The Camera (Irish magazine)

Last updated

The Camera was a monthly magazine, for long being Ireland's only photography journal, which was printed and published in Dublin between 1921 and 1940. [1]

Contents

Audience

The magazine The Camera, published from 2 Crow Street Dublin, was aimed at amateur photographers throughout Britain and Ireland, and increasingly at numbers of those who made their own movies. Unlike other photographic magazines it gave little space to technique and hardware, [2] preferring articles on aesthetics and photographic styles, including Pictorialism and Modernism, in a critical, engaged manner when most Irish amateurs appear to have rejected modernism. [3] During the 1920s advertisements in The Camera marketed new photographic technologies to women, represented photography as a key part of family life and identity and also featured articles by ‘Focal Plane Jane’, who gave advice to women photographers. [4] [5]

Scope and influence

Until his death on June 29, 1929, its founding editor and publisher was journalist William Harding, [6] [7] a Dublin-based publisher and entrepreneur who also created the Dublin Camera Club (an offshoot of a much older group the Photographic Society of Ireland), [8] and the Irish photography Salon in Westmoreland Street. In 1923 in the decade after independence, Harding, in an editorial advocating for photography in Ireland as a means of national identity, [4] wrote: ‘In Scotland there are some seventy camera clubs, and in England between three and four hundred. Ireland’s camera clubs can be counted on the fingers of one hand. The facts speak for themselves.’ [9] He had an eye on the international scene both in Europe and in America where the editors of Camera: A Practical Magazine for Photographers wrote of him that he was “an enterprising editor…enthusiastic for the cause above his contemporaries...”, [10] though the British Journal of Photography showed less glowing enthusiasm for the Irishman. [2] Through a British Royal Photographic Society meeting in 1925 he agitated for a 'federation' of photographers from all fields whether amateur or professional and of manufacturers and distributors of photographic supplies, to give voice to their numbers. [11] In the January 30, 1925 issue of the British Journal of Photography, it was announced that his proposal was taken up. [12]

Reputation

The Camera established its reputation early and was acknowledged in 1925 by the U.S. publication Camera Craft to be "one of the foremost photographic magazines published in the United Kingdom." [13] It reproduced the work of beginners and of advanced artists exhibited at the Irish and international salons. Photographic portfolios of Pictorialist photographers, such as Emil Otto Hoppé and Dublin-born E. Chambré Hardman, were regularly featured. [3]

Related Research Articles

<span class="mw-page-title-main">Photography</span> Creating images by recording light

Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.

<span class="mw-page-title-main">Astrophotography</span> Imaging of astronomical objects

Astrophotography, also known as astronomical imaging, is the photography or imaging of astronomical objects, celestial events, or areas of the night sky. The first photograph of an astronomical object was taken in 1840, but it was not until the late 19th century that advances in technology allowed for detailed stellar photography. Besides being able to record the details of extended objects such as the Moon, Sun, and planets, modern astrophotography has the ability to image objects outside of the visible spectrum of the human eye such as dim stars, nebulae, and galaxies. This is accomplished through long time exposure as both film and digital cameras can accumulate and sum photons over long periods of time or using specialized optical filters which limit the photons to a certain wavelength.

<span class="mw-page-title-main">Pictorialism</span> Photography movement

Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.

<span class="mw-page-title-main">Alfred Stieglitz</span> American photographer (1864–1946)

Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe.

<i>Amateur Photographer</i> British photography magazine

Amateur Photographer is a British photography magazine, published weekly by Kelsey Media. The magazine provides articles on equipment reviews, photographic technique, and profiles of professional photographers.

<span class="mw-page-title-main">Anne Brigman</span> American photographer (1869–1950)

Anne Wardrope Brigman was an American photographer and one of the original members of the Photo-Secession movement in America.

Alma Ruth Lavenson was an American photographer active in the 1920s and 1930s. She worked with and was a close friend of Ansel Adams, Imogen Cunningham, Edward Weston and other photographic masters of the period.

<span class="mw-page-title-main">Boston Camera Club</span>

The Boston Camera Club is the leading amateur photographic organization in Boston, Massachusetts and vicinity. Founded in 1881, it offers activities of interest to amateur photographers, especially digital photography. It meets weekly from September to June. Membership is by dues. Anyone may join. Meetings are open free to the public.

