The Charlatan | |
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Directed by | George Melford |
Screenplay by | J. G. Hawks [1] Tom Reed |
Based on | The Charlatan by
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Starring | |
Cinematography | George Robinson |
Edited by | |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Country | United States [1] |
Languages | Sound (Part-Talkie) English Intertitles |
The Charlatan is a 1929 sound part-talkie film directed by George Melford for Universal Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film starred Holmes E. Herbert, Margaret Livingston and Rockliffe Fellowes. The film is based on the 1923 play The Charlatan by Leonard Praskins and Ernest Pascal. [1]
A wealthy socialite invites a carnival sideshow performer named Count Merlin to entertain her guests at a party. As the night goes on, a murder occurs and a dark secret from Merlin's past is revealed.
The film was based on the play The Charlatan by Ernest Pascal and Leonard Praskins. [1] The play was adapted by Robert N. Lee with dialogue by Jack Rollens and Tom Reed and intertitled by Reed. [1] Universal designed the film as one of their Jewel Productions for 1929. [2]
The Charlatan was released on April 14, 1929, as a part talkie featuring thirty percent of its running time with audible dialogue or talking sequences. [3] [ unreliable source? ] [4] The film had a 60-minute running time with a review in Variety stating that about 15 minutes of the film contained dialogue. [5]
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
Come Across is a 1929 sound part-talkie crime drama film, directed by Ray Taylor and starring Lina Basquette, Reed Howes and Flora Finch. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was distributed by Universal Pictures. The film is based on a short story by William Dudley Pelley which is entitled “The Stolen Lady.”
The Jazz Age (1929) is a sound part-talkie film starring Douglas Fairbanks Jr., Marceline Day, and Joel McCrea in his first leading role. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film, directed by Lynn Shores and written by Randolph Bartlett, was released by RKO Radio Pictures soon after RKO was created from Film Booking Offices of America, RCA, and the Keith-Albee-Orpheum theater chain.
Fancy Baggage is a 1929 American sound part-talkie drama film directed by John G. Adolfi and released by Warner Bros.. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film used the Vitaphone sound-on-disc system. The film stars Audrey Ferris and Myrna Loy.
The Midnight Taxi is a 1928 American early sound part-talkie thriller picture from Warner Bros. directed by John G. Adolfi and starring Antonio Moreno, Helen Costello, and Myrna Loy. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Beware of Bachelors is a 1928 American part-talkie pre-code comedy drama film produced and released by Warner Bros., and directed by Roy Del Ruth. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The movie stars Audrey Ferris, William Collier Jr., Margaret Livingston, Clyde Cook, and George Beranger. The film was based on a short story by Mark Canfield.
Not Quite Decent is a 1929 American sound part-talkie Pre-Code film, produced and distributed by Fox Film Corporation, directed by Irving Cummings, and starring June Collyer and Louise Dresser. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
The Bellamy Trial is a 1929 sound part-talkie American drama film directed by Monta Bell and written by Monta Bell and Joseph Farnham. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film stars Leatrice Joy, Betty Bronson, Edward J. Nugent, George Barraud, and Margaret Livingston. The film was released on January 23, 1929, by Metro-Goldwyn-Mayer.
Varsity is a lost 1928 American comedy Part-talkie sound film directed by Frank Tuttle, written by Howard Estabrook, George Marion Jr. and Wells Root, and starring Charles "Buddy" Rogers, Mary Brian, Chester Conklin, Phillips Holmes, Robert Ellis and John Westwood. It was released on October 27, 1928, by Paramount Pictures.
The Man and the Moment is a formerly lost 1929 sound part-talkie romantic comedy film directed by George Fitzmaurice and starring Billie Dove. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film survives in a copy of the International Sound Version. The sound of the domestic part-talkie version was synchronized to the surviving print of the international sound version. Because of this, many scenes feature intertitles shown immediately after the spoken dialogue conveying the same words. The talking sequences on the international sound version were muted with music and intertitles were inserted to convey the dialogue replaced in the appropriate foreign language. Therefore, intertitles were left in the talking sequences during the restoration to maintain synchronization with the Vitaphone soundtrack. The story is from a 1914 novel by Elinor Glyn, the famous novelist. The film was produced by Richard A. Rowland and released by First National Pictures. A British silent film had been film of the same story in 1918.
The Greyhound Limited is 1929 part-talkie talkie crime drama and railroad theme film directed by Howard Bretherton and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was produced and distributed by Warner Bros.. The film is a follow-up to the 1927 film The Black Diamond Express.
Love in the Desert is a 1929 American sound part-talkie drama film directed by George Melford and starring Olive Borden, Hugh Trevor, and Noah Beery. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system.
Caught in the Fog is a 1928 American sound part-talkie thriller film directed by Howard Bretherton and written by Charles R. Condon and Joseph Jackson. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars May McAvoy, Conrad Nagel and Mack Swain, and features Hugh Herbert, Charles K. Gerrard and Émile Chautard. The film was released by Warner Bros. on August 25, 1928.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
No Defense is a 1929 American sound part-talkie romantic drama film directed by Lloyd Bacon and starring Monte Blue. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film was distributed by Warner Brothers.
Courtin' Wildcats is a 1929 American sound part-talkie comedy Western film directed by Jerome Storm and produced by and starring Hoot Gibson. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the short story "Courtin' Calamity" by William Dudley Pelley, which had previously been filmed in 1924 as the silent western The Sawdust Trail. It was distributed through the Universal Pictures.
Girl Overboard is a lost 1929 sound part-talkie film, directed by Wesley Ruggles and starring Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was distributed by Universal Pictures.
Saturday's Children is a 1929 American sound part-talkie romantic-comedy film directed by Gregory La Cava, and starring Corinne Griffith, Grant Withers, Albert Conti, Alma Tell, Lucien Littlefield. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Vitaphone sound-on-disc process. The film was released by Warner Bros. on April 14, 1929. The film is based on the 1927 play Saturday's Children by Maxwell Anderson.
His Lucky Day is a 1929 American sound part-talkie comedy film directed by Edward F. Cline and written by John B. Hymer, Gladys Lehman and Albert DeMond. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film stars Reginald Denny, Lorayne Duval, Otis Harlan, Eddie Phillips, Cissy Fitzgerald and Harvey Clark. The film was released on June 2, 1929, by Universal Pictures.
It Can Be Done is a 1929 American sound part-talkie comedy film directed by Fred C. Newmeyer and written by Joseph F. Poland, Earle Snell, Nan Cochrane and Albert DeMond. The film stars Glenn Tryon, Sue Carol, Richard Carlyle, Richard Carle, Jack Egan and Tom O'Brien. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film was released on March 24, 1929, by Universal Pictures.
Released 14 April 1929 (as a part-talkie); 60 minutes