Luigi Cervi, better known as Gino Cervi, was an Italian actor. He was best known for portraying Peppone in a series of comedies based on the character Don Camillo (1952–1965), and police detective Jules Maigret on the television series Le inchieste del commissario Maigret (1964–1972).
Accattone is a 1961 Italian drama film written and directed by Pier Paolo Pasolini. It was Pasolini's first film as a director and premiered at the Venice Film Festival. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."
Four Steps in the Clouds is a 1942 Italian comedy-drama film directed and co-written by Alessandro Blasetti, starring Gino Cervi and Adriana Benetti. It tells the story of a married man who agrees to act as the husband of a young pregnant woman who has been abandoned by her boyfriend. Aesthetically, it is close to Italian neorealism. It was shot at Cinecittà Studios in Rome. The film's sets were designed by Virgilio Marchi.
Don Camillo in Moscow is a 1965 Italian comedy film directed by Luigi Comencini. It was the fifth film in the Don Camillo series.
The Little World of Don Camillo is a 1952 Italian-French film directed by Julien Duvivier, starring Fernandel and Gino Cervi. It was the first film in the "Don Camillo" series, which made Fernandel an international star. The film was based on the novel Don Camillo by Italian author Giovannino Guareschi. It was followed in 1953 by The Return of Don Camillo, also directed by Duvivier.
An Adventure of Salvator Rosa is a 1939 Italian historical adventure film directed by Alessandro Blasetti and starring Gino Cervi, Luisa Ferida and Rina Morelli. It is set in seventeenth century Naples, then occupied by Spain, where a famous artist celebrated for his paintings of the rich leads a double life as a secret defender of the poor and oppressed.
Eternal Melodies is a 1940 Italian historical drama film directed by Carmine Gallone and starring Gino Cervi, Conchita Montenegro and Luisella Beghi. It was one of several musical biopics directed by Gallone. The film was shot at Cinecittà in Rome.
The Return of Don Camillo is a 1953 French-Italian comedy film directed by Julien Duvivier and starring Fernandel, Gino Cervi and Édouard Delmont. The film's sets were designed by Virgilio Marchi. It was the second of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe 'Peppone' Bottazzi, the Communist Mayor of their rural town.
Sad Loves is a 1943 Italian historical drama film directed by Carmine Gallone and starring Jules Berry, Gino Cervi and Andrea Checchi. It was based on the play of the same title by Giuseppe Giacosa. It was made at Cinecittà in Rome. It is set in the 1880s.
Don Camillo's Last Round is a 1955 French-Italian comedy film directed by Carmine Gallone and starring Fernandel, Gino Cervi and Leda Gloria. It was the third of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe "Peppone" Bottazzi, the Communist mayor of their rural town. The film had 5,087,231 admissions in France.
Don Camillo: Monsignor is a 1961 French-Italian comedy film directed by Carmine Gallone, starring Fernandel and Gino Cervi. The French title is Don Camillo Monseigneur and the Italian title is Don Camillo monsignore... ma non troppo. It was the fourth of five films featuring Fernandel as the Italian priest Don Camillo and his struggles with Giuseppe 'Peppone' Bottazzi, the Communist mayor of their rural town. In this instalment, Don Camillo has become a monsignor and Peppone a senator.
A Pocketful of Chestnuts Italian: Le castagne sono buone) is a 1970 Italian comedy film directed by Pietro Germi.
My Widow and I is a 1945 Italian comedy film directed by Carlo Ludovico Bragaglia and starring Vittorio De Sica, Isa Miranda and Gino Cervi.
The Flame That Will Not Die is a 1949 Italian war drama film directed by Vittorio Cottafavi and starring Gino Cervi, María Denis and Leonardo Cortese. It is based on the story of Salvo D'Acquisto, a Carabinieri officer who died to save others being executed by the Germans during the Second World War.
The White Angel is a 1943 Italian drama film directed by Giulio Antamoro, Federico Sinibaldi and Ettore Giannini and starring Emma Gramatica, Filippo Scelzo and Beatrice Mancini. It was shot at the Farnesina Studios of Titanus in Rome. The film's sets were designed by the art director Angelo Zagame. It was adapted from the novel I figli di nessuno by Ruggero Rindi, previously made into a 1921 silent film and later into a 1951 film of the same title.
The Sons of the Marquis Lucera is a 1939 Italian comedy film directed by Amleto Palermi and starring Armando Falconi, Caterina Boratto and Sergio Tofano. It is based on a play of the same name by Gherardo Gherardi.
Cardinal Lambertini is a 1934 Italian historical comedy film directed by Parsifal Bassi and starring Ermete Zacconi, Isa Miranda and Giulietta De Riso. It is based on the 1905 play of the same name by Alfredo Testoni, the title role of which Zacconi had played for many years on stage. The film was remade in 1954 starring Gino Cervi.
Cardinal Lambertini is a 1954 Italian historical comedy film directed by Giorgio Pastina and starring Gino Cervi, Nadia Gray and Arnoldo Foà. It is an adaptation of Alfredo Testoni's 1905 play Cardinal Lambertini, which had previously been turned into a 1934 film adaptation.
A Romantic Adventure is a 1940 Italian historical drama film directed by Mario Camerini and starring Assia Noris, Gino Cervi and Leonardo Cortese. It is inspired by the 1883 short story The Romantic Adventures Of A Milkmaid by Thomas Hardy. Produced when the two countries were at war, the setting was shifted from the English countryside of the late nineteenth century to Piedmont in the 1830s.
The Lady of the Camellias is a 1953 French-Italian historical drama film directed by Raymond Bernard and starring Micheline Presle, Gino Cervi and Roland Alexandre. It is based on the 1848 novel of the same title by Alexandre Dumas. It was shot in Gevacolour at the Billancourt Studios in Paris and on location around the city. The film's sets were designed by the art director Léon Barsacq.
