The Girl Strike Leader | |
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![]() A film still from The Girl Strike Leader | |
Produced by | Thanhouser Company |
Release date |
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Country | United States |
Languages | Silent film English inter-titles |
The Girl Strike Leader is a 1910 American silent short drama produced by the Thanhouser Company. The film deals with labor relations when Hal Stephens disguises himself and works in a factory he was given by his father. As a laborer, he falls in love with a young working girl named Lou and protects her against a manager. Lou leads a strike when wages are ordered to be cut by 10%, but the strikers return to work on the verge of starvation. Lou, who resists, is saved by Hal who assumes control, restores the wages and removes the previous manager.
The film may have been inspired by the real 1909 strike of the New York City shirtwaist makers, but the strike ended without settlement. The scenario is bears the hallmarks of the successful dime novels with an improbable resolution. Released on July 8, 1910, the film has received attention for presenting labor issues, but the film is presumed lost.
Though the film is presumed lost, a synopsis survives in The Moving Picture World from July 9, 1910. It states: "Hal Stephens, a wealthy young man, devotes all his time to enjoying himself, thereby earns the disapproval of his staid old father. The elder Stephen sees the young man start off on an auto trip with some gay friends, and decides to call a halt. [note 1] He notifies his son by telegram that it is time he went to work, and presents him with the factory. This arouses the merriment of his friends, but Hal declares that he will buckle down and go to work. He tells his father, however, that he desires to start incognito, and the father consents. Hal enters the factory and goes to work as an ordinary laborer, his identity being unknown to all. He meets Lou, a young working girl, and falls in love with her. The manager of the place, one Conners, tries to make love to Lou, and Hal protects her. [note 2] There is an order put up reducing salaries 10%, and Lou induces the others to strike rather than to submit. The strikers, starved out, finally return to work, with the exception of Lou, who is defiant to the end. Hal finds her weeping on the steps of her home and tells her of his love. She agrees to marry him. After she has accepted him, he leads her to the factory, announces his identity, assumes possession, and restores wages to the old scale, after having discharged the rogue Conners." [1]
The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. Lonergan was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. [2] Michael S. Shull, author of Radicalism in American Silent Films, 1909-1929: A Filmography and History, believes the scenario was inspired by a New York City shirtwaist makers strike that began in the winter of 1909. [3] The strike would end without settlement, but it would be dramatized by Theresa Malkiel, a labor activist. The fictional autobiography written by Malkiel, The Diary of a Shirtwaist Striker, was serialized in New York Caller a socialist paper. [3] The film director is unknown, but it may have been Barry O'Neil. Bowers does not attribute a cameraman for this production, but two possible candidates exist. Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer. The role of the cameraman was uncredited in 1910 productions. [4] The only credit known for the cast is that of Mrs. George W. Walters in the role of a poor factory worker. [1] Other members cast may have included the other leading players of the Thanhouser productions, Anna Rosemond, Frank H. Crane and Violet Heming. [5] [6] [7]
The single reel drama, approximate 1000 feet long, was released on July 8, 1910. [1] [note 3] Theaters in Indiana and Pennsylvania were among those which advertised the film, one specifically focusing on the film having dealing with "the labor question". [8] [9] A review in The Moving Picture News was contained detailed praise of the film's relevance and success in portraying the subject. The reviewer states, "This film strikes home. ... The situation has been lived in New York City. The strike and its miseries are not forgotten. Whoever arranged the story had a big, tender heart and knew what appeals to the masses. The glee with which the superintendent's discomfiture was hailed by the audience spoke volumes. We wish some of the pictures were not quite so vividly black and white. Mayhap the tenseness of the situation hit the cameraman. Be that as it may, one thing is certain - there is no melodrama, but scenes out of real life." [1] While the reviewer in this case refers to the scenario being drawn from real life, the happy ending is termed as a fantasy by reviewer in The Moving Picture World who states, "[It is one] of those pictures which thrill one despite their improbability. It may go in stories but never in fact, that an owner of a factory marries one of his girl employees, and a strike leader at that..." [1]
