| The Final Edition | |
|---|---|
 | |
| Directed by | Howard Higgin |
| Written by | |
| Starring | |
| Cinematography | Joseph Walker |
| Edited by | Jack Dennis |
Production company | |
| Distributed by | Columbia Pictures |
Release date |
|
Running time | 66 minutes |
| Country | United States |
| Language | English |
The Final Edition is a 1932 American crime drama film directed by Howard Higgin and starring Pat O'Brien, Mae Clark and Morgan Wallace. [1] Made by Columbia Pictures, it is based on a story by Roy Chanslor. [2] [3]
The squabbling city editor and a hotshot female reporter eventually join forces to try to bring down a major crime syndicate, responsible for the murder of the new police commissioner.
Alan Hale Sr. was an American actor and director. He is best remembered for his many character roles, in particular as a frequent sidekick of Errol Flynn, as well as films supporting Lon Chaney, Wallace Beery, Douglas Fairbanks, James Cagney, Clark Gable, Cary Grant, Humphrey Bogart, and Ronald Reagan. Hale was usually billed as Alan Hale and his career in film lasted 40 years. His son, Alan Hale Jr., also became an actor and remains most famous for playing "the Skipper" on the television series Gilligan's Island.
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Howard Higgin was an American writer and director of motion pictures in the 1920s and 1930s.
Smashing the Rackets is a 1938 American drama film directed by Lew Landers, written by Lionel Houser, and starring Chester Morris, Frances Mercer, Rita Johnson, Bruce Cabot and Edward Pawley. It was released on August 19, 1938, by RKO Pictures.
Scandal for Sale is a 1932 American pre-Code drama film directed by Russell Mack and starring Charles Bickford, Rose Hobart and Pat O'Brien. The film's sets were designed by the art director Charles D. Hall. The plot is adapted from Emile Gauvreau's novel, "Hot News", which drew from Gauvreau's personal experiences as a newspaper editor. While the film's title suggests a deep dive into the world of journalism, it somewhat glosses over the novel's intricate commentary, especially when compared to contemporaneous films like "Five Star Final" (1931), which approached the subject matter with more intensity.
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