The Gazebo | |
---|---|
Artist | Caspar David Friedrich |
Year | 1818 |
Medium | Oil on canvas |
Dimensions | 94.8 cm× 74.8 cm(37.3 in× 29.4 in) |
Location | Neue Pinakothek, Munich |
The Gazebo or The Garden Bower is an 1818 oil on canvas painting by Caspar David Friedrich, now in the Neue Pinakothek, in Munich.
The artist is said to have given it to Johann Christian Finelius from Greifswald [1] and until 1848 it was owned by Finelius's son Hermann Finelius, again in Greifswald. [2] Hermann left it to his sister Friederike Buhtz, who in turn left it to Paul Hanow (1909–1936). It was lost in 1944 due to wartime conditions. [3]
Caspar David Friedrich was a German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
Greifswald, officially the University and Hanseatic City of Greifswald is the fourth-largest city in the German state of Mecklenburg-Western Pomerania after Rostock, Schwerin and Neubrandenburg. In 2021 it surpassed Stralsund for the first time, and became the largest city in the Pomeranian part of the state. It sits on the River Ryck, at its mouth into the Danish Wiek, a sub-bay of the Bay of Greifswald, which is itself a sub-bay of the Bay of Pomerania of the Baltic Sea.
The Bay of Greifswald or Greifswald Bodden is a basin in the southwestern Baltic Sea, off the shores of Germany in the state of Mecklenburg-Vorpommern. With an area of 514 km², it is the largest Bodden of the German Baltic coast.
Wanderer above the Sea of Fog is a painting by German Romanticist artist Caspar David Friedrich made in 1818. It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
Eldena Abbey, originally Hilda Abbey is a former Cistercian monastery near the present town of Greifswald in Mecklenburg-Vorpommern, Germany. Only ruins survive, which are well known as a frequent subject of Caspar David Friedrich's paintings, including the famous Abtei im Eichwald.
The Stages of Life is an allegorical oil painting of 1835 by the German Romantic landscape painter Caspar David Friedrich. Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life.
Chalk Cliffs on Rügen is an oil painting of circa 1818 by German Romantic artist Caspar David Friedrich.
The Abbey in the Oakwood is an oil painting by the German Romantic artist Caspar David Friedrich. It was painted between 1809 and 1810 in Dresden and was first shown together with the painting The Monk by the Sea in the Prussian Academy of Arts exhibition of 1810. On Friedrich's request The Abbey in the Oakwood was hung beneath The Monk by the Sea. This painting is one of over two dozen of Friedrich's works that include cemeteries or graves.
The Sea of Ice, (1823–1824), is an oil painting that depicts a shipwreck in the Arctic by the German Romantic painter Caspar David Friedrich. Before 1826 this painting was known as The Polar Sea.
Paul Michael Lutzeler is a German-American scholar of German studies and comparative literature. He is the Rosa May Distinguished University Professor Emeritus in the Humanities at Washington University in St. Louis.
Two Men Contemplating the Moon and Man and Woman Contemplating the Moon are a series of similar paintings by Caspar David Friedrich, the setting being among his best-known works. Friedrich painted at least three versions, with one variation featuring a man and a woman. The 1819–20 version in the Galerie Neue Meister is thought to be the original; the c. 1824 variant with a woman is in the Alte Nationalgalerie; and the c. 1830 version is in the Metropolitan Museum of Art.
Cairn in Snow, also known as Dolmen in the snow, is a landscape painting by the German painter Caspar David Friedrich. Friedrich is noted for his landscapes depicting features such as trees or Gothic ruins, silhouetted against the sky or in morning mists. The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood. It was probably painted around 1807, making it among Friedrich's first oil paintings. It measures 61 by 80 centimetres and has been held by the Galerie Neue Meister in Dresden since 1905.
Lea Grundig was a German painter and graphic artist.
Herbert von Einem was a German art historian.
The Port of Greifswald is an 1818-1820 painting by Caspar David Friedrich, depicting a scene in the Bay of Greifswald. It is currently housed in the Alte Nationalgalerie in Berlin, which acquired it in 1919.
Birgit Dahlenburg, néeHandschel was a German art historian. She worked as custodian for the art collections of the University of Greifswald and was instrumental in digitising art.
Gerd-Helge Vogel is a German art historian.
Evening is an 1821 oil on canvas painting by Caspar David Friedrich, now in the Niedersächsischen Landesmuseum Hannover. With Morning, Midday and Afternoon, it forms a series on different times of day.
Ruins of Eldena Abbey in the Riesengebirge or Ruins in the Riesengebirge is an 1830-1834 oil on canvas painting by Caspar David Friedrich, now in the Pommersches Landesmuseum in Greifswald. It shows the ruins of the Eldena Abbey in the Riesengebirge mountains.
The Temple of Juno in Agrigento is an 1828-1830 oil on canvas painting of by Caspar David Friedrich. It is now in the Museum für Kunst und Kulturgeschichte, in Dortmund, which bought it from a Cologne art dealer in 1951. It is said to have been previously owned by the F. A. Brockhaus publishers in Leipzig.