The Feign'd Curtizans, or, A Nights Intrigue is a 1679 comedic stage play by the English author Aphra Behn. Behn dedicated the play, originally performed at the Duke's Company in London, to the well-known actress and mistress of King Charles II, Nell Gwyn.
Set in Rome, The Feign’d Curtizans was written and performed after the advent of the Popish Plot. The play is sympathetic to Catholicism during a time when declaring one's Protestant beliefs was “politically expedient”. [1] Behn uses the English characters of Sir Signall Buffoon and Mr. Tickletext to satirize their nationalism and fear of Italian “Popery,” while portraying several Italian characters of quality as honorable and virtuous. Behn “emphasizes that, while Whiggish middle-class patriots are to be derided, upper-class good taste is international”. [2]
The play centers around two virtuous sisters, Marcella and Cornelia. Marcella has been promised to Octavio for marriage, but has fallen in love with Sir Henry Fillamour. Cornelia is bound for the convent. They have run away to Rome together, posing as courtesans named Euphemia and Silvianetta, so that they may be free to control their own futures.
When Fillamour and Galliard arrive in Rome, they notice the beautiful Marcella and Cornelia disguised as the courtesans Euphemia and Silvianetta. Galliard is taken by Silvianetta's beauty, and Fillamour is struck by Euphemia's resemblance to Marcella. He becomes conflicted, desiring to stay constant in his love for Marcella, but unable to resist Euphemia.
Meanwhile, Laura Lucretia, the sister of Octavio (Marcella's betrothed), has fallen in love with Galliard. Knowing that he favors the courtesan named Silvianetta, Laura Lucretia disguises herself as Cornelia's alter ego so as to secure Galliard's affections. Having learned of Marcella's adoration for Fillamour, Octavio pledges revenge against him. To keep Fillamour safe, Marcella disguises herself as a pageboy and attempts to divert him from going to meet Euphemia at a place where Octavio and his men are lying in wait.
In a comedic scene, Fillamour, Galliard, Signall, and Tickletext all stumble about in the dark trying to reach Silvianetta and Euphemia, but instead find themselves in a battle with Octavio and his supporters. During the same night, Laura Lucretia, dressed as Silvianetta, receives an oath of marriage from a man she believes to be Galliard, but is actually Julio.
Once in the daylight, all parties confront each other and identities are revealed. Fillamour professes his love for Marcella, who agrees to marry him after Octavio renounces his claim. Galliard and Cornelia also become engaged. Julio, who had made an oath of marriage to “Silvianetta,” discovers he has actually sworn himself to his already bride-to-be, Laura Lucretia.
Aphra Behn was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, Behn declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.
This article contains information about the literary events and publications of 1679.
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