| The Fatal Night | |
|---|---|
| |
| Directed by | Mario Zampi |
| Written by | |
| Produced by | Mario Zampi |
| Starring | |
| Cinematography | Cedric Williams |
| Edited by | Giulio Zampi |
| Music by | Stanley Black |
Production companies |
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| Distributed by | Columbia Pictures |
Release date |
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Running time | 50 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $56,000 [1] or £14,000 [2] |
The Fatal Night is a 1948 British second feature ('B') [3] thriller film directed by Mario Zampi and starring Lester Ferguson, Jean Short and Leslie Armstrong. [4] It was written by Michael Arlen, Gerald Butler and Kathleen Connors based on Arlen's 1925 short story The Gentleman from America, which tells the story of an American visitor in London who makes a bet with two Englishmen to see if he can spend a night alone in a "haunted" room.
The same story, under its original title, was adapted in 1956 as an episode of the television series Alfred Hitchcock Presents .[ citation needed ]
This article needs a plot summary.(December 2025) |
Kine Weekly wrote: "Its plot, which hinges on a reckless wager, unfolds in a gloomy old house, and good acting and imaginative direction and camerawork cleverly amplify its grisly highlights and tragic last-minute twists. ... Leslie Ferguson does a very good job as the frightened and victimised Puce, Leslie Armstrong is true to type as the mean and mincing Cyril, and Jean Short and Brenda Hogan are more than adequate as Geraldine and Julia. ... The film, two thrillers in one, is skilfully planned. The creepy flashback of the two sisters fits perfectly into the main narrative and effectively underlines its tragic point." [5]
Picture Show wrote: "Grim pocket thriller ... It is exciting and tense, and its touch of the fantastic adds to its thrills." [6]
Variety wrote: "Story sticks fairly closely to the Arlen original. ... Operatic tenor Lester Ferguson plays the American and warbles " Rigoletto " at the top of his voice in the dead of night when every precaution was taken to enter the house on tiptoe. He keeps repeating 'It's a lot of hooey.' Maybe he's right." [7]