The Daisy Chain | |
---|---|
Background information | |
Origin | Fullerton, California, United States |
Genres | |
Years active | 1967 | –1968
Labels | United International Records |
Spinoffs | Birtha |
Spinoff of | The Ladybirds (1964–1967) |
Past members |
|
The Daisy Chain was an American all-female garage rock and psychedelic band from Fullerton, California who were active in the 1960s. They are remembered for their album Straight or Lame, released on United International Records in 1967.
The Daisy Chain was formed in Fullerton, California, which is part of Orange County, not far from Los Angeles. [1] [2] [3] Their lineup consisted of bandleader Michelle "Shele" Pinizzotto (née Tary, later Urquhart) on vocals, [4] Camille Orosco (alias Sherry Scott) on the organ, [5] : 1 Rosemary Butler (née Lane) on bass guitar, and Dee Dee Lea (née Bagby) on drums. [6] [7]
Members of the Daisy Chain, including Butler and Lea, [5] : 2 had earlier played in a high school band called the Ladybirds, formed during their attendance at Fullerton Union High School and named after Lady Bird Johnson, who gave the band her blessings in a 1964 press release. [8] Urquhart, while not a formal member of the Ladybirds, helped coach their vocals in the early phases of the band. [5] : 2 In late 1964, Ladybirds signed on to Cedwicke Records, a London imprint, cutting a single, "A Girl Without a Boy" backed with "To Know Him Is to Love Him", in the same year. [9] In 1965, they signed on to M.P.I. of the United States, cutting another single, a cover of the Pomus—Shuman song "Sweets for My Sweet" backed with "Why Must I Be Lonely" composed by Ladybirds member Marilisa Read. [10] The Ladybirds found modest success, opening for the Rolling Stones and touring internationally, including to Thailand and Vietnam in 1967. [11] [12]
Between October 1966 and September 1967, Lea and Butler split from the Ladybirds and formed a new band with Urquhart. [13] [12] [5] : 2 They initially called themselves the Rapunzels, then Lady Love, before deciding on The Good Lovin' (named after the Young Rascals' 1966 hit cover of "Good Lovin'"). When Orosco joined the group in 1967, the quartet rebranded as the Daisy Chain. [5] : 2 This name was coined by Lea and her husband John Hodge, who was also the band's manager. The name reflected their desire to "all be linked together", [6] while also being evocative of the burgeoning psychedelic sounds and "flower power" of the time. [1] In late 1967, [6] they released the album Straight or Lame for the United International label. [1] [14] [2] [3] The band sold over 5,000 copies of the LP within the first three weeks of publication; following this, they embarked on a national tour in early 1968, visiting the Southwest United States, Colorado, and Illinois. [6] They broke up shortly thereafter. [1]
In the aftermath of the breakup, Pinizzotto and Butler formed a new band called Birtha with Olivia Favela and Sherry Hagler. Birtha enjoyed considerably more commercial success, the group signing with a major label, ABC-Dunhill, in the early 1970s and releasing two studio albums and an assortment of singles, before disbanding in 1975. [15]
In the intervening years since their breakup, the Daisy Chain's work has come to the attention of garage rock and psychedelic enthusiasts. [1] In 2005 Sundazed Records reissued the Straight or Lame album on CD in its original mono mix, but with new liner notes including interviews with former band members. [1] [14] [2] [3]
The Lovin' Spoonful is an American folk-rock band formed in Greenwich Village, New York City, in 1964. The band was among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era. Beginning in July 1965 with their debut single "Do You Believe in Magic", the band had seven consecutive singles reach the Top Ten of the U.S. charts in the eighteen months that followed, including the number-two hits "Daydream" and "Did You Ever Have to Make Up Your Mind?" and the chart-topping "Summer in the City".
The Knickerbockers were an American garage rock band formed in Bergenfield, New Jersey in 1964. They released the 1965 hit "Lies", which was known for its resemblance to the Beatles. The band was formed in 1964 by the brothers Beau Charles and John Charles
Sundazed Music is an American independent record label founded in Coxsackie, New York and currently based in Hillsborough, North Carolina. It was initially known as a '60s-centric surf, garage, and psych label. Over time with the additions of imprints such as Modern Harmonic, Americana Anthropology, Beat Rocket, Dot Matrix Recordings, and Liberty Spike Recordings, their reach spans most genres and many decades while still firmly rooted as an archival label.
The Chesterfield Kings were a rock band from Rochester, New York, who began as a retro-1960s garage band, and who have heavily mined 1960s music, including some borrowing from the 1960s recordings of The Rolling Stones. Core members were former Distorted Level singer, underground music journalist and avid record collector Greg Prevost, and Andy Babiuk ; others have come and gone. The band, named after a brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched such groups as the Unclaimed, Marshmallow Overcoat, The Fuzztones, The Pandoras, The Malarians, Mystic Eyes, The Cynics, The Optic Nerve, the Secret Service, and the Stomachmouths.
