Related Research Articles
Orange Juice were a Scottish jangle pop band founded in the Glasgow suburb of Bearsden as the Nu-Sonics in 1976. They became Orange Juice in 1979, and became perhaps the most important band in the Scottish independent music scene that emerged in the post-punk era, inspired by contemporary punk bands including Subway Sect, Television, and Buzzcocks but also 1960s acts, most notably the Byrds and the Velvet Underground. Musically, the band brought together styles and genres that often appeared incongruous, for example, country, disco and punk.
The Pastels are an indie rock group from Glasgow formed in 1981. They were a key act of the Scottish and British independent music scenes of the 1980s, and are specifically credited for the development of an independent and confident music scene in Glasgow. The group has had a number of members, but currently consists of Stephen McRobbie, Katrina Mitchell, Tom Crossley, John Hogarty, Alison Mitchell and Suse Bear.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Snuff are a British punk rock band formed in Hendon in 1986. The original line-up was Duncan Redmonds on drums and vocals, Simon Wells on guitar and vocals and Andy Crighton on bass, with Dave Redmonds being added to the line-up on trombone before the release of Flibbiddydibbiddydob.
14 Iced Bears are a British indie pop band associated with the C86 music scene. Formed in Brighton in 1985, by Robert Sekula and Nick Emery the band featured a shifting line-up of musicians across their seven-year existence, centred on songwriter and vocalist Rob Sekula and guitarist/songwriter Kevin Canham. Their jangly indie pop was characterised by a fuzzy protopunk-influenced guitar sound, and saw them receive modest critical acclaim in Britain's music press as well as prompting disc jockey John Peel to recruit them to record a couple of sessions for his programme on BBC radio. The group released a handful of singles, including "Come Get Me" on the influential Sarah label, and two full-length albums: the eponymous 14 Iced Bears (1988), and Wonder (1991).
Fat Tulips were an indie pop band from Nottingham, England, who released one album, on the Vinyl Japan label, and over 10 singles on the band's own Heaven Records and others.
The Chesterfield Kings were a rock band from Rochester, New York, who began as a retro-1960s garage band, and who have heavily mined 1960s music, including some borrowing from the 1960s recordings of The Rolling Stones. Core members were former Distorted Level singer, underground music journalist and avid record collector Greg Prevost, and Andy Babiuk ; others have come and gone. The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Pandoras, The Malarians, Mystic Eyes, The Cynics, The Optic Nerve, the Secret Service, and the Stomachmouths.
Po! are an indie rock band formed in Leicester, England in 1987, with releases dating up to 1998 on Rutland Records, Sunday Records in the US and Elefant Records in Spain.
Razorcuts were an indie pop band formed in 1984 in London. The group centred on Gregory Webster and Tim Vass, with various musicians including Peter Momtchiloff of Heavenly and Talulah Gosh, Angus Stevenson, and New Zealand drummer David Swift. Early releases on the Subway Organisation label, including the debut "Big Pink Cake", led to a deal with Creation Records, for whom they released two albums.
Mighty Mighty are a British indie band formed in Birmingham, England, in the mid-1980s.
The Waltones were a British indie band from Manchester, England, who re-formed in September 2017.
The Membranes are an English post-punk band formed in Blackpool, Lancashire in 1977, the initial line-up being John Robb, Mark Tilton (guitar), Martyn Critchley (vocals) and Martin Kelly (drums). Critchley soon left, with Robb and Tilton taking on vocals, and Kelly moving to keyboards, with "Coofy Sid" (Coulthart) taking over on drums.
Velvet Crush is an American power pop band from Providence, Rhode Island, United States, that achieved prominence in indie-rock circles in the early- and mid-1990s. The band broke up in 1996 but re-formed in 1998 and have continued to record, releasing their most recent album in 2004. Vocalist/bassist Paul Chastain and drummer Ric Menck are the band's core members, having previously worked together as Choo Choo Train, Bag-O-Shells, and The Springfields, and they share singing and songwriting duties. Guitarist Jeffrey Underhill played on the band's first three albums, In the Presence of Greatness, Teenage Symphonies to God, and Heavy Changes. In the Presence of Greatness was produced by Matthew Sweet, while the second and third albums were produced by Mitch Easter.
BOB were an indie pop band from North London, England, formed in 1986.
The Sea Urchins were an indie pop band from West Bromwich, England formed in 1986. They were the first band to release a single on Sarah Records.
Formed in the mid-1980s by two brothers, Martin and Paul Kelly, East Village were an indie pop band from Princes Risborough, England.
CD86: 48 Tracks from the Birth of Indie Pop is a compilation album of artists from the original C86 era, released in 2006 by Sanctuary Records. It is compiled by Bob Stanley of Saint Etienne.
The Subway Organization was a British independent record label founded in 1985 in Bristol by Martin Whitehead.
C86 is a cassette compilation released by the British music magazine NME in 1986, featuring new bands licensed from British independent record labels of the time. As a term, C86 quickly evolved into shorthand for a guitar-based music genre characterized by jangling guitars and melodic power pop song structures, although other musical styles were represented on the tape. In its time, it became a pejorative term for its associations with so-called "shambling" and underachievement. The C86 scene is now recognized as a pivotal moment for independent music in the UK, as was recognized in the subtitle of the compilation's 2006 CD issue: CD86: 48 Tracks from the Birth of Indie Pop. 2014 saw the original compilation reissued in a 3CD expanded edition from Cherry Red Records; the 2014 box-set came with an 11,500-word book of sleevenotes by one of the tape's original curators, former NME journalist Neil Taylor.
References
- ↑ Larkin, Colin: The Guinness Who's Who of Indie and New Wave Music, 1992, Guinness, p. 58, ISBN 0-85112-579-4
- ↑ Strong, Martin C.: The Great Alternative & Indie Discography, 1999, Canongate, ISBN 0-86241-913-1
- ↑ "No solution to death mystery". Oxford Mail . Retrieved 20 June 2019.
- ↑ "C86 launch gig with Wedding Present, Membranes A Witness and others : live review". Louderthanwar.com. 18 April 2020. Retrieved 6 June 2020.
- ↑ Lazell, Barry (1997). Indie Hits 1980–1989. Cherry Red Books. ISBN 0-9517206-9-4.
| Authority control databases: Artists |
|---|