Nan Enstad, author of Ladies of Labor, Girls of Adventure: Working Women, Popular Culture, and Labor Politics at the Turn of the Twentieth Century says that the film relied on the dime novel formula as much as the labor-capital conventions to depict its story. [10] Kay Sloan, author of The Loud Silents: Origins of the Social Problem Film, confirms that the simplified plot of the film is of the dime novel order. [11] [note 4] Barbara Antoniazzi, author of The Wayward Woman: Progressivism, Prostitution, and Performance in the United States, 1888–1917, highlights that the girls are striking against the actions of Connor instead of the owner and that Lou is portrayed as attractive, defiant and virtuous. [12] Steven J. Ross would cite this film as the first in a list of films that would progressively depict female labor activists as the agent of justice in contrast to the gender biases of film makers. [13]
St. Elmo is a 1910 American silent short drama produced by the Thanhouser Company. The scenario was adapted by Lloyd Lonergan from Augusta Jane Evans's 1866 novel of the same name. Frank H. Crane and Anna Rosemond play the leading roles in the simplified plot that was reliant on inter-titles to tell the story. The film follows St. Elmo who is engaged to his cousin Agnes, being betrayed by his friend Dick Hammond who has an affair with Agnes. St. Elmo challenges and kills Hammond in a duel. A young girl, Edna witnesses the duel and leads Agnes and the sheriff off the trail. St. Elmo disappears and returns five years later to woo Edna. She rejects then accepts his affections only to stop him from committing suicide. The production was met with mixed reviews by critics, but was successful. The film is presumed lost.
She's Done it Again is a 1910 American silent short comedy written by Lloyd Lonergan and produced by the Thanhouser Company in New Rochelle, New York. A thief named Sikes decides to rob a society woman who falsely claimed to have been robbed when she in fact pawned her jewelry. A gentleman thief strikes and robs her, but no one believes her. The thief is caught only by a clever detective. The film was the third release of the Thanhouser company and featured the leading players, Anna Rosemond and Frank H. Crane. The film was met with positive reviews, but is presumed to be lost.
She Wanted to Marry a Hero is a 1910 American silent short drama produced by the Thanhouser Company. Elsie Plush, an avid dime novel reader, came to idolize the concept of a hero and rejected her plain boyfriend, George Mild. She idolizes a series of men, only to have each ideal candidate be shattered a short time later by a series of incidents which highlight their flaws or weaknesses. In the end, Elsie returns and accepts her boyfriend's marriage proposal. Released on April 29, 1910, as split-reel with The Cigars His Wife Brought, the film was given favorable reviews and had advertisements for its showing until late 1912. The film is presumed lost.
The Best Man Wins is a 1910 American silent short drama produced by the Thanhouser Company. The film features Thanhouser's leading players Anna Rosemond, Martin Faust, Frank H. Crane and Marie Eline in a drama about morality. Two suitors are vying for the hand of Julia Seaton and propose to her on the same day, but she asks for a month to decide between them. In the time, the caliber of both men are tested when asked by a young girl, named May, to help her dying mother. The doctor refuses to help, and the lawyer offers his assistance, but her mother soon dies. The orphan is taken in by the Seaton family and personally attests to the character of both men when Julia Seaton has to choose between her suitors.
Cupid at the Circus is a 1910 American silent short drama produced by the Thanhouser Company. The film is a romance with a storyline focused around a country boy who follows a circus parade to the circus grounds and becomes intent on sneaking into the show. He is discovered, but before he can be ejected, a girl asks her father to buy him a ticket of admission. Thankful, the boy gives her his pocket knife. Years later the two meet again and when he sees her using his pocket knife. He proposes and she accepts. Not too much is known for certain about the production of this film, including the writer, director and photographer credits. The circus scenes were done with special arrangement by Barnum & Bailey. The film was released on May 20, 1910, to favorable reviews. The film is presumed lost.
The Writing on the Wall is a 1910 American silent short drama produced by the Thanhouser Company. Directed by Barry O'Neil from a script by Lloyd Lonergan, this presumed lost film focuses on a young girl named Grace who becomes attracted to a wealthy man named Jack. Two men, named Turner and Hank plot to rob Jack after he withdraws a large sum of money from a bank, but Grace warns him of a plot to drug him. Jack escapes and marries Grace. The film has no known trade publication reviews, but reviews may exist for this film. Theaters were advertising this film as late as 1913.
