The Despairing Lover is an English broadside ballad from the late-17th century, written by Edward Ford. It is about a man who loses his lover and vows to kill himself, until she saves him by returning at the end of the ballad. It is paired with A Constant and Kind Maid, in which the woman becomes the man's constant and loving wife. Sung to the tune of Fortune My Foe or Aim Not Too High, though according to William Chappell there is some controversy over the compatibility of these tunes. [1] Copies of the broadside can be found at the British Library, the National Library of Scotland, and Magdalene College, Cambridge. On-line facsimile transcriptions are also available for public consumption. [2]
The ballad is told from the perspective of a man who has despaired of life because he has lost his lover. He laments that he is dying of a broken heart, that he is going to become a poor pilgrim and wander the earth telling strangers of his miseries, and that he wishes he could find a deserted place where nobody had ever been before. He says his woman used to be loving, but then her smiles turned to frowns. Even though summer returns after winter, his lover will never return. Finally, when he decides to simply end his life by stabbing himself with a dagger, his lover runs toward him, smiling and blushing, and tells him not to do it. In the final stanza, the narrator tells all maidens to listen closely the end of the story, where he proves himself true and she comforts him.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"White Nights" is a short story by Fyodor Dostoevsky, originally published in 1848, early in the writer's career.
"The King and the Beggar-maid" is a 16th-century broadside ballad that tells of an African king, Cophetua, and his love for the beggar Penelophon. Artists and writers have referenced the story, and King Cophetua has become a byword for "a man who falls in love with a woman instantly and proposes marriage immediately".
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Young Beichan", also known as "Lord Bateman", "Lord Bakeman", "Lord Baker", "Young Bicham" and "Young Bekie", is a traditional folk ballad categorised as Child ballad 53 and Roud 40. The earliest versions date from the late 18th century, but it is probably older, with clear parallels in ballads and folktales across Europe. The song was popular as a broadside ballad in the nineteenth century, and survived well into the twentieth century in the oral tradition in rural areas of most English speaking parts of the world, particularly in England, Scotland and Appalachia.
King Edward the Fourth and a Tanner of Tamworth is an English-language folk song, first published in 1564. Versions of this ballad also exist outside the Child collection. Additional copies can be found at the British Library, the University of Glasgow Library, and the Pepys Library at Magdalene College. These ballads' dates, by estimation of the English Short Title Catalogue, range from the early seventeenth century to as late as 1775. The ballad is most recognized by its opening line: "In summer time, when leaves grow green." Child describes the appeal of this ballad to be centered on the chance meeting with a king, which is also a recurring theme in tales of Robin Hood.
"King John and the Bishop" is an English folk-song dating back at least to the 16th century. It is catalogued in Child Ballads as number 45 and Roud Folk Song Index 302.
"The Cuckoo" is a traditional English folk song, also sung in the United States, Canada, Scotland and Ireland. The song is known by many names, including "The Coo-Coo", "The Coo-Coo Bird", "The Cuckoo Bird", "The Cuckoo Is a Pretty Bird", "The Evening Meeting", "The Unconstant Lover", "Bunclody" and "Going to Georgia". In the United States, the song is sometimes syncretized with the other traditional folk song "Jack of Diamonds". Lyrics usually include the line : "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies."
The Bride's Burial is an English Broadside ballad that dates back to the beginning of the 17th century that is best known by its opening verse, "Come mourn, come mourn with me/ you loyal lovers all." Copies of "The Bride's Burial" can be found at the Huntington Library, the British Library, the Glasgow University Library, the National Library of Scotland, and the Pepys Library.
Kentish Dick is an English Broadside ballad that dates back, from estimation by the English Short Title Catalogue, to the 1670s. The full title is: "Kentish Dick; Or, The Lusty Coach-Man of Westminster. With an Account how he Tickled the Young Lasses and Caused their Sad Lamentation." It is most recognized by the tune to which it is set, "Let Mary Live Long." The ballad's opening lines are, "In Westminster Town/ you there may discover/ a wavering lover." Extant copies of the ballad can be found at the University of Glasgow Library, the British Library and the National Library of Scotland.
Love in a Maze is an English broadside ballad that dates back, from estimation by the English Short Title Catalogue, to the 1640s, which immediately coincides with the publication of James Shirley's play, The Changes, or Love in a Maze, in 1639. The full title of the ballad is: "Love in a MAZE: / OR, The Young-man put to his Dumps. / Here in this Song you may behold and see / A gallant Girl obtain'd by Wit and Honesty; / All you that hear my Song, and mark it but aright, / Will say true love's worth gold, and breeds delight." It is set to the tune of, "The True Lovers Delight; Or, The Cambridge Horn." The ballad's opening lines are, "LAte in the Morning as I abroad was walking,/All in a meadow green, I heard two Lovers talking;." Extant copies of the ballad can be found at the Glasgow University Library, the British Library, the Huntington Library, the Pepys Library at Magdalene College, and the National Library of Scotland.
