The Far Field is a 1964 poetry collection by Theodore Roethke, and the poem for which it was named. It was Roethke's final collection, published after his death in 1963. [1]
The book is divided into four sections: "North American Sequence", "Love Poems", "Mixed Sequence", and "Sequence, Sometimes Metaphysical". [2] The Far Field contains several of Roethke's best known works, including the title poem "The Far Field", "Meditation at Oyster River", "Journey to the Interior", and "The Rose". [1] It received the National Book Award for Poetry in 1965. [3]
Theodore Huebner Roethke was an American poet. He is regarded as one of the most accomplished and influential poets of his generation, having won the Pulitzer Prize for poetry in 1954 for his book The Waking, and the annual National Book Award for Poetry on two occasions: in 1959 for Words for the Wind, and posthumously in 1965 for The Far Field. His work was characterized by its introspection, rhythm and natural imagery.
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Nationality words link to articles with information on the nation's poetry or literature.
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“My Papa’s Waltz” is a poem written by Theodore Roethke (1908-1963). The poem was first published during 1942 in Hearst Magazine and later in other collections, including the 1948 anthology The Lost Son and Other Poems.
"Root Cellar" is a poem written by the American poet Theodore Roethke (1908-1963) published in Roethke's second collection, The Lost Son and Other Poems, in 1948 in Garden City, New York. The poem belongs among Roethke's series of "Greenhouse Poems" the first section of The Lost Son, a sequence hailed as "one of the permanent achievements of modern poetry" and marked as the point of Roethke's metamorphosis from a minor poet into one of "the first importance", into the poet James Dickey would regard among the greatest of any in American history.
far field roethke.
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