The Johannisthal Studios were film studios located in the Berlin area of Johannisthal. Founded in 1920 on the site of a former airfield, they were a centre of production during the Weimar and Nazi eras. Nearly four hundred films were made at Johannistal during the silent period. [1] Sometimes known as the Jofa Studios, in 1929 they became the base of the newly-established German major studio Tobis Film at the beginning of the sound era.
After 1945 the studios fell into the Soviet Zone of Germany, and later into the Communist state of East Germany. [2] The studios were used by the new monopoly film company DEFA. Although the first postwar German film The Murderers Are Among Us was shot at Johannisthal, they were used less than the Babelsberg Studios in Potsdam. It was often used for dubbing foreign films into German for their release. From the 1960s East German television increasingly used the site.
DEFA was the state-owned film studio of the German Democratic Republic throughout the country's existence.
UFA GmbH, shortened to UFA, is a film and television production company that unites all production activities of Bertelsmann in Germany. Its name derives from Universum Film AG, which was a major German film company headquartered in Babelsberg, producing and distributing motion pictures from 1917 through to the end of the Nazi era. The name UFA was revived by Bertelsmann for an otherwise unrelated film and television outfit, UFA GmbH.
The Wandering Image is a 1920 German silent drama film directed by Fritz Lang and starring Mia May, Hans Marr and Rudolf Klein-Rogge. It is also known by the alternative titles of The Wandering Picture and The Wandering Shadow.
Gasparone is a 1937 German musical comedy film directed by Georg Jacoby and starring Marika Rökk, Johannes Heesters and Heinz Schorlemmer. It is based on the operetta Gasparone by Carl Millöcker with a libretto by F Zell and Richard Genée.
Prussian films were a cycle of historical films made in Germany during the Weimar (1918–1933) and Nazi (1933–1945) eras noted for their general glorification of Prussian history and its military. The films are set during the eighteenth and nineteenth centuries. They particularly focused on Frederick the Great, who ruled Prussia from 1740 to 1786 greatly expanding its territory. The films were extremely popular with German audiences and an estimated forty four were produced by the end of the Second World War.
Fritz Kirchhoff (1901–1953) was a German screenwriter, film producer and director. He was a noted director during the Nazi era, directing film such as the anti-British propaganda thriller Attack on Baku (1942). His 1942 film 5 June, showing the German defeat of France in 1940, was banned by Joseph Goebbels for unclear reasons, although it has been speculated it was to avoid offending the Vichy government. After the Second World War Kirchoff set up his own production company in Hamburg.
The White Peacock is a 1920 German silent drama film directed by Ewald André Dupont and starring Guido Herzfeld, Hans Mierendorff and Karl Platen. Its plot follows an upper-class theatregoer who falls in love with a gypsy dancer at a music hall in the East End of London, a frequent scenario of Dupont's films at the time.
The Goose of Sedan is a 1959 French-West German comedy war film directed by Helmut Käutner and starring Hardy Krüger, Jean Richard and Dany Carrel. It was based on the novel Un Dimanche au Champ D'Honneur by Jean L'Hôte. The film was one of a growing number of co-productions between the two countries during the era. It was also released under the alternative title Without Trumpet or Drum.
Early to Bed is a 1933 British-German romantic comedy film directed by Ludwig Berger and starring Heather Angel, Fernand Gravey and Edmund Gwenn.
The Prince of Rogues is a 1928 German silent drama film directed by Curtis Bernhardt and starring Hans Stüwe, Lissy Arna and Albert Steinrück. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter. The story depicts the life of the 18th century outlaw Schinderhannes. It is based on a 1927 play Schinderhannes by Carl Zuckmayer.
Adventure in Warsaw is a 1938 German-Polish comedy film directed by Carl Boese and starring Georg Alexander, Paul Klinger and Jadwiga Kenda. The film was the second of two German-Polish co-productions following Augustus the Strong (1936).
Across the Desert is a 1936 German adventure film directed by Johann Alexander Hübler-Kahla and starring Fred Raupach, Heinz Evelt and Aruth Wartan. It was based on a novel by Karl May. It was the first sound adaptation of a May novel, and the only one to be produced during the Nazi era. Set in the Ottoman Empire during the Nineteenth century, it portrays a series of oriental adventures of the two travellers Kara Ben Nemsi and Hadschi Halef Omar.
Tobis Film was a German film production and film distribution company. Founded in the late 1920s as a merger of several companies involved in the switch from silent to sound films, the organisation emerged as a leading German sound studio. Tobis used the Tri-Ergon sound-on-film system under the Tobis-Klang trade name. The Ufa production company had separate rights to the Tobis system, which it used under the trade name of Ufa-Klang. Some Tobis films were released in Germany by the subsidiary Europa Film.
Gloria Film was a West German film production and distribution company. It was established in 1949 by Ilse Kubaschewski. An earlier, unconnected company of the same name had existed during the silent era in Germany, and had been absorbed into UFA in the 1920s. During the 1930s an Austrian production company also called itself Gloria.
Phoebus Film or Phoebus-Film was a German film production and distribution company active during the silent era. It was one of the medium-sized firms established during the early boom years of the Weimar Republic. It had a distribution agreement with the American studio MGM.
Staaken Studios was a film studio located in Staaken on the outskirts of the German capital Berlin. A large former zeppelin hangar, it was converted to film use following the First World War and operated during the Weimar Republic. In July 1923 it was the largest studio in the world, with floor space of around 18,000 square feet. It was used for the construction of massive sets on a series of major productions of the silent era, including I.N.R.I., Metropolis, The Holy Mountain and The Ship of Lost Souls.
The Tempelhof Studios are a film studio located in Tempelhof in the German capital of Berlin. They were founded in 1912, during the silent era, by German film pioneer Alfred Duskes, who built a glass-roofed studio on the site with financial backing from the French company Pathé. The producer Paul Davidson's PAGU then took control and constructed a grander structure. The First World War propaganda drama The Yellow Passport, the historical comedy Madame DuBarry and the expressionist 1920 silent film The Golem were made there by PAGU.
The Hostivar Studios are film studios located in the Czech capital Prague. During the German Occupation of Czechoslovakia from 1939 to 1945, along with the larger Barrandov Studios they were used by the German-owned companies for productions as well as some Czech-language films. Particularly in the later years of the Second World War, many major German productions were shot in Prague to avoid the heavy bombing on Berlin. Following the war, they were taken over by the nationalised Czech film industry. In 1947 they burned down, but were rebuilt and enlarged. Later they were converted into television studios.
The Spandau Studios or CCC Studios were film and television studios located in Spandau a suburb of Berlin. They were established in 1949 following the Second World War by the producer Artur Brauner controller of CCC Films, on the site of a former factory. Following the Soviet occupation of East Germany, most of the major film studios in the capital had fallen into the East Berlin with the exception of the Tempelhof Studios until Brauner opened his own studios.