Leon Bismark "Bix" Beiderbecke was an American jazz cornetist, pianist and composer.
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
The New Orleans Rhythm Kings (NORK) were one of the most influential jazz bands of the early to mid-1920s. The band included New Orleans and Chicago musicians who helped shape Chicago jazz and influenced many younger jazz musicians.
Emmett Louis Hardy was an American jazz cornet player during the early 1900s.
Orie Frank Trumbauer was one of the leading jazz saxophonists of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He also played alto saxophone, bassoon, clarinet and several other instruments.
Trad jazz, short for "traditional jazz", was a form of jazz in Britain in the 1950s and 1960s, played by musicians such as Chris Barber, Acker Bilk, Kenny Ball, Ken Colyer and Monty Sunshine, based on a revival of New Orleans Dixieland jazz, on trumpet, trombone, clarinet, banjo, double bass, and drums, with a populist repertoire which also included jazz versions of pop songs and nursery rhymes.
James Dugald McPartland was an American cornetist. He worked with Eddie Condon, Art Hodes, Gene Krupa, Benny Goodman, Jack Teagarden, and Tommy Dorsey, often leading his own bands. He was married to pianist Marian McPartland.
The Austin High School Gang was the name given to a group of young, white musicians from the West Side of Chicago, who all attended Austin High School during the early 1920s. They rose to prominence as pioneers of the Chicago Style in the 1920s, which was modeled on a hurried version of New Orleans Jazz.
Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926–1930. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds.
The Wolverines were an American jazz band. They were one of the most successful territory bands of the American Midwest in the 1920s.
Jim Cullum Jr. was an American jazz cornetist known for his contributions to Dixieland jazz. His father was Jim Cullum Sr., a clarinetist who led the Happy Jazz Band until 1973. Jim Cullum Jr. led the Jim Cullum Jazz Band as its successor. His band mates included Evan Christopher, Allan Vaché, and John Sheridan.
Dixieland, sometimes referred to as hot jazz or traditional jazz, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band, fostered awareness of this new style of music.
This is a timeline documenting events of jazz in the year 1924.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
Davenport Blues is a 1925 song composed and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
"For No Reason at All in C" is a 1927 jazz instrumental by Bix Beiderbecke, Frankie Trumbauer, and Eddie Lang. The song was released as a 78 single in 1927 on Okeh Records as by "Tram, Bix and Eddie ".
Copenhagen is a jazz standard composed in 1924 by bandleader Charlie Davis and first recorded in that year by the Wolverine Orchestra featuring Bix Beiderbecke in a foxtrot tempo. The title refers to Copenhagen tobacco, favored by Davis's bass player. Lyrics were added by Walter Melrose to the tune, which is a blues in B-flat.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
Ostrich Walk" is a 1917 jazz composition by the Original Dixieland Jass Band released as an instrumental as an Aeolian Vocalion and a Victor 78. Frankie Trumbauer and Bix Beiderbecke recorded the song in 1927. The song is a jazz milestone as one of the first commercially released "jass" or jazz recordings.