The Woman Hater is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Tom Taylor, a woman-hater, who sells his property to a financier at a play. In order to finalize the transaction, Taylor must go to the financier's hotel and becomes the subject of a bet by Lou Bennett that she can win his affections. Lou succeeds in the bet, but Taylor finds out and is preparing to leave forever when Lou speaks to him. Little is known about the production or the cast other than a single credit of Violet Heming as Lou Bennett. The film was released on June 14, 1910, but is not known to have been reviewed by any trade publications. The film is presumed lost, but another production of the same name released the same year was rediscovered in New Zealand in 2010.
The Little Hero of Holland is a 1910 American silent short drama produced by the Thanhouser Company. It is an adaptation of the short fictional story popularized in Hans Brinker, or The Silver Skates, about a boy who plugs a leaking dike with his finger to prevent it from bursting. The role of the boy was played by Marie Eline, but little else is known about the production and cast of the film. The director may have been Barry O'Neil and the writer may have been Lloyd Lonergan. Parts of the film were shot on Glen Park Island in New Rochelle, New York. The film was released on June 17, 1910 and saw a wide release, including the United Kingdom. The film is presumed lost.
The Governor's Daughter is a 1910 American silent short drama produced by the Thanhouser Company. The story details a convict who is being sent to prison when the train is wrecked and the sheriff escorting him is killed. The convict frees himself, but halts his escape to save the life of a little girl. As he returns the girl to her nurse, a policeman identifies and recaptures him. Later the little girl accompanies her father, the governor, on a tour of the prison and the father pardons the hero-convict. The film included scenes of a real train wreck and the scenario was written around the filming of the disaster. The film received praise for the before and after scenes which were described as shocking to The Moving Picture World's reviewer. The film was released on June 24, 1910, and was shown as far away as Australia. The film is presumed lost.
Tempest and Sunshine is a 1910 American silent short drama produced by the Thanhouser Company. The film is an adaptation of Mary Jane Holmes's 1854 novel Tempest and Sunshine, and features the deceptive Tempest and the benevolent Sunshine being wooed by a Dr. Lacey. Tempest and Bill Jeffreys conspire against Sunshine. By intercepting the lovers' letters the doctor instead decides to marry Tempest, but Jeffreys interrupts the ceremony to reveal the conspiracy. The doctor and Sunshine are reunited. The novel was a popular subject of plays and vaudeville, but the Thanhouser adaptation appears to be the first film version for it predates the adaptations in The Complete Index to Literary Sources in Film. Released on June 28, 1910, the production received a favorable review in The Moving Picture News. The film is presumed lost.
The Flag of His Country is a 1910 American silent short drama film produced by the Thanhouser Company. The patriotic film focuses on a man aptly named Walter North who sides with the Union and whilst his wife sides with the Confederacy in the American Civil War. The family is reunited thirty years later at a Grand Army of the Republic reunion through the actions of their grandchild. Little is known about the production and cast of the film, but the role of granddaughter was played by Marie Eline. Released on July 1, 1910, the film took place within living memory of the war and a reviewer in The Moving Picture World noted that the film would not offend its audience members. The film is presumed lost.
Gone to Coney Island and Booming Business are two 1910 American silent short comedy productions by the Thanhouser Company. Both were released together on a single film reel on July 5, 1910. Gone to Coney Island is a comedy that features Coney Island, which the mere subject would make for a successful film. Booming Business may have been the very type of slapstick comedy that Edwin Thanhouser specifically said the Thanhouser Company would not produce. The productions of both films have no credits for the cast or crew, but possible candidates for these roles exist. Reviews of the films favored Gone to Coney Island, but some reviewers specifically refused to explain the plot because Coney Island subjects were deemed self-explanatory. Booming Business received one detailed review in The New York Dramatic Mirror which was negative. The films are presumed lost.
The Lucky Shot is a 1910 American silent short drama produced by the Thanhouser Company. The plot follows Jack Hunt, the son of a wealthy woman, who weds a chorus singer Nell Horsley. Jack's mother forgives the son's error, but rejects his wife. Then Jack is killed while on strike duty in the local militia and the Nell and her child struggle in poverty. Nell begs her mother-in-law for aid, but the woman is enraged and drops dead. Her property goes to the young boy who saves the financial future of the family by finding a hidden fortune with a lucky shot while playing 'Indian'. Released on July 12, 1910, the film received positive attention and saw an international release. The film is presumed lost.
