The Crew of the Dora

Last updated
The Crew of the Dora
Besatzung Dora.jpg
Theatrical release poster
Directed by Karl Ritter
Starring
Release date
  • 1943 (1943)
CountryNazi Germany
LanguageGerman

The Crew of the Dora (German : Besatzung Dora) is a 1943 German film about Luftwaffe pilots. It depicts a love triangle involving two of them being overcome by their participation in battle together. [1]

Contents

The film was banned in 1944, because of the worsening war situation; while on leave one character inspires a girl with hopes of settling in the east, a dream that no longer appeared possible. [2]

Cast

Notes

Related Research Articles

<i>Führerprinzip</i> Principle of political authority in the Third Reich

In the political history of Germany, the Führerprinzip was the basis of executive authority in the government of Nazi Germany (1933–1945), which meant that the word of the Führer is above all written law, and that government policies, decisions, and offices all work towards the realisation of the will of the Führer. In practice, the Führerprinzip was the dictatorship of the leader to dictate the ideology and policies of a political party; therefore, such a personal dictatorship is a basic characteristic of Nazism. The Führerprinzip can be said in one sentence: "Unconditional authority downwards, highest responsibility upwards!" At each level of the pyramidal structure of power, the sub-leader (Unterführer) is subordinate to the superior leader and is responsible to him for all successes and failures. The identity of the supreme leader (Führer) and the people is absolute.

<i>Kolberg</i> (film) 1945 Nazi propaganda film

Kolberg is a 1945 Nazi propaganda historical film written and directed by Veit Harlan. One of the last films of the Third Reich, it was intended to bolster the will of the German population to resist the Allies.

Volksgemeinschaft is a German expression meaning "people's community", "folk community", "national community", or "racial community", depending on the translation of its component term Volk. This expression originally became popular during World War I as Germans rallied in support of the war, and many experienced "relief that at one fell swoop all social and political divisions could be solved in the great national equation". The idea of a Volksgemeinschaft was rooted in the notion of uniting people across class divides to achieve a national purpose, and the hope that national unity would "obliterate all conflicts - between employers and employees, town and countryside, producers and consumers, industry and craft".

<span class="mw-page-title-main">Udo von Woyrsch</span> German Nazi politician and SS-Obergruppenführer

Udo Gustav Wilhelm Egon von Woyrsch was a Nazi Party politician and SS-Obergruppenführer in Nazi Germany who participated in the massacre of Jews in Poland, and was later convicted of being an accessory to manslaughter in connection with the Night of the Long Knives murders.

<i>Morgenrot</i> (film) 1933 film

Morgenrot is a 1933 German submarine film set during World War I.

<i>Refugees</i> (1933 film) 1933 film

Refugees is the 1933 German drama film, directed by Gustav Ucicky and starring Hans Albers, Käthe von Nagy, and Eugen Klöpfer. It depicts Volga German refugees persecuted by the Bolsheviks on the Sino-Russian border in Manchuria in 1928.

<i>Ohm Krüger</i> 1941 film by Hans Steinhoff, Herbert Maisch, Karl Anton

Ohm Krüger is a 1941 German biographical film directed by Hans Steinhoff and starring Emil Jannings, Lucie Höflich, and Werner Hinz. It was one of a series of major propaganda films produced in Nazi Germany attacking the United Kingdom. The film depicts the life of the South African politician Paul Kruger and his eventual defeat by the British during the Boer War.

<i>Frisians in Peril</i> 1935 Nazi Germany film

Frisians in Peril is a 1935 German drama film directed by Peter Hagen and starring Friedrich Kayßler, Jessie Vihrog and Valéry Inkijinoff. Made for Nazi propaganda purposes, it concerns a village of ethnic Frisians in Russia.