A Pleasant New Song Betwixt a Sailor and His Love is an English broadside ballad from the 17th century. It tells the story of a sailor who is reunited with his lover in England after a long time at sea. They vow that they were constant and true to each other while he was away, and promise to stay together in England from that moment forward. It is sung to the tune of Dulcina. Copies of the ballad can be found in the University of Glasgow Library and Magdalene College, Cambridge.
Lady Isabel's Tragedy, or "The Lady Isabella's Tragedy; or, The Step-Mother's Cruelty" is a broadside ballad, which dates from, by estimation of the English Short Title Catalogue, as early as 1672 and as late as 1779—suggesting its popularity and positive reception. The ballad begins, "There was a Lord of worthy Fame." Copies of the ballad can be found at the National Library of Scotland, the British Library, University of Glasgow Library, the Huntington Library, and the Pepys Library at Magdalene College. Alternatively, online facsimiles of the ballad are available for public consumption at sites like the English Broadside Ballad Archive. The ballad has notable connections to the stories of Snow White, the myth of Philomela, and Titus Andronicus.
An Admirable New Northern Story is an English broadside ballad from the late 17th century. It tells the story of Constance and Anthony, two lovers who are constant to each other despite two years of separation. When Anthony has to leave England, Constance dresses like a man and joins his ship's kitchen crew in order to stay with him. After a shipwreck, they are separated for two years in Spain. When they finally see each other again by chance, they are reunited and return to England to be married. Also known as "Constance and Anthony." Sung to the Tune of "I Would Thou Wert in Shrewsbury." Copies of the broadside can be found in the British Library, the University of Glasgow Library, the National Library of Scotland, and Magdalene College, Cambridge. On-line facsimiles of the ballad are also available for public consumption.
Amintor's Lamentation for Celia's Unkindness is an English broadside ballad from the 17th century that tells the story of a young man who falls in love the coy Celia who does not love him back, and leaves the country to avoid him. The ballad begins with Amintor lamenting her refusal to return his love, and concludes with Celia's response, in which she accuses Amintor of using charm and arts to try to steal her purity. Sung to the tune of "Since Celia's My Foe." Copies of the broadside can be found in the British Library and the National Library of Scotland. On-line transcriptions of the ballad are also available for public consumption.
Coridon and Parthenia or "Coridon and Parthenia, The Languishing Shepherd made Happy. Or, Faithful Love rewarded" is a broadside ballad, which dates from, by estimation of the English Short Title Catalogue, the last three decades of the seventeenth century. The ballad begins, "When busie Fame ore all the Plain,/ Parthenias Praises rung." Copies of the ballad can be found at the National Library of Scotland, the British Library, and the University of Glasgow Library. Alternatively, online facsimiles of the ballad are available for public consumption.
The Honour of a London Prentice is an English broadside ballad from the late 17th century. The ballad is a nationalistic celebration of England. It follows an English apprentice who goes to Turkey and wins the respect of the King and the hand of the Turkish Princess through heroic deeds. He defends Queen Elizabeth, and eventually gets the Turkish King to agree that no country is better than England, and no government is better than that of Queen Elizabeth. Sung to the tune of All You That Love Goodfellows. Copies of the broadside can be found in the British Library, the National Library of Scotland, and Magdalene College, Cambridge. Facsimile transcriptions are also available on-line for public consumption.
The Wandering Virgin is an English broadside ballad from the late 17th century. The narrator warns fellow virgins not to be too coy unless they also want to wander the world round looking for the lover who has given up on their courtship. She tells the story of how she dresses like a man and travels over sea, land, desert, and forest to find her love. Sung to the tune of Over Hills and High Mountains, or Ah! Chloris Awake, depending on the broadside. Copies of the broadside are available in National Library of Scotland, the University of Glasgow Library, the British Library, and Magdalene College, Cambridge.
The Lamentation of Cloris or "The Lamentation of Cloris, For the Unkindness of her Shepherd" is a broadside ballad, which dates from, by estimation of the English Short Title Catalogue, 1678-1680. The ballad begins, "MY Shepherd's unkind,/ alas, what shall I do?." Copies of the ballad can be found at the National Library of Scotland, the British Library, the Pepys Library at Magdalene College, and the University of Glasgow Library. Alternatively, online facsimiles of the ballad are available for public consumption. The nucleus of the ballad centers around a cuckolding and the justification for marital infidelity.
The Sailor's Departure From His Dearest Love is an English broadside ballad from the 17th century, about a sailor and his lover saying goodbye just as the sailor's ship leaves. Sung to the tune of Adieu My Pretty One. Copies of the broadside can be found at the British Library, the University of Glasgow Library, the National Library of Scotland, and Magdalene College, Cambridge.