| The Drag-Net | |
|---|---|
 | |
| Directed by | Vin Moore |
| Written by |
|
| Produced by | |
| Starring | |
| Cinematography | Edward A. Kull |
| Edited by | |
Production company | Burroughs-Tarzan Pictures |
| Distributed by | Burroughs-Tarzan Pictures |
Release date |
|
Running time | 61 minutes |
| Country | United States |
| Language | English |
The Drag-Net is a 1936 American crime film directed by Vin Moore and starring Rod La Rocque, Marian Nixon and Betty Compson. [1] It was made as a second feature at the Talisman Studios in Hollywood.
A young playboy attorney is fired from his father's firm due to his lifestyle. He instead takes a job with the district attorney's office taking on a major crime gang.
Betty Compson was an American actress and film producer who got her start during Hollywood's silent era. She is best known for her performances in The Docks of New York and The Barker, the latter of which earned her an Academy Award nomination for Best Actress.
Roderick Ross La Rocque was an American actor.
The Canadian Curling Hall of Fame was established with its first inductees in 1973. It is operated by Curling Canada, the governing body for curling in Canada, in Orleans, Ontario.
The Miracle Man is a 1919 American silent drama film starring Lon Chaney and based on a 1914 play by George M. Cohan, which in turn is based on the novel of the same title by Frank L. Packard. The film was released by Paramount Pictures, directed, produced, and written by George Loane Tucker, and also stars Thomas Meighan and Betty Compson. The film made overnight successes of the three stars, most notably putting Chaney on the map as a character actor.
The Locked Door is a 1929 American pre-Code drama film directed by George Fitzmaurice, and starring Rod LaRocque, Barbara Stanwyck, William "Stage" Boyd and Betty Bronson. It is based on the 1919 play The Sign on the Door by Channing Pollock. The play was first adapted for the screen in 1921 as The Sign on the Door, starring Norma Talmadge. It was Stanwyck's first starring role and first talking film.
Suspicion is the title of an American television mystery drama series which aired on the NBC from 1957 through 1958. The executive producer of half of the filmed episodes (10) of Suspicion was film director Alfred Hitchcock.
International Crime is a 1938 American film featuring a loose version of The Shadow directed by Charles Lamont starring Rod La Rocque and Astrid Allwyn.
Escort Girl is a 1941 American crime drama film directed by Edward Kaye and starring Betty Compson, Margaret Marquis and Robert Kellard. It was produced and distributed by the independent company Continental Pictures. It is also known by the alternative title Scarlet Virgin.
Kick In is a 1922 American silent crime drama film produced by Famous Players–Lasky, distributed by Paramount Pictures, and starring Betty Compson and Bert Lytell. The picture was directed by George Fitzmaurice, who previously directed a 1917 film version of the story. Both films are based on Willard Mack's 1913 play that was produced on Broadway in 1914 starring John Barrymore. The supporting cast features Charles Ogle, who had played the first screen Frankenstein's monster in the original 1910 version of Frankenstein.
Larocque is a French language surname found primarily in Quebec, Nova Scotia, Prince Edward Island, Ontario, and the New England region of the United States.
Scarlet Pages is a 1930 pre-Code American crime drama film with songs starring Elsie Ferguson and directed by Ray Enright. It was produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Elsie Ferguson, John Halliday, Grant Withers and Marian Nixon. Scarlet Pages is based on a 1929 Broadway play of the same name that Ferguson also starred in. It is similar in theme to the better remembered Five Star Final, also by Warners released a year later. The film simultaneously marked the first time Ferguson appeared in a sound film and the last film she ever made.
Frisco Waterfront is a 1935 American drama film directed by Arthur Lubin and Joseph Santley and starring Ben Lyon, Helen Twelvetrees and Rod La Rocque.
Here Comes Trouble is a 1948 American comedy film in the Hal Roach's Streamliners series. It was produced and directed by Fred Guiol and written by George Carleton Brown and Edward E. Seabrook. The film stars William Tracy, Joe Sawyer, Emory Parnell, Betty Compson and Joan Woodbury. It was released on March 15, 1948 by United Artists.
The Woman With Four Faces is a lost 1923 American silent crime melodrama film directed by Herbert Brenon and starring Betty Compson. Famous Players–Lasky produced while Paramount Pictures released. The story is based on a play, The Woman With Four Faces, by Bayard Veiller.
The Ladybird is a 1927 American silent crime film directed by Walter Lang and starring Betty Compson. It was produced by the B movie studio Chadwick Pictures. A print is housed in the Library of Congress collection.
Notorious but Nice is a 1933 pre-Code American sound film drama directed by Richard Thorpe and starring Marian Marsh, Betty Compson and Don Dillaway. It was produced and distributed by B movie studio Chesterfield Motion Pictures.
Taming the Wild, also known as Madcap, is a 1936 American comedy film directed by Bob Hill for producer Sam Katzman's poverty row studio Victory Pictures and starring Rod La Rocque.
Eyes of the Underworld is a 1942 American film noir crime film directed by Roy William Neill starring Richard Dix, Wendy Barrie and Lon Chaney Jr.
Hold 'Em Yale, alternately known as At Yale, is a 1928 American silent comedy film directed by Edward H. Griffith and starring Rod La Rocque, Jeanette Loff, and Hugh Allan. It was adapted from the Owen Davis play of the same name, and executive-produced by Cecil B. DeMille. The film was preserved by the Academy Film Archive in 2013.
Manhattan Butterfly is a 1935 American crime film directed by Lewis D. Collins and starring Dorothy Granger, William Bakewell and Kenneth Thomson.
 | This 1930s crime film-related article is a stub. You can help Wikipedia by expanding it. |