"The Desert Song" | |
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Max Liebman Presents episode | |
Episode no. | Season 1 Episode 15 |
Directed by | Max Liebman |
Written by | William Friedberg Neil Simon Will Glickman |
Based on | The Desert Song |
Featured music | Sigmund Romberg |
Original air date | May 7, 1955 |
Running time | 75 minutes |
Guest appearances | |
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The Desert Song is an American live telecast of the 1926 operetta The Desert Song , which was based on a true event - an uprising of the Riff tribes against French colonial rule in Morocco in 1925.
The music for the operetta was composed by Sigmund Romberg. The book and the lyrics were written by Oscar Hammerstein II, Otto Harbach, Frank Mandel, and Laurence Schwab. Writers for the television adaptation were William Friedberg, Will Glickman and Neil Simon. First telecast live in the United States on May 7, 1955, the conductor for the production was Charles Sanford - while the choreographer for all of the dances and musical segments was Rod Alexander. Due to the time constraints for the live telecast, the television version had to be abridged and adapted and it is therefore slightly different from the original operetta. It was made two years after the film version of The Desert Song with Gordon MacRae and Kathryn Grayson.
The television version features the only surviving footage of Nelson Eddy in a complete live musical. [1] [2]
Max Liebman Presents was a United States series of spectaculars - presenting full musicals, plays or revues in live telecasts on NBC (from 1954 to 1956). The Desert Song was the fifteenth live broadcast of the series. [2] [3]
French efforts to turn Morocco into a modern colony are balked by a native Riff rebellion, led by the mysterious Red Shadow. Unknown to all, including his own father, the daring and fearless rebel leader is none other than Pierre, the unassuming son of the French commanding officer, General Birabeau. At the French military outpost, Pierre effectively conceals his Red Shadow identity by assuming a meek persona.
Pierre loves the lively and adventurous Margot. However Margot, who wants excitement in her life, only thinks of the amiable and mild-mannered Pierre as a friend. So Pierre, in his disguise as the Red Shadow, kidnaps Margot and takes her to the desert fortress of Ali Ben Ali, Caid of the Riff tribe. [4] [5] [6] It is here that the Red Shadow declares his love for Margot, and where Margot falls in love with the Red Shadow, despite not knowing his true identity.
When the Red Shadow refuses to fight a duel with General Birabeau, he loses the respect of his men and is banished to the desert. Pierre's alter ego as the Red Shadow is then revealed to his father and Margot, and all ends happily.
The live operetta was originally telecast on May 7, 1955 on NBC. [7] [8] [9] [10]
A DVD-version was published by Video Artists International. [1]
A retrospective review wrote, "The picture is a kinescope (a camera filming a television screen) and the sound is obviously not up to today’s standards. But it is such fun and a must for lovers of the old romantic times when Romberg gave the people what they wanted." [11]
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Berber fighters, against French colonial rule in Morocco. It was also inspired by stories of Lawrence of Arabia aiding native guerrillas. Many tales romanticizing Saharan North Africa were in vogue, including Beau Geste and The Son of the Sheik.
The New Moon is an operetta with music by Sigmund Romberg, lyrics by Oscar Hammerstein II and book by Oscar Hammerstein II, Frank Mandel, and Laurence Schwab. The show was the third in a string of Broadway hits for Romberg written in the style of Viennese operetta. Set around the time of the French Revolution, the story centers on a young French aristocrat in disguise, who has fled his country and falls in love with the daughter of a prominent New Orleans planter.
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The Desert Song is a 1929 American pre-Code operetta film directed by Roy Del Ruth and starring John Boles, Carlotta King, Louise Fazenda, and Myrna Loy. It was photographed partly in two-color Technicolor, the first film released by Warner Bros. to include footage in color. The film included a 10-minute intermission during which music was played.
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The Desert Song is a 1943 American musical film. It was directed by Robert Florey and starred Dennis Morgan, Irene Manning and Bruce Cabot. It is based on the 1926 operetta with music by Sigmund Romberg. It was nominated for an Academy Award for Best Art Direction.
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The Desert Song is a 1953 film version in Technicolor of Sigmund Romberg's operetta. It is the third film version of the operetta, the third made by Warner Bros., and the second in full three-strip Technicolor. Although it was released in 1953, it was not made in widescreen; at that time Twentieth-Century Fox held the rights to Cinemascope, which was introduced that year in the film The Robe.
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