The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Gerrit Dou, also known as GerardDouw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Jan Lievens was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens' career took him away from Amsterdam to London, Antwerp, The Hague and Berlin.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Leonaert Bramer, also Leendert or Leonard, was a Dutch painter known primarily for genre, religious, and history paintings. Very prolific as a painter and draftsman, he is noted especially for nocturnal scenes which show a penchant for exotic details of costume and setting. He also painted frescos—a rarity north of the Alps—which have not survived, as well as murals on canvas, few of which are extant. Bramer is one of the most intriguing personalities in seventeenth-century Dutch art.
Willem Kalf was one of the most prominent Dutch still-life painters of the 17th century, the Dutch Golden Age. We first get acquainted with Willem Kalf through Arnold Houbraken, in his Groot Schilderboek, who speaks very highly of him. In fact, Kalf was a highly regarded and celebrated artist during his own lifetime. This was due to his extensive art knowledge and what we gain from Houbraken, his affable personality. His claim to fame now rests mostly on his mature still lifes, pronkstilleven in Dutch, which feature the most exotic and luxurious objects. This can be seen in for example, Still life with nautilus beaker and porcelain lidded bowl from 1662, which became an iconic piece of western art.
Arnold Houbraken was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of Dutch Golden Age painters.
The Continence of Scipio, or The Clemency of Scipio, is an episode in the life of the Roman general Scipio Africanus, recounted by the historian Livy. During Scipio's campaign in Spain during the Second Punic War, he refused to accept a ransom for a young female prisoner, returning her to her fiancé Allucius, who in return became a supporter of Rome. Scipio's magnanimous treatment of a prisoner was regarded as an exemplar of mercy during warfare in classical times. Interest in the story revived in the Renaissance and the episode became a popular topic for literary works, visual arts, and operas.
Cornelis Kruseman was a Dutch painter, draughtsman, etcher, lithographer, silhouettist, paper-cut artist, and art collector. His works included portraits, biblical scenes, and depictions of Italian peasant life.
Jan van de Cappelle was a Dutch Golden Age painter of seascapes and winter landscapes, also notable as an industrialist and art collector. He is "now considered the outstanding marine painter of 17th century Holland".
The auricular style or lobate style is a style of ornamental decoration, mainly found in Northern Europe in the first half of the 17th century, bridging Northern Mannerism and the Baroque. The style was especially important and effective in silversmithing, but was also used in minor architectural ornamentation such as door and window reveals, picture frames, and a wide variety of the decorative arts. It uses softly flowing abstract shapes in relief, sometimes asymmetrical, whose resemblance to the side view of the human ear gives it its name, or at least its "undulating, slithery and boneless forms occasionally carry a suggestion of the inside of an ear or a conch shell". It is often associated with stylized marine animal forms, or ambiguous masks and shapes that might be such, which seem to emerge from the rippling, fluid background, as if the silver remained in its molten state.
Adam van Vianen was a leading silversmith of the early Dutch Golden Age, who trained as an engraver and was also a medallist. Unlike his brother Paul van Vianen, he spent little time away from his native Utrecht. Together they developed the auricular style which bridges the gap between Northern Mannerist and Baroque ornament.
The Art Gallery of Jan Gildemeester Jansz is a painting created by the Dutch painter Adriaan de Lelie in 1794–95. It is part of the collection of the Rijksmuseum Amsterdam, executed in oil paint on panel. It depicts the art collector Jan Gildemeester Jansz in the midst of his large collection of paintings, showing them to friends.
TheMemorial Guild Cupby Adam van Vianen is a 1614 silver-gilt covered ewer in the Rijksmuseum, commissioned by the Amsterdam goldsmiths' guild to commemorate the death of Adam's brother Paulus van Vianen. It is an iconic symbol of the auricular style developed by the two brothers.
Christiaen van Vianen was a Dutch silversmith and draughtsman. He was the son of Adam van Vianen and worked in his father's auricular style as a silversmith and designer, also working in Germany and England.
Marcus Curius Dentatus refuses the gifts of the Samnites is a 1656 painting by Govert Flinck. It shows the Roman consul Marcus Curius Dentatus, preferring turnips to an offer of gold and silver objects, including the Memorial Guild Cup by Adam van Vianen. It hangs in the same spot for which it was painted, in the former mayors' rooms of the Royal Palace of Amsterdam.
Isaac Blessing Jacob is a 1642 religious painting by Gerbrand van den Eeckhout. It shows Jacob kneeling at the bed of his blind father Isaac under the watchful eye of his mother Rebecca as he receives his brother Esau's blessing. It is in the collection of the Metropolitan Museum of Art.
Vereniging Rembrandt is a Dutch association of art patrons who raise funds to assist Dutch museums and art galleries in purchasing artworks. Since it was founded in 1883, it has helped purchase over two thousand works, including Vermeer's The Milkmaid.
