Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
Paul Konrad Müller was a Swiss actor who appeared mostly in Italian films. His motion picture acting career in Europe spanned a period of 51 years.
Love in the City is a 1953 Italian anthology film composed of six segments, each with its own director. The segments and filmmakers are: Paid Love, Attempted Suicide, Paradise for Three Hours, Marriage Agency, Story of Caterina, and Italians Stare.
Ave Maria Ninchi was an Italian supporting actress who played character roles on stage, television, and in over 98 feature films that included Tomorrow Is Too Late (1949) and Louis Malle's Murmur of the Heart (1971) and Lacombe, Lucien (1974).
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites.
The Last Days of Pompei is a 1926 Italian historical silent drama film. The film was directed by Carmine Gallone and Amleto Palermi based on the 1834 novel The Last Days of Pompeii by Edward Bulwer-Lytton. Original release prints of the film were entirely colorized by the Pathechrome stencil color process.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Caterina Mancini was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s.
Gianni Poggi was an Italian tenor, particularly associated with the Italian repertory.
Benedetto Pamphili was an Italian cardinal, patron of the arts and librettist for many composers.
The Old Lady is a 1932 Italian comedy film directed by Amleto Palermi. It features Vittorio De Sica in his first sound film.
The Man with the Claw is a 1931 Italian mystery film directed by Nunzio Malasomma and starring Dria Paola, Carlo Fontana, and Elio Steiner. It was made at the Cines Studios in Rome with sets designed by the art director Daniele Crespi. The film is one of several regarded as a possible precursor to the later giallo genre. A separate German version The Paw was also produced.
The Two Sergeants is a 1936 Italian historical drama film directed by Enrico Guazzoni and starring Evi Maltagliati, Gino Cervi and Mino Doro. It was based on the play The Two Sergeants by Theodore d'Aubigny, which has been made into films several times. It is set in the Napoleonic Wars. The film marked the debut of Alida Valli who had until recently been a student of the Centro sperimentale di cinematografia. Valli went on to be a leading star of Italian cinema.
Nella Maria Bonora was an Italian actress of film, radio and stage. She also worked as a prominent voice actress, dubbing foreign films for release in the Italian market.
Carlo Gualandri (1895–1972) was an Italian film actor.
The Former Mattia Pascal is a 1937 Italian drama film directed by Pierre Chenal and starring Pierre Blanchar, Isa Miranda and Irma Gramatica. It is based on the 1904 novel Il fu Mattia Pascal by Luigi Pirandello. The film was shot at the Cines Studios in Rome. A separate French-language version was also made, under the title The Man from Nowhere.
The Last Adventure is a 1932 Italian comedy film directed by Mario Camerini, starring Armando Falconi and Diomira Jacobini.
La conversione e morte di San Guglielmo is a sacred musical drama in three parts by the Italian composer Giovanni Battista Pergolesi. The libretto, by Ignazio Mancini, is based on the life of Saint William of Aquitaine as recounted by Laurentius Surius. It was Pergolesi's first stage work—albeit not properly an opera— possibly written as a study exercise for his conservatory. The work was premiered at the Monastery of Sant'Agnello Maggiore, Naples in the summer of 1731.
Capri-Revolution is a 2018 Italian-French period drama film co-written and directed by Mario Martone. It was selected to be screened in the main competition section of the 75th Venice International Film Festival.
The Wedding March is a 1934 Italian comedy film directed by Mario Bonnard and starring Tullio Carminati, Cesare Bettarini, and Assia Noris. The film's sets were designed by the art director Gastone Medin. A French-language version titled La marche nuptiale with Madeleine Renaud was also released in 1935.
