The Chimera | |
---|---|
Written by | Thomas Odell |
Date premiered | 19 January 1721 [1] |
Place premiered | Lincoln's Inn Fields Theatre |
Original language | English |
Genre | Comedy |
The Chimera is a 1721 comedy play by the British writer Thomas Odell.
The original Lincoln's Inn Fields cast included Anthony Boheme as Lord Gracebubble, William Bullock as Selfroth, Christopher Bullock as Ninnyhammer, George Pack as Teartext and Anna Maria Seymour as Lady Meanwell.
Whig and Tory is a 1720 comedy play by the British writer and actor Benjamin Griffin. Griffin himself starred as Sir John Indolent with Mrs Gulick as Charlotte. John Harper played Sir Roland Heartfree, Christopher Bullock was Ned Indolent, Lacy Ryan was Reynard and William Bullock was Coblecause.
The Northern Heiress is a 1716 comedy play by the Irish-born writer Mary Davys. Its fuller title is The Northern Heiress, or, The Humours of York.
Kensington Gardens is a 1719 comedy play by the Irish actor John Leigh. It is also known as Kensington Gardens, or, The Pretenders. It follows the attempts of several suitors to woo a wealthy rich widow, and the serious of complications that ensue.
The Half-Pay Officers is a 1720 comedy play by the Irish writer Charles Molloy. The play included popular scenes from Henry V, Much Ado About Nothing and Love and Honour. It proved popular with audiences and was revived on a number of occasions. It premiered with the farce Hob's Wedding as an afterpiece.
The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.
The Traitor is a 1718 tragedy by the British writer Christopher Bullock. It was a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces.
A Woman's Revenge, or a Match in Newgate is a 1715 comedy play by the British writer Christopher Bullock. It was originally performed as an afterpiece to another work The Lucky Prodigal. With its Newgate Prison setting and cynical references to corruption, it could be regarded as a precursor to John Gay's hit The Beggar's Opera of a decade later.
The Capricious Lovers is a 1725 comedy play by the British writer Gabriel Odingsells. The play revolves around a vain militia colonel.
The Dissembled Wanton is a 1726 comedy play by the British writer Leonard Welsted.
Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.
'Tis Well if it Takes is a 1719 comedy play by the British writer William Taverner.
Hob's Wedding is a 1720 farce by the Irish writer John Leigh.
Hanging and Marriage is a 1722 farce by the British writer Henry Carey. Written as an afterpiece it premiered at Lincoln's Inn Fields Theatre accompanying a revival of Dryden's The Spanish Friar.
The Compromise is a 1722 comedy play by the British writer John Sturmy.
The False Friend is a 1702 comedy play by the English writer John Vanbrugh. It was inspired by Francisco de Rojas Zorrilla's Spanish play La traición busca el castigo.
She Would and She Would Not is a 1702 comedy play by the English actor-writer Colley Cibber.
The Perplexed Couple is a 1715 comedy play by the Irish writer Charles Molloy.
The Doating Lovers: Or, the Libertine Tam'd is a 1715 comedy play by the Irish writer Newburgh Hamilton.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
The Cobbler of Preston is a 1716 comedy play by Christopher Bullock, although a separate play of the same title and was written by Charles Johnson the same year. An one-act afterpiece it is the origin of the phrase "Tis impossible to be sure of anything but Death and Taxes". In the preface to the published version Bullock suggested that he had begun writing the play just four days before it's premiere. It takes inspiration from the The Taming of the Shrew by William Shakespeare, and is set in Preston. The town had recently been scene of action during the 1715 Jacobite Rebellion at the Battle of Preston. Bullock's play does not overtly reference the recent rebellion, but has undertones supportive of the Hanoverian Dynasty.