S.O.S. Sahara | |
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Directed by | Jacques de Baroncelli |
Written by | |
Produced by | |
Starring | |
Cinematography | Günther Rittau |
Music by | Lothar Brühne |
Production company | |
Distributed by | ACE, UFA |
Release date |
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Country | Germany |
Language | French |
S.O.S. Sahara is a 1938 German drama film directed by Jacques de Baroncelli and starring Charles Vanel, Jean-Pierre Aumont and Marta Labarr. The film was made in the French language, produced by the French subsidiary of the German studio UFA. It was shot on location in Algeria. [1] The screenplay was based on a play Men Without a Past by Jean Martet. Martet's credit was removed from the film during the Nazi occupation of France, and he later brought a court case against UFA establishing his rights to the film. [2]
It was later remade in 1962 as Station Six-Sahara . [3]
Jean-Pierre Aumont was a French actor as well as holder of the Légion d'Honneur and the Croix de Guerre for his World War II military service.
Royal Affairs in Versailles is a 1954 French-Italian historical drama directed by Sacha Guitry. Described as "a historical film showing Versailles from its beginnings to the present day", it tells some episodes through portrayal of the personalities who lived in the Palace of Versailles. Its sister films are Napoléon (1955) and If Paris Were Told to Us (1956).
Charles-Marie Vanel was a French actor and director. During his 65-year film career, which began in 1923, he appeared in more than 200 films and worked with many prominent directors, including Alfred Hitchcock, Luis Buñuel, Jacques Feyder, and Henri-Georges Clouzot. He is perhaps best remembered for his role as a desperate truck driver in Clouzot's The Wages of Fear for which he received a Special Mention at the Cannes Film Festival in 1953.
Le Grand Jeu is a 1934 French drama film directed by Jacques Feyder and starring Pierre Richard-Willm, Marie Bell, Charles Vanel and Françoise Rosay. It is a romantic drama set against the background of the French Foreign Legion, and the film was an example of poetic realism in the French cinema. The title Le Grand Jeu refers to the practice of reading the cards. Blanche asks whether her client wants the 'full works', the whole story: "Alors... je te fais le grand jeu?"
Mollenard is a 1938 French drama film directed by Robert Siodmak and starring Harry Baur, Gabrielle Dorziat and Pierre Renoir. It was also known by the alternative titles of Hatred and Capitaine Corsaire. The film's sets were designed by Alexandre Trauner. It is based on the novel of the same name by the Belgian writer Oscar-Paul Gilbert. The film's plot divides sharply into halves, with the first an action thriller set in China while the second is a social drama with the title character struggling to cope with what he regards as the suffocating atmosphere of his home port in France.
Queen Louise is a German silent historical film directed by Karl Grune and starring Mady Christians, Mathias Wieman, and Anita Dorris. It was released in two separate parts slightly less than a month from each other in December 1927 and January 1928. It commenced a series of historical epics directed by Grune. It was shot partly at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
Savage Brigade is a 1939 French drama film directed by Marcel L'Herbier and starring Véra Korène, Charles Vanel and Florence Marly. The film was completed by Jean Dréville. The film's sets were designed by the art director Serge Piménoff.
Station Six-Sahara is a 1963 British-West German drama film directed by Seth Holt and starring Carroll Baker, Peter van Eyck and Ian Bannen. It is a remake of the 1938 film S.O.S. Sahara, which had been based on a play by Jean Martet.
Lake of Ladies or Ladies Lake is a 1934 French drama film directed by Marc Allégret and starring Rosine Deréan, Simone Simon and Illa Meery.
A Day Will Come is a 1934 comedy film directed by Gerhard Lamprecht and Serge Véber and starring Käthe von Nagy, Jean-Pierre Aumont and Simone Héliard. It was made by the German studio UFA as the French-language version of Just Once a Great Lady.
The Love of the Brothers Rott is a 1929 German silent film directed by Erich Waschneck and starring Olga Chekhova, Jean Dax and Paul Henckels. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Andrej Andrejew.
The Secret of Woronzeff is a 1935 drama film directed by André Beucler and Arthur Robison and starring Jean Murat, Brigitte Helm and Madeleine Ozeray.
Crossroads is a 1938 French mystery drama film directed by Curtis Bernhardt and starring Charles Vanel, Jules Berry and Suzy Prim. It inspired two English-language remakes, the 1940 British film Dead Man's Shoes and Hollywood's Crossroads in 1942. It was shot at the Billancourt Studios in Paris and on location in the city. The film's sets were designed by the art director Jean d'Eaubonne and Raymond Gabutti.
The Crew is a 1935 French war drama film directed by Anatole Litvak and starring Annabella, Charles Vanel, Jean Murat and Jean-Pierre Aumont. It was shot at the Joinville Studios in Paris and on location at an airfield in Mourmelon-le-Petit. The film's sets were designed by the art directors Lucien Aguettand and Lucien Carré. It is also known by the alternative title Flight Into Darkness.
The Crew is a 1923 war novel by the French writer Joseph Kessel. It is set during the First World War, focusing on the crew of a two-man reconnaissance plane whose pilot is in love with the wife of the observer. It was bestseller and later secured Kessel membership of the Académie Française.
Port Arthur is a 1936 war drama film directed by Nicolas Farkas and starring Anton Walbrook, Danielle Darrieux and Charles Vanel. It was a co-production between France, Czechoslovakia and Germany. Separate versions were produced in French and German, with Walbrook starring in both versions. The film was based on a novel of the same title by Pierre Frondaie. It was shot at the Barrandov Studios in Prague. The film's sets were designed by the art director Alexandre Lochakoff, Stepán Kopecký and Vladimir Meingard. It premiered at the Ufa-Palast am Zoo in Berlin on 7 December 1936 and had its Paris opening four days later.
The Yellow House of Rio or The Yellow House of King-Fu is a 1931 French-German crime thriller film directed by Karl Grune and starring Charlotte Susa, Gustav Diessl and Karl Günther. The film was based on a novel of the same title by Josef M. Velter. It was shot at the Joinville Studios of Pathé in a co-production with Bavaria Film. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. Separate German French-language versions were produced, the latter directed by Grune and Robert Péguy and featuring Renée Héribel and Charles Vanel. The German version was originally also planned to be released as The Yellow House of Rio, but to avoid confusion with another film released at the same time Road to Rio, it was retitled.
At the End of the World is a 1934 French-German drama film directed by Henri Chomette and Gustav Ucicky and starring Pierre Blanchar, Käthe von Nagy and Charles Vanel. It was made at the Babelsberg Studios of UFA outside Berlin, as the French-language version of the film Refugees (1933). It was co-produced and distributed by L'Alliance Cinématographique Européenne, the French subsidiary of UFA. Käthe von Nagy appeared in both versions, but her male co-start and supporting casts were different.
The Woman from the End of the World is a 1938 French drama film directed by Jean Epstein and starring Charles Vanel, Jean-Pierre Aumont and Germaine Rouer. It is based on a novel of the same title by Alain Serdac. Location shooting took place on the island of Ushant off Brittany. The film's sets were designed by the art director Roger Berteaux.