The Mermaid is a 1910 American silent short comedy produced by the Thanhouser Company. The film focuses on John Gary, a hotel owner, who wants to revitalize his business. After reading about a reported mermaid sighting, he has his daughter Ethel pose as a mermaid and gets a newspaper reporter to witness and photograph the mermaid. The publicity results in the hotel becoming famous, but Ethel eventually discloses the joke to the guests of the hotel in her mermaid suit. The film was released on July 29, 1910 and was met with mostly positive reviews. The film is presumed lost.
The Girl Reporter is a 1910 American silent short drama produced by the Thanhouser Company. The film follows two sweethearts, May and Will, who are reporters for the Daily Wave newspaper. Will leaves the newspaper to work as a secretary to Blake, the commissioner of public works. Blake takes a bribe and blames Will and fires him. May sets out to clear his name and becomes Blake's new secretary. May investigates and clears Will's name while proving Blake's corruption. The film was released on August 16, 1910 and saw a wide national release. The film received mixed responses from critics who liked the acting, but found issues with the staging and the plausibility of the plot. The film is presumed lost.
A Dainty Politician is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on corruption political activity during a political convention in which a corrupt politician is running for re-election to the United States Congress. The votes are tallied and the challenger ties with the corrupt Congressman Casey, but a third candidate holds the balance of power. Casey bribes the third candidate to retire in his favor, but the plot is uncovered and the two are ejected from the convention by a reporter who falls in love with challenger's daughter. The film was released on August 23, 1910, and saw a wide national release. Little is known of the actual production, but it received mixed reaction for the plausibility of its plot. The film is presumed lost.
The Latchkey is a 1910 American silent short comedy produced by the Thanhouser Company. The premise of the plot focuses on two businessmen who are friends Will and John. Will gives John the key to his apartment so he had stay there while Will goes on vacation. The landlady of the house leases the apartment to two ladies. John decides to go to Will's apartment and lets himself in with the key and finds the two girls asleep. They awake and take him for a burglar and threaten to kill him and John pleads for mercy instead of addressing the misunderstanding. John is later revealed to be her employer after he is caught opening a safe in the office the next morning. The film was released on August 26, 1910 and was met with positive reviews by the trade publications. The film is presumed lost.
An Assisted Elopement is a 1910 American silent short comedy produced by the Thanhouser Company. The film focuses on Gladys and Charlie who meet each other on the train home and they become romantically interested in each other. It turns out their parents are friends and wish for them to get married, souring the relationship between them. In a ploy to get their children to elope, the fathers become bitter enemies in public and the couple elopes much to their enjoyment and intention. A surviving film still shows several of members of the cast, including Frank H. Crane, Violet Heming, and Alphonse Ethier. The film was released on August 30, 1910, and saw a wide national release. The film is presumed lost.
Mother is a 1910 American silent short drama produced by the Thanhouser Company. The film is a melodrama that focuses with Will Allen who runs away from home after being violently abused by his stepfather and his mother keeps a candle lit for him to return home. Twenty years later, Will returns home after having become a successful lawyer, but cannot find his parents. Will later takes the case to defend a lady being prosecuted by a client company. After being successful he recognizes the lady as his mother and they are reunited. The film's cast included Anna Rosemond, Frank H. Crane and Carey L. Hastings, but other credits are uncertain. The film was released on September 6, 1910, and was met with mixed reviews. The film is presumed lost.
Delightful Dolly is a 1910 American silent short comedy produced by the Thanhouser Company. The film follows Marie Allen, an orphan girl who lives with her grandfather, who sees a large doll in the window of the shop. At night, she sneaks out to visit the shop with the doll, but finds it gone. She sneaks into the shop and ends up hiding in the box, to prevent from being discovered by the store clerk. She is taken to the home of the rich little girl, Daisy. After taking the doll's clothes, Marie hides in the box as Daisy approaches. When Daisy opens the box, Marie acts like a doll. When Daisy takes a break for food, Marie secretly takes the food and drink much to Daisy's bewilderment. Marie's grandfather arrives at the home and explains the situation and Marie receives the doll from the family. Little is known about the production or cast of the film, but Marie Eline played the role of Marie. The film was released on October 14, 1910 and was met with some praise in trade publications. The film is presumed lost.