The Glitterhouse | |
---|---|
Studio album by | |
Released | 1981 |
Label | Cherry Red |
The Glitterhouse is the sole studio album by English post-punk band Medium Medium, released in 1981 by record label Cherry Red. "Hungry So Angry" was released as a single. [1]
Review scores | |
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Source | Rating |
Robert Christgau | B [2] |
Trouser Press | unfavourable [3] |
Trouser Press' review was negative, opining that it "uses too much aural gimmickry and tends to meander aimlessly". [3] The New York Times wrote that "most of the album is airy, moody, strangely gripping psychedelic rock-jazz, with guitar and saxophone textures grating against each other in an echo-chamber and a beat that's more implied than stated." [4]
Kings of the Wild Frontier is the second album by English new wave band Adam and the Ants. It was released on 7 November 1980 by CBS Records in the UK and Epic records internationally. The album was the UK number 1 selling album in 1981 and won Best British Album at the 1982 Brit Awards. This album introduced the Burundi beat sound to popular music.
Discipline is the eighth studio album by English progressive rock band King Crimson, released on 22 September 1981 by E.G. Records in the United Kingdom and by Warner Bros. Records in the United States.
Pink Flag is the debut studio album by English rock band Wire. It was released in November 1977 by Harvest Records. The album gained Wire a cult following within independent and post-punk music upon its initial release, later growing to be highly influential on many other musicians.
Dub Housing is the second album by American rock band Pere Ubu. Released in 1978 by Chrysalis Records, the album is now regarded as one of their best, described by Trouser Press as "simply one of the most important post-punk recordings."
What's THIS For...! is the second studio album by English post-punk band Killing Joke, released in June 1981 by E.G. via Polydor Records.
Slates is an EP by the Fall, released on 27 April 1981 by Rough Trade Records. It was one of singer Mark E. Smith's favourite Fall releases, and he claimed it was aimed at "people who didn't buy records".
Germfree Adolescents is the 1978 debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo", "Identity" and "Germ Free Adolescents" which reached No. 18 in November 1978. Upon release, the critics noted it wasn't all new material: five songs on the twelve tracks had already been released on A-sides and B-sides of singles.
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American band The Replacements. It was released on August 25, 1981 by Twin/Tone Records. Squarely inspired by punk rock, the album stands in contrast to the more creatively diverse power pop and indie rock styles on later albums.
Trouser Press was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who, Dave Schulps, and Karen Rose under the name "Trans-Oceanic Trouser Press". Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by Rolling Stone sister publication Record, which itself folded in 1985. Trouser Press has continued to exist in various formats.
While You Were Out is an album by the American band Soul Asylum, released in 1986. It was produced by Chris Osgood. While You Were Out was the band's third release of 1986.
Ragin', Full-On is the first album by American alternative rock band fIREHOSE. It was released after the breakup of the influential punk rock band Minutemen due to the death of the guitarist D. Boon. Like all fIREHOSE albums, Ragin', Full-On is dedicated to Boon.
Honi Soit is the seventh solo studio album by the Welsh rock musician John Cale, released in March 1981 by A&M Records, and was his first studio album in six years following 1975's Helen of Troy. It was recorded and mixed by Harvey Goldberg at CBS Studios, East 30th Street and Mediasound in New York City with the intention of making a more commercial album with record producer Mike Thorne at the helm, Thorne would soon be known for his work with Soft Cell. "Dead or Alive" was the only single released from the album but it did not chart. However, Honi Soit is Cale's only studio album to date to chart on the US Billboard 200, peaking at No. 154.
Fire of Love is the debut album of the American rock band the Gun Club, released in 1981 on Ruby Records.
Yachts were a British power pop/new wave band, best remembered for their 1977 single "Suffice to Say" and the minor new wave classic "Love You, Love You".
The Dictators Go Girl Crazy! is the debut album by American punk rock band The Dictators. It was released in March 1975 and is considered one of the first examples of punk rock.
Pure Mania is the debut album by the punk band the Vibrators. It was released in 1977 on Epic Records and reached No. 49 in the UK Albums Chart. The song "Baby Baby" was released as a single and punk band Stiff Little Fingers got their name from the song of the same name from this album.
Public Flipper Limited is the second live album by San Francisco-based punk rock band Flipper, released in 1986 by Subterranean Records. It contains recordings from 1980–85. The title is a nod to John Lydon's post-punk outfit Public Image Ltd. Earlier the same year Public Image Ltd. had released an album titled Album whose title resembled that of Flipper's debut release, Album.
The Blow-Up is a live album by the American band Television, released as The Blow Up on cassette in 1982. It was reissued in 1990 and again in 1999. The songs first appeared on a bootleg titled Arrow.
Christgau's Record Guide: The '80s is a music reference book by American music journalist and essayist Robert Christgau. It was published in October 1990 by Pantheon Books as a follow-up to Christgau's Record Guide: Rock Albums of the Seventies (1981).
The Mekons Honky Tonkin' is an album by the British band the Mekons, released in 1987. It was their first album to be released in the United States and the band's third country music-influenced album. The band supported the album with a North American tour.