The Bureaucrats | |
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Directed by | Yves Mirande |
Written by |
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Produced by | Bernard Simon |
Starring | |
Cinematography | |
Edited by | |
Music by | |
Production company | Paris Ciné Films |
Distributed by | Compagnie Commerciale Française Cinématographique |
Release date |
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Running time | 95 minutes |
Country | France |
Language | French |
The Bureaucrats (French: Messieurs les ronds de cuir) is a 1936 French comedy film directed by Yves Mirande and starring Lucien Baroux, Pierre Larquey and Gabriel Signoret. [1] It was remade as 1959 film of the same title.
The film, which is a satire of government bureaucracy, is about public servants who spend so much time sitting in their office chairs that they need to order special cushions for their buttocks. The premise is referenced in the original French title Messieurs les ronds de cuir, which translates into Men with the leather circles, alludes to.
The film's sets were designed by the art director René Renoux.
Georges Courteline born Georges Victor Marcel Moinaux was a French dramatist and novelist, a satirist notable for his sharp wit and cynical humor.
Jean Poiret, born Jean Poiré, was a French actor, director, and screenwriter. He is primarily known as the author of the original play La Cage aux Folles.
Noël-Noël was a French actor and screenwriter.
Lucien Baroux was a French actor. He began his career working in the theatre, moving on to a long career in films from the 1930s.
Adrienne Lecouvreur is a 1938 French-German biographical film directed by Marcel L'Herbier and starring Yvonne Printemps, Pierre Fresnay and Junie Astor. The film was a co-production between the two countries, and was made at UFA's Berlin Studios. It was based on the 1849 play Adrienne Lecouvreur by Eugène Scribe and Ernest Legouvé about the life of the eighteenth century actress Adrienne Lecouvreur.
The Bureaucrats is a 1959 French comedy film directed by Henri Diamant-Berger and starring Noël-Noël, Philippe Clay and Jean Richard. It was shot at the Billancourt Studios in Paris. The film's art direction was by Roger Briaucourt. It is a remake of the 1936 film of the same title, with both based on a novel by Georges Courteline.
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