The Bombay Jazz Palace

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The Bombay Jazz Palace is a compilation album released on CD in the UK by Outcaste Records on 28 January 2002. [1] The fourteen tracks featured on the CD are all influenced by both traditional Indian music, and various species of jazz and funk. The majority of the album's music dates from the 1970s or late 60s, forming part of the Western counterculture's growing interest in Asian culture.

Music of India Includes multiple varieties of classical music, folk music, filmi, Indian rock and Indian pop .

The music of India includes multiple varieties of classical music, folk music, filmi, Indian rock and Indian pop. India's classical music tradition, including Hindustani music and Carnatic, has a history spanning millennia and developed over several areas. Music in India began as an integral part of socio-religious life.

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".

Funk is a music genre that originated in African-American communities in the mid-1960s when African-American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bass line played by an electric bassist and a drum part played by a drummer. Like much of African-inspired music, funk typically consists of a complex groove with rhythm instruments playing interlocking grooves. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths.

The first ten songs are by European and American musicians exploring the instrumentation, rhythms, and scales of Indian music, with varying degrees of authenticity. The final four songs show a kind of mirror-image, with Indian musicians taking influence from popular idioms of Western music from the 1970s.

Notable musicians featured include Lalo Schifrin, Dave Pike, Ravi Shankar, and George Harrison.

Lalo Schifrin Argentine composer

Boris Claudio "Lalo" Schifrin is an Argentine-American pianist, composer, arranger and conductor. He is best known for his large body of film and TV scores since the 1950s, including the "Theme from Mission: Impossible", Bullitt and Enter the Dragon. He has received five Grammy Awards and six Oscar nominations. Associated with the jazz music genre, Schifrin is also noted for his collaborations with Clint Eastwood from the late 1960s to the 1980s, particularly the Dirty Harry films.

David Samuel Pike was a jazz vibraphone and marimba player. He appears on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.

Ravi Shankar Indian musician and sitar player

Ravi Shankar, born Rabindra Shankar Chowdhury, his name often preceded by the title Pandit (Master) and "Sitar maestro", was an Indian musician and a composer of Hindustani classical music. He was the best-known proponent of the sitar in the second half of the 20th century and influenced many other musicians throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna in 1999.

The album has never seen a release outside of the UK, and received little attention in the mainstream press, although it was given a small review in The Guardian.

<i>The Guardian</i> British national daily newspaper

The Guardian is a British daily newspaper. It was founded in 1821 as The Manchester Guardian, and took its current name in 1959. Along with its sister papers The Observer and The Guardian Weekly, the Guardian is part of the Guardian Media Group, owned by the Scott Trust. The Scott Trust was created in 1936 "to secure the financial and editorial independence of the Guardian in perpetuity and to safeguard the journalistic freedom and liberal values of the Guardian free from commercial or political interference". The Scott Trust was converted into a limited company in 2008, with a constitution written so as to project the same protections for The Guardian as were originally built into the very structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than to benefit an owner or shareholders.

Intriguingly, the Outcaste Records website suggests that track 11 is 'Tal Mala', by the Diga Rhythm Band. [2] This does not correspond to the CD's sleeve notes, nor to the music itself.

The album was 'compiled by Harv and Sunny aka Sutrasonic', with 'additional project research by Mandeep Gill'. The sleeve notes are by John Lewis. [3]

Track listing

  1. Paul Horn & Nexus – Latin Tala
  2. Volker Kriegal – Zoom
  3. Georges Garvarenz – Haschish Party
  4. Dave Mackay & Vicky Hamilton – Blues for Hari
  5. The Dave Pike Set – Raga Jeera Swara
  6. Between – Contemplation
  7. Lalo Schifrin – Secret Code
  8. Grupo Batuque – Tabla Samba
  9. Yves Hyatt – Path To Ascension
  10. Shocking Blue – Acka Raga
  11. Shankar Family & Friends – Dispute & Violence
  12. Shankar-Jaikishan – Raga Bairagi
  13. Ananda Shankar – Universal Magic
  14. Muhavishla Ravi Hatchud & the Indo Jazz Following – Bombay Palace Pt.1

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References

  1. The Bombay Jazz Palace (Outcaste Records, 2001, London)
  2. :::Outcaste Records:::
  3. see 1