The Empress's Favourite | |
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Directed by | Werner Hochbaum |
Written by |
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Produced by | Alberto Giacalone |
Starring | |
Cinematography | Oskar Schnirch |
Edited by | Walter Wischniewsky |
Music by | Anton Profes |
Production company | |
Release date |
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Country | Germany |
Language | German |
The Empress's Favourite (German : Der Favorit der Kaiserin) is a 1936 German historical comedy film directed by Werner Hochbaum and starring Olga Chekhova, Anton Pointner and Heinz von Cleve. [1] It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by Emil Hasler and Arthur Schwarz. The film is set in Russia during the reign of Empress Elizabeth.
Olga Konstantinovna Chekhova, known in Germany as Olga Tschechowa, was a Russian-German actress. Her film roles include the female lead in Alfred Hitchcock's Mary (1931).
The Hymn of Leuthen is a 1933 German film depicting Frederick the Great, directed by Carl Froelich starring Otto Gebühr, Olga Chekhova and Elga Brink. It was part of the cycle of nostalgic Prussian films popular during the Weimar and Nazi eras. The title refers to the 1757 Battle of Leuthen.
The Theft of the Mona Lisa is a 1931 German drama film directed by Géza von Bolváry and starring Trude von Molo, Willi Forst, and Gustaf Gründgens. It is based on a true story. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Andrej Andrejew and Robert A. Dietrich.
His Majesty's Lieutenant is a 1929 German silent romance film directed by Jacob Fleck and Luise Fleck and starring Iván Petrovich, Agnes Esterhazy and Georg Alexander. It was shot at the Staaken Studios in Berlin.
Trenck is a 1932 German historical film directed by Ernst Neubach and Heinz Paul starring Hans Stüwe, Dorothea Wieck, and Olga Chekhova. The film was based on a novel by Bruno Frank. It was shot at the Johannisthal Studios with sets designed by the art director Erich Czerwonski. It depicts the life of the Eighteenth century adventurer Friedrich von der Trenck.
Five Million Look for an Heir is a 1938 German comedy film directed by Carl Boese and starring Heinz Rühmann, Leny Marenbach and Oskar Sima. It was based on a novel by Harald Baumgarten. It was shot at the Halensee and Tempelhof Studios in Berlin. The film's sets were designed by the art directors Alfred Bütow and Willi Herrmann.
Maria Ilona is a 1939 German historical drama film directed by Géza von Bolváry and starring Paula Wessely, Willy Birgel, and Paul Hörbiger. The film is set in Austria during the reign of Ferdinand I. It is an adaptation of Oswald Richter-Tersik's novel Ilona Beck.
Red Orchids is a 1938 German crime film directed by Nunzio Malasomma, starring Olga Chekhova, Albrecht Schoenhals and Camilla Horn.
The Yellow Flag is a 1937 German drama film directed by Gerhard Lamprecht and starring Hans Albers, Olga Chekhova and Dorothea Wieck. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Ludwig Reiber. Location filming took place in Yugoslavia.
The Country Schoolmaster or Country Schoolmaster Uwe Karsten is a 1933 German drama film directed by Carl Heinz Wolff and starring Hans Schlenck, Marianne Hoppe and Heinrich Heilinger. It was remade in 1954.
Andreas Schlüter is a 1942 German historical drama film directed by Herbert Maisch and starring Heinrich George, Mila Kopp and Olga Chekhova. It portrays the life of the 18th-century German architect Andreas Schlüter. It was shot at the Babelsberg Studios and Althoff Studios in Berlin. The film's sets were designed by the art directors Hermann Asmus, Kurt Herlth and Robert Herlth.
The Cheeky Devil is a 1932 German comedy film directed by Carl Boese and Heinz Hille and starring Willy Fritsch, Camilla Horn and Ralph Arthur Roberts. It was shot at the Babelsberg Studios in Berlin and premiered in the city's Gloria-Palast. The film's sets were designed by the art directors Willi A. Herrmann and Herbert Lippschitz. A separate French-language version You Will Be My Wife was also released.
Malice is a 1926 German silent film directed by Manfred Noa and starring Paul Wegener, Olga Chekhova and Anton Pointner. The film's art direction was by Artur Günther.
The Sea is a 1927 German silent drama film directed by Peter Paul Felner and starring Heinrich George, Olga Chekhova, and Simone Vaudry. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert Neppach.
Regine is a 1935 German drama film directed by Erich Waschneck and starring Luise Ullrich, Anton Walbrook and Olga Chekhova. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by Otto Erdmann and Hans Sohnle.
Hannerl and Her Lovers is a 1936 Austrian comedy film directed by Werner Hochbaum and starring Olly von Flint, Albrecht Schoenhals and Hans Moser. It was based on a novel that had previously been adapted as a 1921 silent film of the same title.
Trouble in Paradise is a 1950 West German comedy film directed by Joe Stöckel and starring Olga Chekhova, Trude Hesterberg and Trude Haefelin. It was shot at the Bavaria Studios in Munich and on location in Mittenwald and Grainau. The film's sets were designed by the art directors Rudolf Pfenninger and Max Seefelder.
Dangerous Game is a 1937 German comedy film directed by Erich Engel and starring Jenny Jugo, Harry Liedtke and Karl Martell.
In the Temple of Venus is a 1948 German drama film directed by Hans H. Zerlett and starring Olga Chekhova, Willy Birgel, and Hermann Speelmans. The film was originally produced during the final stages of the Second World War in 1945, but was not given a release until three years later.
Ways to a Good Marriage is a 1933 German drama film directed by Adolf Trotz and starring Olga Chekhova, Alfred Abel and Hilde Hildebrand. It was shot at the EFA Studios in Halensee in Berlin. The film's sets were designed by the art directors Heinz Fenchel and Botho Hoefer. The film was based on the ideas of the sexologist Theodore H. Van de Velde and was in the tradition of the enlightenment films of the Weimar Republic. Although his work had already been forbidden by the new Nazi regime, it was not formally banned until 1937 despite protests by Nazi students in Kiel who were successful in having the film pulled from cinemas there.