The Cute Girl Network is a 2013 graphic novel written by Greg Means and M. K. Reed, with art by Joe Flood. It was published by First Second Books.
The Cute Girl Network is a 2013 graphic novel written by Greg Means and M. K. Reed, with art by Joe Flood. It was published by First Second Books.
When skateboard shop employee Jane becomes romantically interested in food cart operator Jack, she learns of the existence of the Network — an assembly of local single women who share information about the negative qualities of local single men, and who all recommend that she not pursue him.
Publishers Weekly described The Cute Girl Network as "a fun, fresh take on romance with a fascinating subtext about gender relations", and extolled the "snappy dialogue" and the "refreshing and reassuring" message. [1]
School Library Journal noted its "cartoon-like artwork" and "standard romantic comedy plot", and emphasized that it has "strong characters and emotional power", and is "minor" but "easy to love". [2]
Comic Book Resources found the story to be "adorable", and commended Means and Reed for "mak[ing] the tired will-they-won't-they storyline feel surprisingly fresh and relevant" and "get[ting] so many of the little things right", but nonetheless faulted Jack as "almost unbelievably stupid", Jane as filling too many "super-cool skater chick cliches", and Jack's roommates as "carelessly rendered". [3]
Paste considered it to be "warm, delightful, and occasionally surprising", and lauded Flood's portrayal of people for its "expressiveness", its "appealing simplicity", and its "nicely-varied cast, in terms of ethnicity [and] body type", but observed that when Flood illustrates backgrounds and environments, the level of detail "can be almost tiring": "a strange kind of excess, one that isn’t aiming to be showy, just kind of compulsively complete." [4]
At BoingBoing , Cory Doctorow called it "hilarious and sweet (....) without being saccharine", and compared it to the work of Kyle Baker. [5]
Cute Girl Network is set in the fictional city of "Brookport", a deliberate hybrid of Brooklyn (M. K. Reed's home) and Portland (Greg Means' home). [6]
Cory Efram Doctorow is a Canadian-British blogger, journalist, and science fiction author who served as co-editor of the blog Boing Boing. He is an activist in favour of liberalising copyright laws and a proponent of the Creative Commons organization, using some of their licences for his books. Some common themes of his work include digital rights management, file sharing, and post-scarcity economics.
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Sean Tejaratchi is an American graphic designer, art director and writer. He is currently based in Los Angeles, California. Tejaratchi is known for creating the clip art zine Crap Hound, and was voted one of "The 25 Funniest People on Twitter" by Rolling Stone in 2012 He later became known for his Tumblr blog LiarTownUSA.
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Bound by Law?: Tales from the Public Domain is a comic book about intellectual property law and the public domain published in 2008 by Duke University Press. Written by Keith Aoki, James Boyle and Jennifer Jenkins and supported by the Center for the Study of the Public Domain at the Duke Law School, the book was first released in a free digital edition under a Creative Commons license in 2006. The 2008 edition has an introduction by Cory Doctorow and a foreword by Davis Guggenheim.
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Jennifer Sheena "Jen" Wang is an American cartoonist, writer and illustrator based in Los Angeles. Wang has published graphic books including Koko Be Good,In Real Life, and The Prince and the Dressmaker. Wang is a co-founder and organizer for Los Angeles-based comics festival Comic Arts LA. Jen's art work has been published in Adventure Time and LA Magazine.
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The Influencing Machine: Brooke Gladstone on the Media is a nonfiction graphic novel by journalist Brooke Gladstone and cartoonist Josh Neufeld. Gladstone describes the book as "a treatise on the relationship between us and the news media." It was further described by the New York Observer as "a manifesto on the role of the press in American history as told through a cartoon version of herself." The title of the book refers to On the Origin of the "Influencing Machine" in Schizophrenia, a 1919 article written by psychoanalyst Viktor Tausk.
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