphs in mid-century Paris at the Folies-Nouvelles, he entertained audiences in Cairo and Rio de Janeiro. In the last years of the century, he was a member of the Cercle Funambulesque, a theatrical society that promoted work, especially pantomime, inspired by the Commedia dell'Arte, past and present. The year of his death coincided with the last year of the Cercle's existence.
Pierrot lunaire: rondels bergamasques is a cycle of fifty poems published in 1884 by the Belgian poet Albert Giraud, who is usually associated with the Symbolist Movement. The protagonist of the cycle is Pierrot, the comic servant of the French Commedia dell'Arte and, later, of Parisian boulevard pantomime. The early 19th-century Romantics, Théophile Gautier most notably, had been drawn to the figure by his Chaplinesque pluckiness and pathos, and by the end of the century, especially in the hands of the Symbolists and Decadents, Pierrot had evolved into an alter-ego of the artist, particularly of the so-called poète maudit. He became the subject of numerous compositions, theatrical, literary, musical, and graphic.
Hammerton Killick was an admiral in the Haitian Navy. He was killed in the 1902 Firmin rebellion when he refused to surrender his ship to the German warship SMS Panther. A naval base in Port-au-Prince is named after him. A 1943 Haitian postage stamp commemorated his role in the rebellion.
Crête-à-Pierrot was a gunboat in the Haitian Navy. It was destroyed by Admiral Hammerton Killick in 1902 to prevent it falling into the hands of a German warship.
The Black Pierrot is a 1926 German silent film directed by and starring Harry Piel.
Cultural references to Pierrot have been made since the inception of the character in the 17th century. His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Many cultural movements found him amenable to their respective causes: Decadents turned him into a disillusioned foe of idealism; Symbolists saw him as a lonely fellow-sufferer; Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line.
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- ↑ Thomas p. 119
