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Sarah Bernhardt was a French stage actress who starred in some of the more popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours around the world, and she was one of the early prominent actresses to make sound recordings and to act in motion pictures.
Alexandre-Pierre Georges Guitry, known as Sacha Guitry, was a French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre. He was the son of a leading French actor, Lucien Guitry, and followed his father into the theatrical profession. He became known for his stage performances, particularly in boulevardier roles. He was also a prolific playwright, writing 115 plays throughout his career. He was married five times, always to rising actresses whose careers he furthered. Probably his best-known wife was Yvonne Printemps to whom he was married between 1919 and 1932.
Harry Baur was a French actor.
Charles-Marie Vanel was a French actor and director. During his 76-year film career, which began in 1912, he appeared in more than 200 films and worked with many prominent directors, including Alfred Hitchcock, Luis Buñuel, Jacques Feyder, and Henri-Georges Clouzot. He is perhaps best remembered for his role as a desperate truck driver in Clouzot's The Wages of Fear for which he received a Special Mention at the Cannes Film Festival in 1953.
Léontine Lippmann (1844–1910), better known by her married name of Madame Arman or Madame Arman de Caillavet, was the muse of Anatole France and the hostess of a highly fashionable literary salon during the French Third Republic. Madame Verdurin in Proust's Remembrance of Things Past was modelled on Lippmann.
David Wayne Menefee is an American writer and editor from Fort Worth, Texas. After his work as a journalist for the Dallas Times Herald, he wrote and published several works about stars of the silent film era. In addition, he has served as an editor on numerous other books.
If Paris Were Told to Us is a 1956 French historical film directed and written by Sacha Guitry. The admissions in France were 2,813,682 people.
The Pearls of the Crown is a 1937 French comedy film of historically based fiction by Sacha Guitry who plays four roles in it. Guitry's Jean Martin investigates the history of seven pearls, four of which end up on the crown of England, while the other three initially go missing.
La Poison is a 1951 French comedy drama film, written and directed by Sacha Guitry, starring Michel Simon and Louis de Funès.
Life Together is a 1958 French comedy film directed by Clément Duhour. It features an ensemble star cast including Fernandel, Pierre Brasseur Lilli Palmer, Danielle Darrieux, Jean Marais, Edwige Feuillère, Gérard Philipe and Sophie Desmarets. The screenplay was written by Sacha Guitry, his final work before his death the same year.
René Fauchois was a French dramatist, librettist and actor. Stagestruck from his youth, he moved from his native Rouen to Paris as a teenager to pursue a stage career. He had early success both as an actor and as a playwright. Among those with whom he collaborated as his career flourished were Sarah Bernhardt and Sacha Guitry. His career lasted for more than sixty years, and his output was prolific.
Le Destin fabuleux de Désirée Clary is a French film released in September 1942, black and white, written and directed by Sacha Guitry. The film concerns the life of Désirée Clary, the daughter of a Marseilles merchant, who became Queen of Sweden and the founder of a dynasty.
Mary Marquet was a French stage and film actress.
The Théâtre Édouard VII, also called théâtre Édouard VII – Sacha Guitry, is located in Paris between the Madeleine and the Opéra Garnier in the 9th arrondissement. The square, in which there is a statue of King Edward the Seventh, was opened in 1911. The theatre, which was originally a cinema, was named in the honour of King Edward VII, as he was nicknamed the "most Parisian of all Kings", appreciative of French culture. In the early to mid 1900s,under the direction of Sacha Guitry, the theatre became a symbol of anglo-franco friendship, and where French people could discover and enjoy Anglo Saxon works. French actor and director Bernard Murat is the current director of the theatre. Modern "boulevard comedies" and vaudevilles are often performed there, and subtitled in English by the company Theatre in Paris. Important figures in the arts, cinema and theatre have performed there, including Orson Welles, Eartha Kitt, and more. Pablo Picasso created props for a play at the Théâtre Edouard VII in 1944.
Charles Dechamps was a French stage and film actor. He married the comedian Fernande Albany on 19 November 1925. He died in 1959, and was buried at cimetière du Père-Lachaise.
Léon Walther was a French film and stage actor who played on numerous occasions in Sacha Guitry's films and plays.
This is a list of the notable roles played by the French actress Sarah Bernhardt, including both stage roles and early motion pictures, with the year of the first performance. This list does not include one-time performances or revivals. Roles first performed by Bernhardt are noted as premieres.
Quadrille is a 1938 French comedy film directed by Sacha Guitry and starring Guitry, Gaby Morlay and Jacqueline Delubac. It was shot at the Joinville Studios in Paris and on location around the city. The film's sets were designed by the art director Jean Perrier. The title refers to the quadrille, a dance in which the participants keep changing partners. It was later remade as a film of the same title by Valérie Lemercier.
Raymond Agnel (1893–1967) was a French cinematographer. Agnel began working during the silent era and was active until the 1950s, collaborating with directors such as Jean Renoir and Maurice Tourneur.
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- ↑ Menefee p.39
