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The Gilded Cage | |
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Artist | Evelyn De Morgan |
Year | 1919 |
Medium | Oil on canvas |
Dimensions | 78.5 cm× 105 cm(30.9 in× 41 in) |
Location | Watts Gallery, Compton, Guildford |
The Gilded Cage is an oil painting on canvas by the English painter Evelyn De Morgan, from 1919. [1] It was her final work before her death later in the year.
In the painting a woman looks out a window. Her outstretched hand forms a gesture of yearning as she watches a group of dancers and musicians. The principal figure among the travelling group is a woman who dances while holding her baby, suggesting that the scene also represents maternal duty. Broken jewelry and a book lay on the floor.
A bird soars free about the dancers, which contrasts sharply to the captive bird in the gilded cage hanging near the woman's distraught older husband.
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Evelyn De Morgan was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors to express what several scholars have identified as spiritualist and feminist content. Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.
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John Roddam Spencer Stanhope was an English artist associated with Edward Burne-Jones and George Frederic Watts and often regarded as a second-wave pre-Raphaelite. His work is also studied within the context of Aestheticism and British Symbolism. As a painter, Stanhope worked in oil, watercolor, fresco, tempera, and mixed media. His subject matter was mythological, allegorical, biblical, and contemporary. Stanhope was born in Cawthorne, near Barnsley, Yorkshire, England, and died in Florence, Italy. He was the uncle and teacher of the painter Evelyn De Morgan and encouraged then unknown local artist Abel Hold to exhibit at the Royal Academy, which he did 16 times.
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"A Bird in a Gilded Cage" is a song composed by Arthur J. Lamb and Harry Von Tilzer. It was a sentimental ballad that became one of the most popular songs of 1900, reportedly selling more than two million copies in sheet music. Jere Mahoney (Edison) and Steve Porter (Columbia) recorded two early popular versions of this song.
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The De Morgan Foundation is a charity registered with The Charity Commission For England And Wales, Registered Charity No. 310004 since 1970.
The Gilded Cage, derived from the phrase "a bird in a gilded cage" meaning living in a luxurious prison, may refer to:
Woman with Parakeet is a painting by Pierre-Auguste Renoir created in 1871. It is in the holdings of the Solomon R. Guggenheim Museum in New York as part of the Thannhauser Collection. The painting portrays model Lise Tréhot, who posed for Renoir in over twenty paintings during the years 1866 to 1872.
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