<span class="mw-page-title-main">Jagdstaffel 15</span> Military unit

Royal Prussian Jagdstaffel 15, commonly abbreviated to Jasta 15, was a "hunting group" of the Luftstreitkräfte, the air arm of the Imperial German Army during World War I. The unit would score over 150 aerial victories during the war, at the expense of seven killed in action, two killed in flying accidents, three wounded in action, one injured in a flying accident, and two taken prisoner of war.

<i>My Life for Ireland</i> Nazi propaganda film set in Ireland

My Life for Ireland is a 1941 German drama film, one of the many anti-British Nazi propaganda movies created during World War II. Directed by Max W. Kimmich, it tells a story of an Irish nationalist family and their involvement in the Irish struggle of independence over two generations. The film's sets were designed by the art directors Wilhelm Depenau and Otto Erdmann.

<i>The Ruler</i> 1937 film

The Ruler is a 1937 German drama film directed by Veit Harlan. It was adapted from the play of the same name by Gerhart Hauptmann. Erwin Leiser calls it a propagandistic demonstration of the Führerprinzip of Nazi Germany. The film's sets were designed by the art director Robert Herlth. Location shooting took place around Oberhausen and Pompeii near Naples. It premiered at the Ufa-Palast am Zoo in Berlin.

I Accuse is a 1941 Nazi German pro-euthanasia propaganda film directed by Wolfgang Liebeneiner and produced by Heinrich Jonen and Ewald von Demandowsky. It was developed to promote the involuntary euthanasia of disabled people conducted through the Aktion T4 mass murder program and to garner public support for the Nazi concept of life unworthy of life.

<span class="mw-page-title-main">Nazi propaganda and the United Kingdom</span>

Nazi propaganda towards the United Kingdom changed its position over time in keeping with Anglo-German relations. Prior to 1938, as the Nazi regime attempted to court the British into an alliance, Nazi propaganda praised the "Aryan" character of the British people and the British Empire. However, as Anglo-German relations deteriorated, and the Second World War broke out, Nazi propaganda vilified the British as oppressive German-hating plutocrats. During the war, it accused "perfidious Albion" of war crimes and sought to drive a wedge between Britain and France.

<i>Hitlerjunge Quex</i> (film) 1933 film

Hitlerjunge Quex,, is a 1933 German film directed by Hans Steinhoff, based on the similarly named 1932 novel Der Hitlerjunge Quex by Karl Aloys Schenzinger. It was released in the United States as Our Flag Leads Us Forward.

<i>Alarm in Peking</i> 1937 film

Alarm in Peking is a 1937 German adventure film directed by Herbert Selpin and starring Gustav Fröhlich, Leny Marenbach, and Peter Voß. It is set against the backdrop of the 1900 Boxer Rebellion in China. German filmmakers had frequently used China as a setting since the 1910s, but from 1931 onwards they made a series of films with political overtones. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Alfred Bütow and Willi Herrmann.

Jürgen Ohlsen was a German actor best remembered for portraying "Heini "Quex" Völker" in the 1933 Nazi propaganda film Hitlerjunge Quex.

<i>Stukas</i> (film) 1941 German film

Stukas is a 1941 Nazi propaganda film, directed by Karl Ritter and starring Carl Raddatz, which follows three squadrons of Luftwaffe dive-bomber (Stuka) flyers.

Ernst von Klipstein was a German film and television actor. von Klipstein became a prominent actor during the Nazi era, appearing in a large number of action films.

Hannes Stelzer was an Austrian film actor. Stelzer was a leading actor in German cinema during the Nazi era.

Legion Condor is a 1939 German war film directed by Karl Ritter and starring Paul Hartmann, Albert Hehn and Fritz Kampers. The film portrays the German Condor Legion, which fought in the Spanish Civil War. Because of the German-Soviet Pact, the production was halted after 15 days of shooting, on 25 August 1939 to avoid offending the Soviets, who had supported the other side in Spain and were negatively portrayed in the film. Karl Ritter's diary entry that day stated that Hermann Göring had called the Ufa studio to tell him to abort the film.

References

Further reading