The Blood of the Bambergs

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The Blood of the Bambergs

John Osborne by Reginald Gray.jpg

Portrait of Osborne by Reginald Gray
Written by John Osborne
Date premiered 19 June 1962
Place premiered Royal Court Theatre
Original language English
Subject A man has to stand in for a prince at a royal wedding
Genre satire

The Blood of the Bambergs (1962) is a short two-act play by John Osborne, published in his book "Plays for England". It was designed to be shown in a double-bill with another short play, Under Plain Cover . The Blood of the Bambergs is a satirical commentary on royal weddings, in a variation on the story of The Prisoner of Zenda .

John Osborne English playwright

John James Osborne was an English playwright, screenwriter and actor, known for his excoriating prose and intense critical stance towards established social and political norms. The success of his 1956 play Look Back in Anger transformed English theatre.

Plays for England was the title of a double-bill of plays written, performed and published by John Osborne in 1962. It comprised:

<i>Under Plain Cover</i>

Under Plain Cover (1962) is a short two-act play by John Osborne, published in his book "Plays for England". It was designed to be shown in a double-bill with another short play, The Blood of the Bambergs. The play is a satirical commentary on sexual hypocrisy. It was the first play directed by Jonathan Miller.

Contents

Background

The play was inspired by the popular celebrations surrounding the marriage of Princess Margaret to Anthony Armstrong-Jones. Osborne's wife, the journalist Penelope Gilliatt, provided him with 'backstage gossip' about the arrangement of the events, which Osborne found absurd. [1] Satire of the monarchy was still not acceptable on the English stage. Nevertheless, the Lord Chamberlain's office, which could effectively censor plays by denying them a license to perform, felt unable to reject the play. The "devilish cleverness of this horrid play", wrote the author of the office's report, is that "If a licence is refused, this can at once be presented as a ridiculous banning of the old Prisoner of Zenda story sixty years later". [1]

Penelope Gilliatt was an English novelist, short story writer, screenwriter, and film critic. As one of the main film critics for The New Yorker magazine in the 1960s and 1970s, Gilliatt was known for her detailed descriptions and evocative reviews. A writer of short stories, novels, non-fiction books, and screenplays, Gilliatt was nominated for an Academy Award for Best Original Screenplay for 1971's Sunday Bloody Sunday.

The Lord Chamberlain or Lord Chamberlain of the Household is the most senior officer of the Royal Household of the United Kingdom, supervising the departments which support and provide advice to the Sovereign of the United Kingdom while also acting as the main channel of communication between the Sovereign and the House of Lords. The office organises all ceremonial activity such as garden parties, state visits, royal weddings, and the State Opening of Parliament. They also handle the Royal Mews and Royal Travel, as well as the ceremony around the awarding of honours.

Plot

British Princess Melanie of Bamberg is to be married to Prince Willy, heir to the throne of another kingdom. On his way to the wedding, Willy is killed in a road accident. State officials do not know what to do. The marriage is crucial for the future of the nation - especially as the next in line for the throne, the prince's brother, is a flagrant homosexual, unlikely to produce an heir. They discover that Russell, a brash Australian photographer, looks exactly like the deceased Willy. Russell is none too keen to take the job, but is enticed when he is told of all the advantages he will have as Prince Consort, not the least of which is the highly desirable Princess Melanie herself. However, Melanie, though beautiful, is a bully. She is appalled by the idea that she should marry a vulgar Australian. All is resolved when it is discovered that Russell is of royal blood, related to Willy through a royal affair with a commoner.

Reception

The play has typically been regarded as a clumsy work, showing Osborne's "lack of talent for satire", as Colin Wilson said. [2] John Russell Taylor says that it is "by general consent the least satisfactory of all Osborne's plays" and "easiest the feeblest work Osborne has yet allowed to reach the stage". [3]

Colin Wilson author

Colin Henry Wilson was an English writer, philosopher and novelist. He also wrote widely on true crime, mysticism and the paranormal, eventually writing more than a hundred books. Wilson called his philosophy "new existentialism" or "phenomenological existentialism", and maintained his life work was "that of a philosopher, and (his) purpose to create a new and optimistic existentialism".

John Russell Taylor is an English critic and author. He is the author of critical studies of British theatre; of critical biographies of such important figures in Anglo-American film as Alfred Hitchcock, Alec Guinness, Orson Welles, Vivien Leigh, and Ingrid Bergman; of Strangers in Paradise: The Hollywood Emigres 1933–1950 (1983); and several books on art.

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References

  1. 1 2 Heilpern, John, John Osborne: A Patriot for Us, 2007, Random House, pp.287.
  2. Colin Wilson, The Angry Years: The Rise and Fall of the Angry Young Men, Pavilion Books, 2014.
  3. John Russell Taylor, Anger and After (Routledge Revivals): A Guide to the New British Drama, Routledge, 2013, p.59.