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Within Our Gates is a 1920 American silent film by the director Oscar Micheaux that portrays the contemporary racial situation in the United States during the early twentieth century, the years of Jim Crow, the revival of the Ku Klux Klan, the Great Migration of blacks to cities of the North and Midwest, and the emergence of the "New Negro". It was part of a genre called race films.
Oscar Devereaux Micheaux was an author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
Evelyn Preer, was a pioneering African-American stage and screen actress and jazz and blues singer of the 1910s through the early 1930s. Preer was known within the black community as "The First Lady of the Screen."
The Exile is a 1931 American film directed by Oscar Micheaux with choreography by Leonard Harper. A drama-romance of the race film genre, The Exile was Micheaux's first feature-length sound film, and the first African-American sound film. Adapted from Micheaux's first novel The Conquest (1913), it the film shares some autobiographical elements; for example, Micheaux spent several years as a cattle rancher in an otherwise all-white area of South Dakota as does the film's central character Jean Baptiste.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans.
Midnight Ramble is a 1994 documentary about the early history of Black American movies from the period between 1910 and 1950. Known as "race movies", these films, traditionally independent of Hollywood, were made primarily by, for and about the black community. This documentary is a tribute to a film genre that lasted for more than 40 years, produced over 500 movies, and created a foundation for contemporary films from directors such as Spike Lee and Tyler Perry. James Avery narrates this exploration of the early black film industry. There is a mistaken assumption that "race films" began largely in reaction to D. W. Griffith's 1915 The Birth of a Nation. Nothing could be further from the truth. Race movies actually began around 1910 in Chicago in response to the Black Community longing to see themselves reflected on the silver screen via this new medium of film. Wanting to see themselves through their own eyes, on their own terms thus counteracting the Hollywood stereotypes within the American media. The film focuses especially on the work of Oscar Micheaux, considered the "Dean of Black American film", a controversial filmmaker who wrote, produced, and directed over 40 features, and tackled difficult social issues in Black America. It includes clips from films by a number of African-American directors of the period, which is very helpful since many of these films are difficult to find or unavailable. There are two versions of the title of the documentary, both referring to the same work. Initially released in 1994 as, Midnight Ramble: Oscar Micheaux & the Story of Race Movies It was re-released as Midnight Ramble: The Story of the Black Film Industry by PBS in 1995 The 1995 version also eliminates the David McCullugh introduction.
Gertrude Sanborn was an American journalist, short story writer, and novelist.
God's Step Children is a 1938 American drama film directed by Oscar Micheaux and starring Jacqueline Lewis. The film is inspired by a combination of elements shared from two previous released Hollywood productions: Imitation of Life and These Three.
The Betrayal is a 1948 race film written, produced, and directed by Oscar Micheaux. He adapted it from his 1943 novel The Wind From Nowhere.
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank for the murder of Mary Phagan. The film is now believed to be lost.
Murder in Harlem is a 1935 American race film written, produced and directed by Oscar Micheaux, who also appears in the film. He remade his 1921 silent film The Gunsaulus Mystery.
A Daughter of the Congo is a 1930 race film directed, written and produced by Oscar Micheaux. The film is loosely based on the novel The American Cavalryman (1917), by African-American novelist and playwright Henry Francis Downing. It is considered a lost film.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
Veiled Aristocrats is a 1932 American Pre-Code race film directed, written, produced and distributed by Oscar Micheaux. The film deals with the theme of "passing" by mixed-race African Americans to avoid racial discrimination, and is a remake of The House Behind the Cedars (1927), based on a novel by the same name published in 1900 by Charles W. Chesnutt. Micheaux may have borrowed the title from the 1923 novel by Gertrude Sanborn.
The Symbol of the Unconquered is a 1920 silent "race film" drama produced, written and directed by Oscar Micheaux. It is Micheaux's fourth feature-length film and along with Within Our Gates is among his early surviving works. The Symbol of the Unconquered was made at Fort Lee, New Jersey, and released by Micheaux on November 29, 1920. A print of the film is extant at the Museum of Modern Art in New York. The film is based on the way perceptions of race shape human relationships..
Birthright is a 1939 film by Oscar Micheaux, a talkie remake of his silent film Birthright, adapted from Thomas S. Stribling's novel of the same title (1922). Carman Newsome took the lead role of the black Harvard graduate facing racism played by J. Homer Tutt fifteen years earlier.
The Broken Violin is an American silent film directed by Oscar Micheaux, released in 1928. The film is based on Micheaux's unpublished novel, House of Mystery. The film is about a beautiful African-American, violin-playing, prodigy who overcomes her impoverished background and her alcoholic father who breaks her violin, in order to find success in music and love.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
Ebony Film Corporation was a film company established in Chicago in 1915 as Historical Feature Film Company. Its films were distributed "exclusively" by General Film Company. The company's films and its depictions of African Americans caused outrage and opposition from African Americans. The company used a logo of a monkey in blackface. The business folded in 1919.
References
- ↑ Matthew Bernstein, "Oscar Micheaux and Leo Frank: Cinematic Justice Across the Color Line" Film Quarterly57 4 (2004): 11. "While Micheaux’s attendance at the trial and even his presence in Atlanta in 1913 are difficult to verify, Micheaux clearly knew the details of the case and the prosecution’s brief against Frank as they were reported in the city papers. He drew upon those details for both his film and for his 1915 novel The Forged Note: A Romance of the Darker Races."
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