Cast
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| Los muchachos de antes no usaban gomina | |
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Release date |
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| Country | Argentina |
| Language | Spanish |
The Boys Didn't Wear Hair Gel Before (Los muchachos de antes no usaban gomina) is a 1969 Argentine drama film. It is a remake of the 1937 film The Boys Didn't Wear Hair Gel Before , one of the biggest hits of the Golden Age of Argentine Cinema.
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Narciso Ibáñez Menta was a Spanish theatre, film, and television actor.
Mecha Ortiz was a classic Argentine actress who appeared in film between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943) and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Francisco Múgica was an Argentine film director, film editor and cinematographer. He was born and died in Buenos Aires.
Enrique Carreras was a Peruvian-born Argentine film director, screenwriter and film producer, and was one of the most prolific film directors in the history of the Cinema of Argentina.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
The Boys Didn't Wear Hair Gel Before is a 1937 Argentine historical drama film directed and written by Manuel Romero and starring Florencio Parravicini, Mecha Ortiz and Santiago Arrieta.
Yesterday's Guys Used No Arsenic is a 1976 Argentine black comedy crime film directed by José A. Martínez Suárez. The film was selected as the Argentine entry for the Best Foreign Language Film at the 49th Academy Awards, but was not accepted as a nominee.
Guillermo Battaglia was a prolific Argentine film actor of the classic era of Argentine cinema.
Soledad Silveyra, is a prominent TV, theater and cinema Argentine actress.
Los muchachos de antes no usaban gomina may refer to:
Juan Alighieri was an Argentine film actor.
Homero Cárpena was an Argentine film actor born in Mar del Plata. He appeared in 72 films between 1933 and 1972 although the bulk of his work was in the late 1930s and 1940s. He starred in El hombre señalado, which was entered into the 7th Berlin International Film Festival. He was the father of actresses Claudia Cárpena and Nora Cárpena.
Malisa Zini was an Argentine actress. She starred in the 1950 film Arroz con leche, among others such as Cumbres de hidalguía, under director Carlos Schlieper. s
Osvaldo Isaías Mathon Miranda was an Argentine film and television actor whose credits also included more than fifty stage productions.
Rolando Pardo Dominguez, known professionally as Rolo Puente, was an Argentine comedian and actor.
José Antonio Martínez Suárez was an Argentine film director and screenwriter. He worked on more than 20 films between 1949 and 2003. He was the brother of actress Mirtha Legrand.
Mary Parets was an Argentine actress. In 1943 she starred in Benito Perojo's Stella. Other notable films include The Boys Didn't Wear Hair Gel Before (1937), Ambición (1939) and Los pagares de Mendieta (1939).
Eliane René Schianni Bidart, was an Argentine tango singer, actress and dancer.
Alberto Amado Ribero, known professionally as Tito Ribero, was an Argentine film score composer, composer, singer, and musician. In addition to having his own orchestra, he provided the film scores to over 200 movies, at his most prolific in the 1950s and 1960s. For Del otro lado del puente he won the Silver Condor Award for Best Original Score from the Argentine Academy of Cinematography Arts and Sciences in 1953.
Florencio Parravicini was an Argentine actor who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. From an aristocratic family, he was a relative of the artist Benjamín Solari Parravicini (1898-1974). He began his career singing música criolla, a Latino folk genre of music that exists in many countries throughout Latin America. He appeared in more than three hundred theatrical works and films, becoming one of the leading figures of Argentine entertainment. Facing cancer, Parravicini committed suicide in 1941.