The Remains were a mid-1960s American garage rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on the Beatles' final US tour in 1966.
Rosemary Ann Butler is an American singer. She began her career playing bass guitar and singing in an all-female band named the Ladybirds while attending Fullerton Union High School in Fullerton, California. The band appeared on several Los Angeles area television shows before opening for the Rolling Stones in 1964. She then joined all-female psychedelic rock band the Daisy Chain in 1967 and the all-female hard rock band Birtha in 1968, the latter of which released two albums for Dunhill Records. After they split in 1975, she became a popular back-up singer in the late 1970s and early 1980s. Her vocals were featured on Bonnie Raitt's album Sweet Forgiveness, on songs "Gamblin' Man", "Runaway", "Sweet Forgiveness" and "Two Lives". She was also featured in Bruce Springsteen, Tom Petty, and Jackson Browne's "Stay " during Springsteen and The E Street Band's 1979 "No Nukes" shows at Madison Square Garden.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
The Rising Storm is an American rock group that was active at Phillips Academy in Andover, Massachusetts, United States, between 1965 and 1967. Their music is considered to belong in the folk rock and garage rock genres. The original members of the group were Bob Cohan (guitar), Todd Cohen (bass), Charlie Rockwell (keyboards), Tom Scheft (drums), Tony Thompson, and Rich Weinberg.
Hums of the Lovin' Spoonful is the third studio album by the American folk rock band the Lovin' Spoonful. It was released in November 1966 by Kama Sutra Records. It peaked at No. 14 on the Billboard Pop Albums chart.
The Third Bardo was an American psychedelic and garage rock band from New York City, New York. Their name is a reference to the book The Tibetan Book of the Dead.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
The Pyramids were a surf group from Long Beach, California, United States, who formed in 1961. In early 1964, they made the Top 20 of the Billboard Hot 100 with their instrumental "Penetration". It proved to be the final major instrumental surf hit.
We the People was an American garage rock band from Orlando, Florida, that was formed in late 1965 and professionally active between 1966 and 1970. Although none of their singles charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. The song has subsequently been included on several compilation albums over the years.
1313 Mockingbird Lane is an American garage rock band whose name was inspired by the fictional address of the Munster Mansion in the 1964–1966 television series The Munsters. The group formed in the late 1980s in Albany, New York, touring extensively, and releasing at least nine different 45 rpm records, LP records, and CD recordings. The band had a full-page narrative dedicated to them in Timothy Gassen's book The Knights of Fuzz, about the garage rock and psychedelic music phenomenon of 1980–1995. Of thousands of bands covered in the book, Gassen listed 1313 Mockingbird Lane on his "all time Hot 100" list, which also included The Chesterfield Kings and the Flamin' Groovies.
The Mojo Men was an American rock band based in San Francisco. Formed in 1965, the group underwent several name and personnel changes until their 1969 breakup. Their highest-charting Billboard Hot 100 single was a cover of Buffalo Springfield's "Sit Down, I Think I Love You", which peaked at number 36 in 1967.
Birtha was an American all-female rock band of the early 1970s. Formed in Los Angeles, the band consisted of Shele Pinizzotto (guitar), Rosemary Butler (bass), Sherry Hagler (keyboards), and Olivia "Liver" Favela (drums). Each of the band members contributed lead vocals and harmonies.
No Way Out is the debut album by the American garage rock band The Chocolate Watchband, and was released in September 1967 on Tower Records. It blended both garage and psychedelic rock influences, and was marked by distorted guitar instrumentals that were early examples of protopunk. It features the band's harder-edged interpretations of songs, with only three original compositions. The album was preceded by two non-album singles, "Sweet Young Thing" and "Misty Lane", and track singles, "No Way Out" and "Are You Gonna be There ". However, none of the singles managed to chart. Like its singles, No Way Out failed to reach the Billboard 200, but it established the group as a popular live act, and later became noted as a garage rock classic.
The Liberty Bell was an American garage rock/psychedelic rock band from Corpus Christi, Texas who were active in the 1960s. They specialized in a blues-based brand of proto-punk influenced by British groups such as the Yardbirds. The band failed to reach wider audience in the time, but have come to the attention of garage rock collectors and enthusiasts in the intervening years since their breakup, with their work appearing on several compilations.
The Daybreakers were an American garage rock and psychedelic band from Muscatine, Iowa, who were active in the 1960s. They became one of the most popular bands in their region which included the Quad Cities. Jack Barlow, a popular DJ and country music recording artist had them record songs for a planned single at Columbia Recording Studios arranged a contract with Atlantic Records, who released the group's single on their Dial label featuring "Psychedelic Siren" which included siren sound effects generated by a primitive electronic device. Though the song became a big regional hit in Iowa, Atlantic lost interest in the band and they made no further recordings. In the intervening years, their work has come to the attention of garage rock enthusiasts and has been included of several compilations.