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The Adventurers is a 1926 German silent adventure film directed by Rudolf Walther-Fein and starring Harry Liedtke, Erna Morena and Margarete Schlegel. The art direction was by Jacek Rotmil. The film was based on a novel by Rudolf Herzog. It premiered in Berlin on February 11, 1926.
Radio Magic is a 1927 German silent comedy film directed by Richard Oswald and starring Werner Krauss, Xenia Desni, and Fern Andra. The film's art direction was by Gustav A. Knauer and Willy Schiller. It premiered on 30 September 1927. The runtime is 60 minutes.
The Sandwich Girl is a 1933 German comedy film directed by Carl Boese and starring Lucie Englisch, Jakob Tiedtke, and Else Reval.
Eva in Silk is a 1928 German silent film directed by Carl Boese and starring Lissy Arna, Walter Rilla and Margarete Kupfer. It was shot at the National Studios in Berlin. The film's sets were designed by the art director Karl Machus.
The Holy Lie is a 1927 German silent film directed by Holger-Madsen and starring Otto Gebühr, Margarete Schlegel, and Paul Bildt.
Escape or Refuge is a 1928 German silent drama film directed by Carl Froelich and starring Henny Porten, Max Maximilian and Margarete Kupfer.
The Blue of Heaven is a 1932 German musical film directed by Victor Janson and starring Mártha Eggerth, Hermann Thimig, and Fritz Kampers. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Jacek Rotmil. It is set partly on the Berlin U-Bahn system.
A Day of Roses in August is a 1927 German silent film directed by Max Mack and starring Eduard von Winterstein, Margarete Schön, and Ernst Rückert. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter. The film takes place in August 1914 at the beginning of the First World War.
A Night in Paradise is a 1932 German musical film directed by Carl Lamac and starring Anny Ondra, Hermann Thimig and Ralph Arthur Roberts. A separate French-language version was also produced with the title Une nuit au paradis directed by Lamac and Pierre Billon. It was shot at the EFA Studios in Berlin. The film's art direction was by Otto Erdmann and Hans Sohnle.
The Tales of Hermann is a 1926 German silent film directed by Kurt Stanke and starring Margarete Kupfer, Hermann Picha, and Josef Reithofer.
The Sea Cadet is a 1926 German silent drama film directed by Carl Boese and starring Walter Slezak, Gerd Briese and Fritz Alberti. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Karl Görge.
What's Wrong with Nanette? is a 1929 German silent film directed by Holger-Madsen and starring Ruth Weyher, Georg Alexander and Harry Hardt.
Roses Bloom on the Moorland is a 1929 German silent historical drama film directed by Kurt Blachy and starring Wolfgang von Schwind, Hertha Guthmar and Betty Astor. During the Napoleonic Wars a German inhabitant is sentenced to death for striking a French soldier who assaulted his wife.
The Bank Crash of Unter den Linden is a 1926 German silent film directed by Paul Merzbach and starring Alfred Abel, Hans Albers, and Margarete Schlegel. It was produced by the German subsidiary of the Fox Film Company.
Victim of Love is a 1923 German silent drama film directed by Martin Hartwig and starring Lucy Doraine, Alfons Fryland, and Hermann Pfanz.
I Stand in the Dark Midnight is a 1927 German silent film directed by Max Mack and starring Grete Reinwald, Gerd Briese, and Helene von Bolváry.
The Golden Crown is a 1920 German silent film directed by Alfred Halm and starring Henny Porten, Paul Hartmann, and Hugo Pahlke.
The Rosentopf Case is a 1918 German silent comedy film directed by Ernst Lubitsch and starring Lubitsch, Trude Hesterberg and Margarete Kupfer.
Prince Cuckoo is a 1919 German silent drama film directed by Paul Leni and starring Conrad Veidt, Olga Limburg, and Magnus Stifter. It premiered at the Marmorhaus. It is now considered a lost film.
The Loves of Käthe Keller is a 1919 German silent drama film directed by Carl Froelich and starring Irmgard Bern, Paul Hartmann and Reinhold Schünzel.
References
- ↑ Krautz p.199
