The Buick Circus Hour | |
---|---|
Country of origin | United States |
Original language | English |
No. of seasons | 1 |
Original release | |
Network | NBC |
Release | October 7, 1952 – 1953 |
The Buick Circus Hour is an American television series that aired October 7, 1952 - June 16, 1953, on NBC. [1]
It was a variety series with a circus theme. It was a 60-minute show. As the title suggests, it was sponsored by Buick. [2] Archival status is not known, but the debut episode appears on the Internet Archive.[ citation needed ]
Kim O'Neill was a young singer who is in love with Bill Sothern, owner of the circus in which she worked. An old clown tried to help O'Neill, [3] whom he had adopted as an infant about two decades earlier. [4] Episodes dealt with both personal and professional situations. Real circus acts and musical numbers were included in the stories. [3]
Others who appeared on the program included Ben Blue [5] and Edd Byrnes in his first TV job. [6]
The producer of The Buick Circus Hour was John C. Wilson, [7] and the director was Frank Burns. [8] Writers included Nat Hiken, [9] Anita Loos, [10] and Jerry Seelen. [8] Victor Young directed the music. [11] This series aired once a month in the Tuesday night 8 PM Eastern time slot normally occupied by the Texaco Star Theater which starred Milton Berle. [3] The series originated from WNBT in New York. [4]
Peg Simpson wrote in The (Syracuse) Post-Standard that the program made "little impression on the public in its first show" but added that it "shows great promise". [12] Simpson suggested that having stronger motivations for characters and better integrating stories and music would improve the show. [12]
A reviewer for the Brooklyn Eagle newspaper felt the series was not up to 1952 standards (comparing the show with a 1948 variety show), though also describing the cast and crew as being talented. [13]
John Crosby wrote that the show "was a sort of undigested mixture" of circus, musical comedy, and television without being any one of the three. [5] Crosby wrote that after a circus-themed opening, the rest of the program "was more routine song and dance stuff". [5]
A review of the premiere episode in the trade publication Variety said that the program showed promise and was exciting, but "too many diverse elements were tossed together". [14] As a result, "the plot gets lost in the shuffle, with the drama telescoped into skeletonized, sketchy segments". [14]