The Dark Star | |
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Directed by | Hermann Kugelstadt |
Written by |
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Produced by | Maria von der Osten-Sacken |
Starring | |
Cinematography | Günther Grimm |
Edited by | Luise Dreyer-Sachsenberg |
Music by | Bernhard Eichhorn |
Production company | Wega-Film |
Distributed by | Studio-Filmverleih |
Release date |
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Running time | 95 minutes |
Country | West Germany |
Language | German |
The Dark Star (German : Der dunkle Stern) is a 1955 West German drama film directed by Hermann Kugelstadt and starring Elfie Fiegert, Ilse Steppat and Viktor Staal. [1]
The film's sets were designed by the art director Heinrich Beisenherz.
It has never been screened on television in Germany. [2]
Ilse Paula Steppat was a German actress. Her husband was noted actor and director Max Nosseck.
Creature with the Blue Hand is a West German horror film directed by Alfred Vohrer and starring Harald Leipnitz, Klaus Kinski and Ilse Steppat. It is based on the 1925 novel The Blue Hand by Edgar Wallace and was part of a long-running series of adaptations made by Rialto Film. The film's plot involves the police tracking a killer known as the Blue Hand. It was shot at the Spandau Studios in Berlin. The film's sets were designed by the art director Walter Kutz and Wilhelm Vorwerg.
Viktor Staal was an Austrian film actor.
Between Yesterday and Tomorrow is a 1947 German drama film directed by Harald Braun and starring Hildegard Knef, Winnie Markus and Sybille Schmitz. It was part of both the cycle of rubble films and subgenre of hotel films. As with many other German rubble films, it examines issues of collective guilt and future rebuilding.
Toxi is a 1952 West German drama film directed by Robert A. Stemmle and starring Elfie Fiegert, Paul Bildt and Johanna Hofer. The film's release came as the first wave of children born to black Allied servicemen and white German mothers entered school.
Women for Golden Hill is a 1938 German drama film directed by Erich Waschneck and starring Kirsten Heiberg, Viktor Staal and Elfie Mayerhofer. The film's sets were designed by the art directors Gustav A. Knauer and Alexander Mügge. The all-male inhabitants of an Australian mining camp send off for some mail order brides from Sydney. Two men refuse to join in, but their friend secretly arranges two wives for them. Unfortunately one of them proves to be his own abandoned wife, who takes up with him again. This means a love triangle develops between the two men around the remaining woman.
Veronika the Maid is a 1951 West German drama film directed by Leopold Hainisch and starring Ilse Exl, Viktor Staal and Ilse Steppat. It was shot at the Göttingen Studios. The film's sets were designed by the art director Walter Haag.
The Sinister Monk is a 1965 West German thriller film directed by Harald Reinl and starring Karin Dor, Harald Leipnitz and Siegfried Lowitz. It is based on the 1927 play The Terror by Edgar Wallace and was part of a very successful series of German films inspired by his works.
The Exchange is a 1952 West German comedy film directed by Karl Anton and starring Viktor Staal, Carola Höhn, and Gertrud Kückelmann. It was made at the Bavaria Studios in Munich. The film's sets were designed by the art director Hans Sohnle.
When the Heath Dreams at Night is a 1952 West German drama film directed by Paul Martin and starring Rudolf Prack, Viktor Staal and Margot Trooger. It was shot in the Göttingen Studios and on Lüneburg Heath. The film's sets were designed by the art directors Carl Ludwig Kirmse and Walter Kutz.
House of Life is a 1952 West German drama film directed by Karl Hartl and starring Gustav Fröhlich, Cornell Borchers and Edith Mill. The film's setting is a maternity hospital, portraying the stories of various staff and patients.
When You're With Me is a 1970 West German film romance directed by Franz Josef Gottlieb and starring Roy Black, Lex Barker, and Zienia Merton.
The Man Who Wanted to Live Twice is a 1950 West German drama film directed by Viktor Tourjansky and starring Rudolf Forster, Olga Chekhova and Heidemarie Hatheyer. The future star Marianne Koch made her debut in this film, having been discovered by the director while working at the Bavaria Studios in Munich. The film's sets were designed by the art directors Franz Bi and Botho Hoefer. It was shot at the Bavaria Studios in Munich.
Girls Behind Bars is a 1949 West German drama film directed by Alfred Braun and starring Petra Peters, Richard Häussler and Edelweiß Malchin.
The Phantom of the Big Tent is a 1954 West German thriller film directed by Paul May and starring René Deltgen, Angelika Hauff and Ilse Steppat. It was shot at the Spandau Studios in Berlin, with location filming taking place at a circus in Spandau. The film's sets were designed by the art directors Hans Kuhnert and Theo Zwierski.
Doctor Solm is a 1955 West German drama film directed by Paul May and starring Hans Söhnker, Sybil Werden and Antje Weisgerber.
The Mistress of Solderhof is a 1955 West German drama film directed by Jürgen von Alten and starring Ilse Werner, Viktor Staal, and Harald Maresch.
Regine is a 1956 West German drama film directed by Harald Braun and starring Johanna Matz, Erik Schumann and Horst Buchholz. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
Hotel Sacher is a 1939 German drama film directed by Erich Engel and starring Sybille Schmitz, Willy Birgel, and Wolf Albach-Retty.
Love Has to Be Learned is a 1963 West German comedy film directed by Kurt Hoffmann and starring Martin Held, Barbara Rütting and Götz George. It was adapted by Erich Kästner from his own play.