The Extra Day | |
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![]() Theatrical release poster | |
Directed by | William Fairchild |
Written by | William Fairchild |
Produced by | E.M. Smedley Aston (as Smedley Aston) |
Starring | Richard Basehart Simone Simon George Baker |
Cinematography | Arthur Grant |
Edited by | Bernard Gribble |
Music by | Philip Green |
Color process | Colour |
Production company | William Fairchild Productions |
Distributed by | British Lion Films |
Release date |
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Running time | 83 minutes |
Country | United Kingdom |
Language | English |
Box office | £83,383 (UK) [1] |
The Extra Day (also known as Twelve Desperate Hours and 12 Desperate Hours) is a 1956 British comedy-drama film directed by William Fairchild and starring Richard Basehart, Simone Simon and George Baker. [2]
After the final scene of a film is lost by the driver taking it to the printing lab, the cast and extras have to be rounded up for it to be re-shot. This proves to be quite an endeavour. The director, German exile Kurt Vorn, sends several people out to gather the required actors, who are mainly in theatres.
Meanwhile Ronnie, a new Sinatra-style crooner, sings to crowds of adoring girls. His girlfriend Toni struggles to cope with this, until he announces to his adoring fans that he is going to marry her. The public proposal pushes Joe into also proposing, which is met with a slap on the face.
However, once all are assembled, the driver Harry returns with a battered film canister, saying the reshoot is not needed after all.
The Monthly Film Bulletin wrote: "The episodes here are casually linked together, and the film rejects what might have been a promising subject – a film extra's real experiences – unambitiously to pursue its series of comic and sentimental anecdotes. The script leans heavily on situation 'gimmicks', few of them unfamiliar, the social placing of the characters is somewhat shaky, and an experienced cast is given little room to manoeuvre. It seems an odd, and perhaps unconscious, comment on the British film scene that the film within a film should employ a European director, American assistant director and French star." [3]
The Games is a 1970 British sports drama film directed by Michael Winner. It is based on the 1968 Hugh Atkinson novel and adapted to the screen by Erich Segal. The plot concerned four marathon competitors at a fictitious Olympic Games in Rome, played by Michael Crawford, Ryan O'Neal, Charles Aznavour and Athol Compton. Elton John recorded one song for the soundtrack.
Kill or Cure is a 1962 British comedy film directed by George Pollock and starring Terry-Thomas and Eric Sykes. It was written by David Pursall and Jack Seddon.
Hell Drivers (1957) is a British film noir crime drama film directed by Cy Endfield and starring Stanley Baker, Herbert Lom, Peggy Cummins and Patrick McGoohan. The film was produced by the Rank Organisation and Aqua Film Productions. A recently released convict takes a driver's job at a haulage company and encounters violence and corruption.
Smashing Time is a 1967 British satirical comedy film directed by Desmond Davis starring Rita Tushingham and Lynn Redgrave. It is a satire on the 1960s media-influenced phenomenon of Swinging London. It was written by George Melly.
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
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Father Came Too! is a 1964 British comedy film directed by Peter Graham Scott and starring James Robertson Justice, Leslie Phillips and Stanley Baxter. It is a loose sequel to The Fast Lady (1962).
Temptation Harbour is a 1947 British black and white crime/drama film, directed by Lance Comfort and starring Robert Newton, Simone Simon and William Hartnell. It was adapted from Newhaven-Dieppe, the 1933 novella by Georges Simenon.
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Love on the Dole is a 1941 British drama film starring Deborah Kerr and Clifford Evans. It was adapted from the novel of the same name by Walter Greenwood. It was the first English-made feature film to show English police wielding batons against a crowd.
Derby Day is a 1952 British drama film directed by Herbert Wilcox and starring Anna Neagle, Michael Wilding, Googie Withers, John McCallum, Peter Graves, Suzanne Cloutier and Gordon Harker. An ensemble piece, it portrays several characters on their way to the Derby Day races at Epsom Downs Racecourse. It was an attempt to revive the success that Neagle and Wilding had previously enjoyed on screen together. To promote the film, Wilcox arranged for Neagle to launch the film at the 1952 Epsom Derby.
Ladies Who Do is a 1963 British comedy film directed by C. M. Pennington-Richards and starring Peggy Mount, Robert Morley and Harry H. Corbett.
Will Any Gentleman...?, also known as Reluctant Casanova, is a 1953 British comedy film directed by Michael Anderson and starring George Cole, Veronica Hurst, Heather Thatcher, Jon Pertwee, and William Hartnell. It was based on the 1950 play of the same name by Vernon Sylvaine. It was the first of five movies Michael Anderson made for ABPC and was reasonably successful at the box office.
For the 1952 Fritz Lang film of the same name see Clash by Night.
Street of Shadows, also known as Shadow Man, is a 1953 British film noir written and directed by Richard Vernon and starring Cesar Romero, Kay Kendall and Edward Underdown. It is based on the 1951 novel The Creaking Chair by Laurence Meynell.
The Naked World of Harrison Marks is a 1966 British pseudo-documentary about adult film director and photographer George Harrison Marks starring Marks, Valentine Dyall, Pamela Green and June Palmer.
This, That and the Other, originally released as A Promise of Bed, is a 1969 British sex comedy directed by Derek Ford, and starring Vanda Hudson, Victor Spinetti and John Bird. It comprises a trilogy of separate stories.
The Big Day is a 1960 black and white British "B" drama film directed by Peter Graham Scott and starring Donald Pleasence, Harry H. Corbett, Andrée Melly and Colin Gordon.
None But the Brave is a 1960 American CinemaScope Western film starring Richard Basehart. It was also known as The Golden Touch and For the Love of Mike.
Personality Kid is a 1946 American adventure drama film directed by George Sherman and starring Anita Louise, Michael Duane and Ted Donaldson. It was produced and distributed by Columbia Pictures. The film's sets were designed by the art director Cary Odell.