Related Research Articles
Gabriel Gabrio was a French stage and film actor whose career began in cinema in the silent film era of the 1920s and spanned more than two decades. Gabrio is possibly best remembered for his roles as Jean Valjean in the 1925 Henri Fescourt-directed adaptation of Victor Hugo's Les Misérables, Cesare Borgia in the 1935 Abel Gance-directed biopic Lucrèce Borgia and as Carlos in the 1937 Julien Duvivier-directed gangster film Pépé le Moko, opposite Jean Gabin.
The Scandal is a 1934 French romantic drama film directed by Marcel L'Herbier and starring Gaby Morlay, Henri Rollan, and Jean Galland. The film is based on a play written by Henry Bataille, which had previously been turned in a 1923 British silent film of the same title.
Homesick is a 1927 German silent drama film directed by Gennaro Righelli and starring Mady Christians, William Dieterle, and Ida Wüst. It was shot at the Terra Studios in Berlin. The film's art direction was by Hans Jacoby. It is set among a group of Russian émigrés living in Paris.
In the Name of the Law is a 1932 French crime film directed by Maurice Tourneur and starring Marcelle Chantal, Régine Dancourt and Gabriel Gabrio. It was based on a novel by Paul Bringuier. The film was well received by critics. Variety considered Marcelle Chantal's performance "her best so far in talkers".
Lucrezia Borgia is a 1935 French historical film directed by Abel Gance and starring Edwige Feuillère, Gabriel Gabrio and Maurice Escande. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art directors Henri Ménessier and René Renoux. Feuillère's performance was widely acclaimed by critics, and significantly boosted her career.
Harvest is a 1937 French drama film directed by Marcel Pagnol, starring Fernandel, Orane Demazis, Marguerite Moreno and Gabriel Gabrio. The narrative revolves around a farming village where only three inhabitants remain, but they are told that if only one of them, Panturle, manages to find a wife, the village will be able to prosper again. The film is based on the 1930 novel Second Harvest by Jean Giono. It was released in France on 28 October 1937 and in the United States on 2 October 1939.
Venus (French:Vénus) is a 1929 French sound drama film directed by Louis Mercanton, and starring Constance Talmadge, André Roanne, and Jean Murat. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It is based on a story by Jean Vignaud. An English version was distributed by United Artists in the United States.
The Two Orphans is a 1933 French historical drama film directed by Maurice Tourneur and starring Rosine Deréan, Renée Saint-Cyr and Gabriel Gabrio. The film's sets were designed by the art director Lucien Aguettand. The film was based on the play The Two Orphans which had been turned into several films. Tourneur altered the story slightly by moving it forward from the French Revolution to the Napoleonic Era.
Light Cavalry is a 1935 French-German musical film directed by Werner Hochbaum and starring Mona Goya, Gabriel Gabrio and Constant Rémy. It is the French-language version of Light Cavalry, part of a trend during the 1930s to make Multiple-language versions of productions. Like the German original, it uses music from the operetta Light Cavalry.
The Flame is a 1936 French drama film directed by André Berthomieu and starring Line Noro, Charles Vanel and Gabriel Signoret. It is based on a play by Charles Méré. The story had previously been made into a silent film in 1926.
Happy Hearts is a 1932 French comedy film directed by Hanns Schwarz and Max de Vaucorbeil and starring Josseline Gaël, Gabriel Gabrio and Jean Gabin. A separate German-language version Gypsies of the Night was also released.
Street Without a Name is a 1934 French drama film directed by Pierre Chenal and starring Constant Rémy, Gabriel Gabrio and Paule Andral. It is based on the 1930 novel La Rue sans nom by Marcel Aymé.
Captain Rascasse is a 1927 French silent film directed by Henri Desfontaines and starring Gabriel Gabrio, Claude Mérelle and Jeanne Helbling.
The Typist Gets Married is a 1934 French-German comedy film directed by Joe May and René Pujol and starring Marie Glory, Jean Murat and Armand Bernard. It was a sequel to the 1931 film The Typist which also starred Glory.
The Devil in the Bottle is a 1935 French-German drama film directed by Heinz Hilpert, Reinhart Steinbicker and Raoul Ploquin. It stars Käthe von Nagy, Pierre Blanchar and Gina Manès.
Gigolette is a 1937 French drama film directed by Yvan Noé and starring Florelle, Gabriel Gabrio and Rosine Deréan. The film's sets were designed by the art director Jean Douarinou.
Bethsabée is a 1947 French drama film directed by Léonide Moguy and starring Danielle Darrieux, Georges Marchal and Jean Murat. It is also known by the alternative title of Le Deserteur. It is based on the 1938 novel of the same title by Pierre Benoît, set in French Morocco. The title is a reference to the biblical story of Bathsheba.
The Man with the Hispano is a 1933 French drama film directed by Jean Epstein and starring Jean Murat, Marie Bell and Joan Helda. The title refers to a luxury Hispano-Suiza car. It was based on a novel of the same title by Pierre Frondaie and had previously been made as a silent film The Man with the Hispano in 1926.
Nights of Princes is a 1938 French-German drama film directed by Vladimir Strizhevsky and starring Käthe von Nagy, Marina Koshetz and Jean Murat. It is based on a 1927 novel of the same title by Joseph Kessel. An earlier adaptation Nights of Princes had been made by Marcel L'Herbier in 1930.
A Caprice of Darling Caroline is a 1953 French historical comedy film directed by Jean Devaivre and starring Martine Carol, Jacques Dacqmine and Marthe Mercadier. It is based on the 1950 novel of the same title by Jacques Laurent. It was the sequel to the 1951 hit Darling Caroline. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Jacques Krauss. It was one of the first French films to be shot in Technicolor.
References
- ↑ Goble p.244
