Yomeddine is a 2018 Egyptian drama film directed by Abu Bakr Shawky based on friendship relations. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. At Cannes, it won the François Chalais Prize. It was selected as the Egyptian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Eldorado is a 2018 Swiss documentary film directed by Markus Imhoof. It was selected as the Swiss entry for the Best Foreign Language Film at the 91st Academy Awards, but was not nominated.
Wonderful Losers: A Different World is a 2017 Lithuanian documentary film directed by Arūnas Matelis about the Giro d'Italia. It was selected as the Lithuanian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
A Son of Man is a 2018 Ecuadorian adventure film directed by Jamaicanoproblem and co- directed by Pablo Agüero. It was selected as the Ecuadorian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
The Waldheim Waltz is a 2018 Austrian documentary film directed by Ruth Beckermann. It was selected as the Austrian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Sew the Winter to My Skin is a 2018 South African action film directed by Jahmil X.T. Qubeka. It was screened in the Contemporary World Cinema section at the 2018 Toronto International Film Festival. It was selected as the South African entry for the Best Foreign Language Film at the 91st Academy Awards, but was ultimately not nominated.
Offenders is a 2017 Serbian drama film directed by Dejan Zečević. It was selected as the Serbian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Graves Without a Name is a 2018 French-Cambodian documentary film edited, co-written, and directed by Rithy Panh. It was selected as the Cambodian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
And Suddenly the Dawn is a 2017 Chilean drama film directed by Silvio Caiozzi. It was selected as the Chilean entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated. It won Grand Prix des Amériques, the main prize at the Montreal World Film Festival in 2017.
Cocote is a 2017 Dominican Republic drama film directed by Nelson Carlo de Los Santos Arias. It was selected as the Dominican entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Never Leave Me is a 2017 Bosnian drama film directed by Aida Begić. It was selected as the Bosnian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Iskra is a 2017 Montenegrin drama film directed by Gojko Berkuljan. It was selected as the Montenegrin entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Eternity is a 2018 Peruvian drama film directed by Óscar Catacora. It was selected as the Peruvian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated. It is the first film to be done entirely in the Aymara language.
Until the End of Time is a 2017 Algerian drama film directed by Yasmine Chouikh. It was selected as the Algerian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated. The film was the second-ever directed by a woman to be submitted by Algeria to the Academy Awards.
The Goalkeeper is a 2018 Bolivian thriller film directed by Rodrigo Patiño. It was selected as the Bolivian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Rona, Azim's Mother is a 2018 Afghan drama film directed by Jamshid Mahmoudi. It was selected as the Afghan entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Spitak is a 2018 Armenian drama film directed by Alexander Kott. It was selected as the Armenian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
