An epistolary novel is a novel written as a series of letters between the fictional characters of a narrative. The term is often extended to cover novels that intersperse documents of other kinds with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they do not include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word epistolary is derived from Latin from the Greek word epistolē, meaning a letter (see epistle). This type of fiction is also sometimes known by the German term Briefroman or more generally as epistolary fiction.
Aphra Behn was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, Behn declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.
This article contains information about the literary events and publications of 1688.
The Rover or The Banish'd Cavaliers is a play in two parts that is written by the English author Aphra Behn. It is a revision of Thomas Killigrew's play Thomaso, or The Wanderer (1664), and features multiple plot lines, dealing with the amorous adventures of a group of Englishmen and women in Naples at Carnival time. According to Restoration poet John Dryden, it "lacks the manly vitality of Killigrew's play, but shows greater refinement of expression." The play stood for three centuries as "Behn's most popular and most respected play."
Oroonoko: or, the Royal Slave is a work of prose fiction by Aphra Behn (1640–1689), published in 1688 by William Canning and reissued with two other fictions later that year. It was also adapted into a play. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to European colonists in Surinam where he meets the narrator. Behn's text is a first-person account of Oroonoko's life, love, rebellion, and execution.
Eliza Haywood, born Elizabeth Fowler, was an English writer, actress and publisher. An increase in interest and recognition of Haywood's literary works began in the 1980s. Described as "prolific even by the standards of a prolific age", Haywood wrote and published over 70 works in her lifetime, including fiction, drama, translations, poetry, conduct literature and periodicals. Haywood today is studied primarily as one of the 18th-century founders of the novel in English.
Delarivier "Delia" Manley was an English author, playwright, and political pamphleteer. Manley is sometimes referred to, with Aphra Behn and Eliza Haywood, as one of "the fair triumvirate of wit", which is a later attribution.
Amatory fiction is a genre of British literature that became popular during the late 17th century and early 18th century, approximately 1660–1730. It was often spread throughout coteries, published while trying to remain true to the writer's vision without criticism. Amatory fiction predates, and in some ways predicts, the invention of the novel and is an early predecessor of the romance novel. Indeed, many themes of the contemporary romance novel were first explored in amatory fiction. The writing of amatory fiction work was dominated by women, and it was considered to have mainly female readers; but it is assumed that men read these novels as well. As its name implies, amatory fiction is preoccupied with sexual love and romance. Most of its works were short stories.
Janet Margaret Todd is a British academic and author. She was educated at Cambridge University and the University of Florida, where she undertook a doctorate on the poet John Clare. Much of her work concerns Mary Wollstonecraft, Jane Austen, and their circles.
Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses.
The History of the Nun, or The Fair Vow Breaker, is a novella by Aphra Behn published in 1689. It is a piece of amatory fiction.
Love-Letters Between a Nobleman and His Sister is a three-volume roman à clef by Aphra Behn playing with events of the Monmouth Rebellion and exploring the genre of the epistolary novel. The first volume, published in 1684, lays some claim to be the first English novel. Some scholars claim that the attribution to Behn remains in dispute. The novel is "based loosely on an affair between Ford, Lord Grey of Werke, and his wife's sister, Lady Henrietta Berkeley, a scandal that broke in London in 1682". It was originally published as three separate volumes: Love-Letters Between a Noble-Man and his Sister (1684), Love-Letters from a Noble Man to his Sister: Mixt with the History of Their Adventures. The Second Part by the Same Hand (1685), and The Amours of Philander and Silvia (1687). The copyright holder was Joseph Hindmarsh, later joined by Jacob Tonson.
Abdelazer; or, The Moor's Revenge is a 1676 play by Aphra Behn, an adaptation of the c. 1600 tragedy Lust's Dominion. It is Behn's only tragic play.
The Forc'd Marriage; or, The Jealous Bridegroom is a play by Aphra Behn, staged by the Duke's Company on 20 September 1670 in Lincoln's Inn Fields, London, England. This sex tragicomedy ran for six nights, which granted Behn the house profits for both the third and six nights. It is considered her first staged play. Thomas Otway played a "probation part."
The Adventures of Rivella (1714) is the last novel written by eighteenth century English author Delarivier Manley. The work is a semi-autobiographical account of Manley's life seen through the fictional character of Rivella. Delarivier Manley's final novel, which was later edited and published by Edmund Curll, is centred around her life before, during, and after her treacherous marriage. The events and incidents incurred by the fictional character Rivella are narrated to the reader through a conversational dialogue between two male protagonists, being Sir Lovemore and Sir D'Aumont. The narrative tells that the young chevalier D'Aumont has left France in search of sexual partnership with Rivella and instead finds the rejected lover, Sir Charles Lovemore who does not assist the Frenchman in arranging contact with Rivella, but tells her life story instead, both as it relates in public gossip and her personal writings.
The Younger Brother, or, The Amorous Jilt is a comedy written by Aphra Behn. The play was first performed and published posthumously in 1696, but was probably written in the late 1680s.
The False Count, Or, A New Way to play An Old Game is a comedic play written by Aphra Behn, first performed in 1681 and published in 1682. It was staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included William Smith as Don Carlos, James Nokes as Francisco, John Freeman as Sebastian, John Wiltshire as Antonio, George Bright as Baltazer, Cave Underhill as Guzman, Anthony Leigh as Guilion, Elizabeth Currer as Isabella and Margaret Osborne as Jacinta.
Sir Patient Fancy: A Comedy, is a comedic play written by Aphra Behn, first performed in 1678. It is Behn's first overtly political play. It was staged by the Duke's Company at the Dorset Garden Theatre in London with a cast that included Nell Gwyn as Lady Knowell, Anthony Leigh as Sir Patient Fancy, John Crosby as Leander Fancy, Thomas Betterton as Wittmore, William Smith as Lodwick Knowell, James Nokes as Sir Credulous Easy, John Richards as Curry, Elizabeth Currer as Lady Fancy, Mary Betterton as Isabella, Emily Price as Lucretia and Anne Shadwell as Maundy.
The Young King, or, The Mistake is a tragicomedy written by Aphra Behn. It was probably written during the 1660s, but was not staged until 1679. It explores notions of kingship and divine right, and gender and heroism.
Rosalind Ballaster is a scholar of 18th-century literature and a specialist in Georgian theatre. A Professor at Mansfield College, Oxford, she is a winner of the British Academy's Rose Mary Crawshay Prize for 2006.
