The Devil in the Convent is a 1950 Italian comedy film directed by Nunzio Malasomma and starring Gilberto Govi, Carlo Ninchi and Mariella Lotti.
His Last Twelve Hours is a 1951 French-Italian drama film directed by Luigi Zampa and starring Jean Gabin, Mariella Lotti and Elli Parvo. The film's sets were designed by the art director Gastone Medin. It was shot at the Centro Sperimentale di Cinematografia near Cinecittà in Rome.
What Price Innocence? is a 1952 Italian melodrama film directed by Luigi Capuano and starring Lída Baarová, Otello Toso and Mariella Lotti. The film's sets were designed by the art directors Peppino Piccolo and Gino Brosio.
Don Lorenzo is a 1952 Italian musical melodrama film directed by Carlo Ludovico Bragaglia and starring Luciano Tajoli, Rossana Podestà and Andrea Checchi. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art director Alberto Boccianti.
Solo per te Lucia is a 1952 Italian musical melodrama film directed by Franco Rossi and starring Mariella Lotti.
The Earth Cries Out is a 1948 Italian action-drama film directed by Duilio Coletti.
Due lettere anonime, internationally released as Two Anonymous Letters, is a 1945 Italian war-melodrama film directed by Mario Camerini.
Department Store is a 1939 Italian "white-telephones" comedy film directed by Mario Camerini.
Giacomo the Idealist is a 1943 Italian drama film directed by Alberto Lattuada and starring Massimo Serato, Marina Berti and Andrea Checchi. It represents the directorial debut of Lattuada.
The Brothers Karamazov is a 1947 Italian historical drama film directed by Giacomo Gentilomo and starring Fosco Giachetti, Lamberto Picasso and Mariella Lotti. It is based on the 1880 novel of the same title by Fyodor Dostoyevsky. It won two Nastro d'Argento Awards, for best screenplay and for best score. The film's sets were designed by the art director Alberto Boccianti.
Ten Italians for One German, is a 1962 Italian historical war drama film directed by Filippo Walter Ratti. It is a dramatization of the Fosse Ardeatine massacre.
For the Love of Mariastella is a 1946 Italian melodrama film written and directed by Pino Mercanti. Based on a story of the Sicilian writer Giuseppe Zucca, it was mainly shot in the tonnara of Castellammare del Golfo, with some scenes shot in the tonnaras of Scopello and of San Vito Lo Capo. It is considered as a progenitor of pink neorealism.
Hotel Luna, Room 34 is a 1946 Italian crime-thriller-melodrama film directed by Carlo Ludovico Bragaglia and starring Chiaretta Gelli, Carlo Campanini and Andrea Checchi.
Paolo e Francesca, also known as Legend of Love, is a 1950 Italian historical melodrama film directed by Raffaello Matarazzo and starring Odile Versois and Armando Francioli. It is loosely based on real life events of Paolo Malatesta and Francesca da Polenta.
The Black Captain is a 1951 Italian historical adventure film directed by Giorgio Ansoldi and Alberto Pozzetti and starring Steve Barclay, Marina Berti and Paul Muller.
Torrents of Spring is a 1942 Italian drama film directed by Nunzio Malasomma and starring Gino Cervi, Mariella Lotti and Vanna Vanni.
Tripoli, Beautiful Land of Love is a 1954 Italian comedy war film directed by Ferruccio Cerio and starring Alberto Sordi, Lyla Rocco and Fulvia Franco. It takes its title from a traditional song of the same name which features prominently on the soundtrack. The plot draws some inspiration from that of The Three Musketeers. It was shot in Ferraniacolor and took around 248 million lire at the Italian box office.
Goodbye Naples is a 1955 Italian melodrama film directed by Roberto Bianchi Montero and starring Tamara Lees, Andrea Checchi and Giorgio De Lullo.
Be Seeing You, Father is a 1948 Italian period comedy film directed by Camillo Mastrocinque and starring Gino Bechi, Mariella Lotti and Silvana Pampanini. The film's sets were designed by the art director Ottavio Scotti. The film was a breakthrough for Pampanini, who outshone the more established female star Lotti and rapidly gained appeal at the box office.
Rome, Free City is a 1946 Italian drama film directed by Marcello Pagliero and starring Valentina Cortese, Andrea Checchi, Marisa Merlini and Vittorio De Sica. The film's sets were designed by the art director Gastone Medin.
