The Doors Open

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First edition The Doors Open.jpg
First edition

The Doors Open, published by Hodder and Stoughton in England in 1949 and by Walker and Company in the United States in 1962, is the third novel by the British mystery and thriller writer Michael Gilbert. Gilbert, who was appointed CBE in 1980, was a founder-member of the British Crime Writers' Association. The Mystery Writers of America named him a Grand Master in 1988 [1] and in 1990 he was presented Bouchercon's Lifetime Achievement Award. [2] Like his first two books, it features Inspector Hazlerigg, although not in a major role. It is, in fact, a very diffuse book in terms of its characters. Angus McMann, who was the chief protagonist of Gilbert's previous book, They Never Looked Inside, is briefly mentioned on the first page and makes a later appearance as a minor character. Hazlerigg does not appear until page 24 and thereafter only at intervals throughout the book. There are, in actuality, three other protagonists who, along with Hazlerigg, share the role of driving the narrative. One is Noel Anthony Pontarlier Rumbold ("Nap"), a junior solicitor in his father's London firm. Nap had spent four months on dangerous missions with the French maquis in occupied France during the war and is, apparently, still a Lieutenant-Colonel, D.S.O. A few years later he will be a main character in Gilbert's well-received novel Death Has Deep Roots . Patrick (Paddy) Yeatman-Carter, an acquaintance of Nap's, is another lead character, as is his uncle, Alfred Lord Cedarbrook, a man with an astonishing background, much sought after by both the Foreign Office and the War Office during WWII and now, apparently, still affiliated with the Secret Service. As well as being a linguist, explorer, soldier, and diplomat, he also has a law degree. All three of them, to one degree or another, carry out private investigations, sometimes with the backing of Hazlerigg, sometimes not.

Contents

Style and Contents

As in some of his other early novels, Gilbert does not seem to have made up his mind about what kind of a narrative style to use. It is a third-person narrative, told by an omniscient narrator, but it veers between straightforward description, somewhat chatty semi-humorousness or facetiousness, and occasional hard-boiled grimness. It might in fact, be an early prototype of what later came to be called a caper novel. However, befitting Gilbert's status as a practicing solicitor, there are also numerous scenes set in one kind of court or another, and a number of other scenes revolving around finance and financial institutions, all of them done with his customary expertise.

Plot and Title

Stripped of all narrative complications, the basic story is simple. First Yeatman-Carter, then Nap, and finally Cedarbrook, become suspicious of the activities of a venerable, well-known London insurance company that is now being run, unbeknownst to its august Board of Directors, in a fraudulent manner by its manager, James Legate. Although Legate is actually a long-time, clandestine Communist, possibly even a Soviet agent, Legate is a competent businessman who has made Stalagmite into an important company while making himself a very wealthy man. He is, however, in actuality, defrauding the company, knowingly bringing it close to financial ruin, and feathering his own nest in the process. As Paddy, Nap, and Cedarbrook try to determine what is actually happening, Legate takes ruthless action to defend his position, instigating at least two murders and attempting to kill, or at least seriously injure all three of the amateur investigators. Legate represents a recurring character in many of Gilbert's novels: an apparently upright, prosperous businessman who is actually either the secret head of a criminal organization or simply a dishonest and highly corrupt man of affairs.

In a Prologue to the novel, we are given an example of incongruous cause and supposed effect and are told that this aptly describes the events to follow. This may be true, but it may not be apparent to all readers.

Reception and/or Later Appraisals

The New York Times did not review it upon its American publication in 1962 and there are no discernible British reviews. The only easily found appraisal is in Barzun and Taylor's encyclopedic Catalogue of Crime :

The author's least satisfactory work. The usually competent Inspector Hazlerigg stays on the sidelines while a pair of male amateurs (too reminiscent of the bright young things of the thirties) look into possible crookedness in a large insurance firm, thus inviting the usual sequence of non-fatal retaliation. [3]

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<i>Death in Captivity</i> 1952 WWII mystery novel by Michael Gilbert

Death in Captivity is a mystery novel by the British crime writer Michael Gilbert, first published in the United Kingdom in 1952 by Hodder and Stoughton and in the United States by Harper & Brothers as The Danger Within. It was Gilbert's sixth novel and, unlike his previous ones, does not feature Chief Inspector Hazlerigg in any way. Nor is it set in Gilbert's usual locales of London, the English countryside, or France. Instead, while it has many of the elements of the classic detective story, it is also a gripping novel of mounting suspense that takes place in a 1943 prisoner of war camp for British officers in northern Italy—it was the first of Gilbert's numerous later works that would feature suspense and danger as much or more as elements of detection. Gilbert himself had been a British officer during the war, was captured, and interned in an Italian camp. He escaped and spent several months making his way through the Italian countryside trying to reach the British lines. Much of this book apparently reflects his own experiences. It was the basis of a 1959 British film, Danger Within, that closely followed the events in the book. H.R.F. Keating, who wrote Gilbert's obituary for The Guardian, said that "Gilbert's time as a PoW prompted Death In Captivity (1952), surely the only whodunnit set in a prisoner-of-war camp."

<i>Ring of Terror</i> (novel)

Ring of Terror is a mystery-suspense novel by the British crime writer Michael Gilbert, first published in the United Kingdom in 1995 by Hodder and Stoughton and in the United States by Carroll & Graf. It was Gilbert's 28th novel and the first of three featuring his final set of recurring characters, Luke Pagan and Joe Narrabone. Set in the reign of Edward VII, during the first decade of the 20th century, it was also the first of Gilbert's historical mysteries. Along with its fictional characters and situations, there are references to actual events of the time, such as the Siege of Sidney Street, and Winston Churchill plays a minor role as Home Secretary. Gilbert, who was appointed CBE in 1980, was a founder-member of the British Crime Writers' Association. The Mystery Writers of America named him a Grand Master in 1988 and in 1990 he was presented Bouchercon's Lifetime Achievement Award.

Inspector Bill Mercer is a detective created by the British crime and mystery writer Michael Gilbert. He is the leading character in the 1972 novel The Body of a Girl, a somewhat hardboiled police procedural, and appears later in at least three short stories. On the first page of the novel, "Detective Inspector William Mercer received... confirmation of his promotion to chief inspector and his appointment in charge of the CID at Stoneferry on Thames, which is one of the larger upriver stations of Q Division of the Metropolitan Police."

References

  1. "Michael Gilbert (obituary)". The Telegraph. 10 February 2006. Retrieved 13 November 2012.
  2. "History of Guests of Honor". Bouchercon World Mystery Convention. Retrieved 5 July 2014.
  3. Jacques Barzun & Wendell Hertig Taylor, A Catalogue of Crime, Harper & Row, New York, "Second Impression Corrected", 1973, page 208
Attribution
This article incorporates material from the Citizendium article "The Doors Open", which is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License but not under the GFDL.