The Counterfeit Bridegroom | |
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Written by | Aphra Behn |
Date premiered | September 1677 |
Place premiered | Dorset Garden Theatre, London |
Original language | English |
Genre | Restoration Comedy |
The Counterfeit Bridegroom; Or, The Defeated Widow is a 1677 comedy play. [1] The work's authorship is usually credited to Aphra Behn has been alternatively been attributed to Thomas Betterton. [2] It was inspired by Thomas Middleton's Jacobean play No Wit, No Help Like a Woman's .
It was originally performed by the Duke's Company at the Dorset Garden Theatre in London. The cast included Anthony Leigh as Sir Oliver Santloe, John Bowman as Peter Santloe, Thomas Gillow as Sanders, John Crosby as Noble, Joseph Williams as Hadland, Thomas Percival as Sir Gregory Lovemuch, Henry Norris as Gazer, John Richards as Sam, Anne Shadwell as Clarina, Margaret Osborne as Widow Laudwell and Elizabeth Currer as Mrs Hadland. [3]
The Royalist is a 1682 comedy play by the English writer Thomas D'Urfey. It was staged at the Dorset Garden Theatre by the Duke's Company, shortly before the merger that created the United Company. It is set during the Commonwealth Era following the English Civil War.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Slighted Maid is a 1663 comedy play by the English writer Robert Stapylton.
The English Princess; Or, The Death Of Richard The Third is a 1667 tragedy by the English writer John Caryll. It is set around the downfall of Richard III. It was performed at Lincoln's Inn Fields by the Duke's Company. Although the full cast is unknown it included Thomas Betterton as Richard III, Henry Harris as Duke of Richmond and William Smith as Sir William Stanley. In his diary Samuel Pepys described it as a "a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are" At the end of the show actress Moll Davis came on stage to dance a jig and announcer the next day's performance.
The Country Wit is a 1676 comedy play by the English writer John Crowne, part of the tradition of Restoration Comedy. It was first staged at the Dorset Garden Theatre in London by the Duke's Company. The cast included Samuel Sandford as Sir Thomas Rash, Thomas Betterton as Ramble, James Nokes as Sir Mannerly Shallow, Henry Harris as Merry, Cave Underhill as Booby, Matthew Medbourne as Lord Drybone, Anthony Leigh as Rash, Mary Betterton as Lady Faddle, Mary Lee as Christina, Elizabeth Currer as Betty Frisque and Elinor Leigh as Isabella.
The Counterfeits is a 1678 comedy play by the English writer John Leanerd. It was staged by the Duke's Company at the Dorset Garden Theatre with a cast that included Anthony Leigh as Don Gomez, Thomas Gillow as Don Luis, Thomas Betterton as Vitelli, Henry Harris as Antonio, Matthew Medbourne as Carles, William Smith as Peralta, Thomas Percival as Dormilon, Cave Underhill as Fabio, Joseph Williams as Crispin, John Richards as Tonto, Mary Lee as Elvira, Emily Price as Violante and Anne Shadwell as Flora.
The She-Gallants is a 1695 comedy play by the English writer George Granville. It was first staged by Thomas Betterton's Company at the Lincoln's Inn Fields Theatre in London.
The Cutter of Coleman Street is a comedy play by the English writer Abraham Cowley. It premiered at the Lincoln's Inn Fields Theatre on 16 December 1661, performed by the Duke's Company. Cowley had originally written it in 1658 during the English Commonwealth era. The title refers to Coleman Street in the City of London. The Royalist Cowley inserted lines mocking the recent republican government of England, including Thomas Harrison who had been executed for regicide the previous year. Although it was released during the Restoration period, along with The Committee its debt to earlier traditions mean that it not a full Restoration comedy in the style that would flourish after George Etherege's The Comical Revenge in 1664.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies. The play holds importance for the literary historian for Etherege's employment of two separate language styles. The style employed in the verbal sparring between Sir Frederick and the Widow would set the standard for the language of the Restoration comedy. The subtitle refers to the comical subplot which deals with the locking up of Dufoy, servant of Sir Frederick, in a tub by the chambermaids Betty and Lettice.
Friendship in Fashion is a 1678 comedy play by the English writer Thomas Otway. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. It was part of the trend of Restoration Comedy that flourished during the era.
A True Widow is a 1678 comedy play by the English writer Thomas Shadwell. It was first staged by the Duke's Company at the Dorset Garden Theatre in London. The names of the original cast are unknown. The prologue was written by Shadwell's colleague John Dryden. It was published the following year and dedicated to Charles Sedley.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
Bury Fair is a 1689 comedy play by the English writer Thomas Shadwell. It is part of the tradition of Restoration Comedy that flourished during the era. It was first staged by the United Company at the Theatre Royal, Drury Lane in London.
The Disappointment; Or, The Mother In Fashion is a 1684 comedy play by the Irish writer Thomas Southerne. It was first performed by the United Company at the Theatre Royal, Drury Lane. The prologue was written by John Dryden.
Cuckold's Haven; Or, An Alderman No Conjurer is a 1685 comedy play by the Irish writer Nahum Tate. It was first staged at the Dorset Garden Theatre in London by the United Company. It was a reworking of George Chapman, Ben Jonson and John Marston's Eastward Ho.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
Madam Fickle; Or, The Witty False One is a 1676 comedy play by the English writer Thomas D'Urfey. It was first staged at the Dorset Garden Theatre by the Duke's Company.
A Fool's Preferment; Or, The Three Dukes Of Dunstable is a 1688 comedy play by the English writer Thomas D'Urfey. It is a reworking of John Fletcher's Jacobean work The Noble Gentleman. It was first performed by the United Company at the Dorset Garden Theatre in London. Henry Purcell composed the play's incidental music. It was his first major work composing for the theatre in seven years since Sir Barnaby Whigg.
Tunbridge Wells; Or, A Day's Courtship is a 1678 comedy play generally attributed to the English writer Thomas Rawlins. It was originally staged at the Dorset Garden Theatre in London by the Duke's Company. The names of the original actors are not known. It did not enjoy the same success as Rawlins' earlier work Tom Essence.
Sir Salomon; Or, The Cautious Coxcomb is a 1670 comedy play by the English writer John Caryll. It has often been staged under the title Sir Solomon Single. It was first performed by the Duke's Company at the Lincoln's Inn Fields Theatre in London. It is part of the tradition of Restoration comedy.
full text: https://quod.lib.umich.edu/e/eebo/A50792.0001.001?rgn=main;view=fulltext