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The Great Train Robbery is a 1903 American silent film made by Edwin S. Porter for the Edison Manufacturing Company. It follows a gang of outlaws who hold up and rob a steam train at a station in the American West, flee across mountainous terrain, and are finally defeated by a posse of locals. The short film draws on many sources, including a robust existing tradition of Western films, recent European innovations in film technique, the play of the same name by Scott Marble, the popularity of train-themed films, and possibly real-life incidents involving outlaws such as Butch Cassidy.
The following is an overview of the events of 1898 in film, including a list of films released and notable births. The Spanish–American War was a popular subject. Several films made by Col. William N. Selig dealt with the subject of war preparations at Camp Tanner in Springfield, Illinois, including Soldiers at Play, Wash Day in Camp and First Regiment Marching.
Vitagraph Studios, also known as the Vitagraph Company of America, was a United States motion picture studio. It was founded by J. Stuart Blackton and Albert E. Smith in 1897 in Brooklyn, New York, as the American Vitagraph Company. By 1907, it was the most prolific American film production company, producing many famous silent films. It was bought by Warner Bros. in 1925.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Life of an American Fireman is a short, silent film Edwin S. Porter made for the Edison Manufacturing Company. It was shot late in 1902 and distributed early in 1903. One of the earliest American narrative films, it depicts the rescue of a woman and child from a burning building. It bears notable similarities to the 1901 British short film Fire!, directed by James Williamson.
Charles John Musser is a film historian, documentary filmmaker, and a film editor. Since 1992, he has taught at Yale University, where he is currently a professor of Film and Media Studies as well as American Studies and Theater Studies. His research has primarily focused on early cinema, and topics such as Edwin S. Porter, Oscar Micheaux, race cinema of the silent era, Paul Robeson, film performance, as well as a variety of issues and individuals in documentary. His films include An American Potter (1976), Before the Nickelodeon: The Early Cinema of Edwin S. Porter (1982) and Errol Morris: A Lightning Sketch (2014).
Terrible Teddy, the Grizzly King is a 1901 American silent film directed by Edwin S. Porter. Produced by the Edison Manufacturing Company, it is the earliest known political satire in American film. It features three actors, all of whom are unknown.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
Execution of Czolgosz with Panorama of Auburn Prison is a 1901 silent film produced by the Edison Studios arms of Edison Manufacturing Company. The film is a dramatic reenactment of the execution of Leon Czolgosz by electric chair at Auburn Correctional Facility following his 1901 conviction for the assassination of William McKinley. It is considered an important film in the history of cinema.
Faust and Marguerite is a 1900 American silent trick film produced and distributed by Edison Manufacturing Company. It was directed by Edwin S. Porter and based on the Michel Carré play Faust et Marguerite and the 1859 opera Faust adapted from the play by Charles Gounod.
Parsifal is a 1904 American silent film produced by the Edison Manufacturing Company and directed by Edwin S. Porter. It is based on the 1882 opera Parsifal by Richard Wagner, and stars Adelaide Fitz-Allen as Kundry and Robert Whittier as Parsifal.
Dream of a Rarebit Fiend is a 1906 silent trick film directed by Edwin S. Porter for Edison Manufacturing Company. It is a seven-minute live-action film adaptation of the comic strip Dream of the Rarebit Fiend by American cartoonist Winsor McCay. The film was marketed as using several special effects in which "some of the photographic 'stunts' have never been seen or attempted before."
Daniel Boone; or, Pioneer Days in America is a 1907 American silent film directed by Wallace McCutcheon and Edwin S. Porter for the Edison Manufacturing Company. It starred Florence Lawrence, often called "the first movie star."
Waiting at the Church is a 1906 American silent film directed by Edwin S. Porter for the Edison Manufacturing Company.
Kansas Saloon Smashers is a 1901 comedy short film produced and distributed by Edison Studios. Directed by Edwin S. Porter, it is a satire of American activist Carrie Nation. The film portrays Nation and her followers entering and destroying a saloon. After the bartender retaliates by spraying Nation with water, policemen order them out; the identities of the actors are not known. Inspiration for the film was provided by an editorial cartoon which appeared in the New York Evening Journal.
The Count of Monte Cristo is a 1913 silent film adventure directed by Joseph A. Golden and Edwin S. Porter, based on the adapted play of Alexandre Dumas' 1844 novel of the same name by Charles Fechter, adapted on screen by Hampton Del Ruth. It starred James O'Neill, a stage actor and father of playwright Eugene O'Neill. James O'Neill had been playing Edmond Dantès most of his adult life and was famous in the role. Daniel Frohman and Adolph Zukor produced together. Edwin S. Porter co-directed with Joseph Golden, though this was probably necessary as Porter also served as the film's cinematographer. The film was released on November 1, 1913.
"Weary Willie" Kisses the Bride is a surviving 1904 silent comedy short film produced by Thomas Edison and directed by Edwin S. Porter and preserved from a paper print in the Library of Congress. The film was copyrighted as Nervy Nat Kisses the Bride, but sold as "Weary Willie". Another 1904 Porter short was released called "Weary Willie" Kidnaps a Child.
How Jones Lost His Roll is a 1905 silent short comedy film directed by Edwin S. Porter. The movie was popular for its clever use of animated title cards — the first example of stop-motion animation in American film.
Laura Comstock's Bag-Punching Dog is a 1901 silent short film directed by Edwin S. Porter. The film depicts a vaudeville act featuring Laura Comstock and her trained dog, a pit bull named Mannie. Comstock's act was currently appearing at Keith's Union Square Theatre.
The Old Maid Having Her Picture Taken is a 1901 silent short film directed by Edwin S. Porter in collaboration with George S. Fleming. The comic film depicts an unattractive old woman arriving at a photo studio to have her picture taken, and destroying all of the equipment through the power of her ugliness.
References
- ↑ Vitagraph - Edison (December 1898), The Cavalier's Dream (1898) , retrieved 2018-03-04
- ↑ Musser, Charles (1991). Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. University of California Press. pp. 511–512. Retrieved 1 February 2024.
- ↑ Niver, Kemp R. (1985). Early Motion Pictures: The Paper Print Collection in the Library of Congress. Washington, D.C.: Library of Congress. pp. 50–51. Retrieved 16 February 2024.
- ↑ The Cavalier's Dream (1898) , retrieved 2018-03-04
- ↑ "The Cavalier's Dream (1898)". Century Film Project. 2017-10-03. Archived from the original on March 4, 2018. Retrieved 2018-03-04.
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