The Fires of Youth

Last updated
The Fires of Youth
Directed by Emile Chautard
Written by Agnes Christine Johnston
Produced by Edwin Thanhouser
Starring
Cinematography Jacques Bizeul
Production
company
Distributed by Pathé Exchange
Release date
  • June 17, 1917 (1917-06-17)
Running time
52 minutes
CountryUnited States
Languages

The Fires of Youth is a 1917 American silent drama film directed by Emile Chautard and starring Frederick Warde, Helen Badgley and Ernest Howard. [1]

Contents

Cast

Related Research Articles

<span class="mw-page-title-main">Frederick Warde</span>

Frederick Barkham Warde was an English Shakespearean actor who relocated to the United States in the late 19th century.

<i>Richard III</i> (1912 film) 1912 French film

Richard III is a 1912 silent film adaptation of William Shakespeare's play, co-directed by French filmmaker André Calmettes and American playwright James Keane, and starring Frederick Warde as the title character. The 55-minute film, an international co-production of France and the United States, was produced by Film d'Art and released through the independent states rights film distribution system.

<span class="mw-page-title-main">Helen Badgley</span> American actress

Helen Badgley was an American child actress of the silent film era.

<i>Smouldering Fires</i> (film) 1925 film

Smouldering Fires is a 1925 Universal silent drama film directed by Clarence Brown and starring Pauline Frederick and Laura La Plante. The movie's plot is similar to the 1933 talking picture Female, starring Ruth Chatterton.

Ruth of the Range is a fifteen episode American adventure film serial starring Ruth Roland, in which a young woman attempts to rescue her father from a gang that has kidnapped him in order to find out his secret for making "Fuelite," a substitute for coal. The film was the final feature created by scenarist Gilson Willets for Pathe Productions, and is now thought to be a lost film.

<i>The Heart of Ezra Greer</i> 1917 American silent drama film directed by Emile Chautard

The Heart of Ezra Greer is a 1917 American silent drama film produced by the Thanhouser Company and directed by Emile Chautard. The film focuses on Ezra Greer, a successful middle-aged man who searches for his college age daughter, Mary. The wayward Mary was romanced and abandoned by Jack Denbeigh, later bearing his child. Once Ezra becomes broke he finds employment as the valet for Jack Denbeigh. After Jack's engagement to a cabaret girl, Mary becomes upset and leaves her child at Jack's home. Contrary to Jack's wishes, Ezra keeps the child and Jack ultimately reveals that the child is his own. Ezra convinces Jack to make things right and Ezra convinces the cabaret girl to leave Jack. After a carriage accident in which the baby is injured, Ezra and Jack rush to the hospital and find Mary as a nurse crying over the child. The film ends with the marriage of Jack and Mary. The film was released by Pathé on October 7, 1917. The film was the final release from Thanhouser and was deemed to be an average film by most reviewers. Criticism for the film hinged on far-fetched coincidences to drive the plot. The film is presumed lost.

<i>King Lear</i> (1916 film) 1916 film by Ernest C. Warde

King Lear is a 1916 silent film based on the 1606 play, directed by Ernest C. Warde and starring his father, the noted stage actor Frederick Warde. The film is one of a spate of Shakespearean films produced at the time to coincide with the 300th anniversary celebrations of William Shakespeare's death.

Ernest C. Warde was an English actor and director who worked in American silent film. He contributed to more than forty films from 1914 to 1923. He was the son of stage actor Frederick Warde.

<i>The Vicar of Wakefield</i> (1917 film) 1917 film by Ernest C. Warde

The Vicar of Wakefield is a 1917 American silent historical drama film directed by Ernest C. Warde and starring Frederick Warde, Boyd Marshall and Kathryn Adams. It is based on the 1766 novel The Vicar of Wakefield by Oliver Goldsmith. Unlike many productions of the era, the film still survives.

<i>Silas Marner</i> (1916 film) 1916 American silent historical drama film

Silas Marner is a 1916 American silent drama film directed by Ernest C. Warde and starring Frederick Warde, Valda Valkyrien, and Morgan Jones. It is an adaptation of the 1861 novel of the same name by George Eliot.

War and the Woman is a 1917 silent war drama film directed by Ernest C. Warde and starring Florence La Badie, Ernest C. Warde and Tom Brooke.

A Modern Monte Cristo is a 1917 American silent drama film directed by Eugene Moore and starring Vincent Serrano, Helen Badgley and Thomas A. Curran. It is also known by the alternative title of Eye for an Eye.

<i>Her Beloved Enemy</i> 1917 American film

Her Beloved Enemy is a 1917 American silent mystery film directed by Ernest C. Warde and starring Doris Grey, Wayne Arey, and J.H. Gilmour.

The Snarl is a 1917 American silent drama film directed by Raymond B. West and starring Bessie Barriscale, Charles Gunn and Howard Hickman. The film's sets were designed by the art director Robert Brunton.

Little Miss Nobody is a 1917 American silent drama film directed by Harry F. Millarde and starring Violet Mersereau, Clara Beyers and Helen Lindroth.

<i>The Small Town Guy</i> 1917 silent film

The Small Town Guy is a 1917 American silent comedy film directed by Lawrence C. Windom and starring Taylor Holmes, Helen Ferguson and Fred Tiden.

<i>It Might Happen to You</i> 1920 film

It Might Happen to You is a 1920 American silent comedy film directed by Alfred Santell and starring Billy Mason, Dorris Dare and William Harcourt.

Trail of the Axe is a 1922 American silent drama film directed by Ernest C. Warde and starring Dustin Farnum, Winifred Kingston and Joseph J. Dowling.

<i>$30,000</i> 1920 film

$30,000 is a 1920 American silent mystery film directed by Ernest C. Warde and starring J. Warren Kerrigan, Fritzi Brunette and Carl Stockdale.

Sweet Sixteen is a 1928 American silent drama film directed by Scott Pembroke and starring Helen Foster, Gertrude Olmstead and Gladden James. It was distributed by the independent Rayart Pictures, the forerunner of Monogram Pictures.

References

  1. Connelly p.348

Bibliography