<span class="mw-page-title-main">James Craig Annan</span>

James Craig Annan was a pioneering Scottish-born photographer and Honorary Fellow of the Royal Photographic Society.

<span class="mw-page-title-main">E. Chambré Hardman</span> Irish-born British photographer

Edward Fitzmaurice Chambré Hardman was an Irish-born photographer, based for most of his career in Liverpool, England. He was a landscape photographer by vocation, although his business was largely dependent on portraiture.

<span class="mw-page-title-main">Alfred Horsley Hinton</span> English photographer

Alfred Horsley Hinton was an English landscape photographer, best known for his work in the pictorialist movement in the 1890s and early 1900s. As an original member of the Linked Ring and editor of The Amateur Photographer, he was one of the movement's staunchest advocates. Hinton wrote nearly a dozen books on photographic technique, and his photographs were exhibited at expositions throughout Europe and North America.

<span class="mw-page-title-main">Catharine Weed Barnes</span> American photographer

Catharine Weed Barnes was an early American photographer who later lived in England. She was a strong supporter of women photographers.

<span class="mw-page-title-main">Bill Jay</span> British photographer and writer (1940–2009)

William Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine" Creative Camera (1968–1969); and founder and editor of Album (1970–1971). He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is known for his portrait photographs of photographers.

<i>Camera Craft</i> American monthly photography magazine

Camera Craft was a monthly American magazine subtitled "A photographic monthly".

The Camera: A Practical Monthly Magazine for Photographers was originally issued by the Columbia Photographic Society of Philadelphia under various subtitles, and continued publication until July 1953.

<i>The Photogram</i> Photography magazine published in the United Kingdom and USA 1894-1920

The Photogram (1894–1920) was a photography magazine published in the United Kingdom with an edition printed in America.

<i>Modern Photography</i> 20th-century American photo magazine

Modern Photography was a popular American photo magazine published and internationally distributed for 52 years from New York City. An unrelated Modern Photography magazine was published in Taiwan from 1976.

Sam Falk was an early- and mid-twentieth-century American photojournalist who worked for The New York Times from 1925 to 1969, and wrote and photographed for other publications.

<span class="mw-page-title-main">Photography in Canada</span>

Photographs have been taken in the area now known as Canada since 1839, by both amateurs and professionals. In the 19th century, commercial photography focussed on portraiture. But professional photographers were also involved in political and anthropological projects: they were brought along on expeditions to Western Canada and were engaged to document Indigenous peoples in Canada by government agencies.

Eva Grant is a Turkish-born Greek-British a glamour photographer who worked in the male-dominated glamour industry of the 1950s and early 1960s. She worked and lived in Britain and became known for her nude studies and her pocket magazine Line and Form, which ran for over forty issues.

References

  1. ↑ The camera, William Harding, 1921
  2. 1 2 News and notes. (1929). The British Journal of Photography (Archive : 1860-2005), 76(3609), 398-399.
  3. 1 2 Orla Fitzpatrick (2018) Photographic modernism on the margins: William Harding, The Camera and the Irish salons of photography, 1927 to 1939, Irish Studies Review, 26:3, 361-373
  4. 1 2 Erika Hanna (2014) Reading Irish Women's Lives in Photograph Albums, Cultural and Social History, 11:1, 89-109
  5. ↑ ‘The Correspondence of Focal Plane Jane’, The Camera, March 1924, p. 404.
  6. ↑ Photo-era magazine, vol. 63, A.H. Beardsley, 1929, p. 225, ISSN   0097-5885
  7. ↑ 'Passed Away' The newspaper world & advertising review. July 6, 1929, p.12. London: Benn Brothers.
  8. ↑ News and Notes. (1922). The British Journal of Photography (Archive : 1860-2005), pp. 406-407.
  9. ↑ ‘Photography in Ireland: A Review’, The Camera, June 1923, p. 346.
  10. ↑ Camera: A Practical Magazine for Photographers, 1925, Volume 31, p.170, Columbia Photographic Society.
  11. ↑ Table contents. (1924). The British Journal of Photography, 71(3325), 45.
  12. ↑ News and notes: THE R.P.S. AFFILIATION DINNER. (1925). The British Journal of Photography (Archive : 1860-2005), 72(3378), 69.
  13. ↑ Camera Craft, Volume 34, Issue 7, p. 335
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.