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The Harp Bar is a public house and live music venue based in Hill Street, central Belfast, Northern Ireland. It is in the context of punk rock history, particularly music from Northern Ireland. [1] It was owned between 1977 and 1984 by Patrick (Patsy) Lennon whom some years later built and owned the Limelight nightclub and Dome Bar (two Nestled adjacent premises in Ormeau Avenue, Belfast).
The Harp Bar opened its doors as a bar and music venue at the height of a time of conflict known as the troubles in Northern Ireland. [2] Despite tensions in the city and occasional bomb attacks on the premises by paramilitaries, many young people from all across the city regularly attended shows.
The Harp opened its doors to punk bands in early 1978. Victim, supported by The Androids, on 21 April 1978 was the first punk gig at the venue. [3] The Harp would quickly become a major punk venue in Belfast. Artists like Rudi made their Harp debut in May 1978, [4] And Stiff Little Fingers played at the venue three times, in May, July and August 1978. [5]
The Harp was a relatively small venue, however it became the center of the Belfast Punk scene. As Terri Hooley, of the label Good Vibrations, describes: “It became blindingly obvious that if punk was to survive, it needed a venue of its own. Enter The Harp Bar. Located on Hill Street, a stone’s throw from St Anne’s Cathedral on the north edge of Belfast city centre, and seen from the outside with its metal security grills and blacked-out windows, you could be forgiven for thinking it was a condemned building. It had not escaped the Troubles unscathed … It might have been an absolute dump but The Harp kept punk alive, and indeed punk kept it alive.” (Terri Hooley, Good Vibrations) [6]
The bar was situated in a part of a Belfast city centre that at the time, many considered rundown. The area was subject to low traffic at night due to the troubles. However, it became a relatively safe venue for both Protestant and Catholic punks to mix and listen to the large number of local punk bands. Terri Hooley has also described how: “At a time when the religious divide in Northern Ireland was most pronounced, we had kids from both sides of the community coming together in the name of music.” (Terri Hooley, Good Vibrations) [7] Brian Young, of the band Rudi, similarly recalls: “It really was the first time I can remember that significant numbers of young people from all sections and classes of community, and from both sides of the sectarian divide were able to meet up and get to know each other, initially drawn together by their enthusiasm for this new music and lifestyle.” (Brian Young, Rudi) [8]
The Harp was regarded as a rough venue. Stuart Bailie highlights this, describing how: “The punks upstairs could also have rough-house tendencies. The daily aggression of Belfast life was reflected in the upstairs bar, even if it wasn’t about religious sectarianism” (Stuart Bailie, Trouble Songs). [9]
Many local punk rock bands including The Outcasts, Rudi, Stiff Little Fingers, The Defects and others appeared at the venue. It was quickly recognized as the premier punk rock venue in Ireland and started attracting touring bands such as The Nipple Erectors and The Monochrome Set. According to one regular, "It stank. It smelled of armpit and stale beer. The toilets were DREADFUL." [10]
The Harp, appeared in a number of documentaries and TV news clips, including the independent documentary film Shellshock Rock. The youth BBC TV show Something Else broadcast in January 1980 carried a report on the punk scene in Belfast, which featured footage and interviews from the Harp Bar. [11] The Something Else clip of punks on the Harp Bar dance floor regularly appears in reruns of the BBC’s Top Of The Pops The Story of 1977 as representative of the punk movement.
Sean O'Neill & Guy Trelford report that: “By the end of ‘79, things had gone a bit stale. Bands started to get a bit fed up playing at the same venue and to the same old faces, and gigs began to get cancelled at the last minute. Frustration started to creep in”. [12] The Harp stopped hosting punk gigs in mid-1981 when it became a Country & Western themed bar.
The original venue closed in the 1990s and a new Harp Bar opened elsewhere in Belfast in 2013 as a tribute to the original venue. [13]
In 2019, there were plans to build a hotel on the Hill Street site. [14]
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Stiff Little Fingers are a Northern Irish punk rock band from Belfast, Northern Ireland. They formed in 1977 at the height of the Troubles, which informed much of their songwriting. They started out as a schoolboy band called Highway Star, doing rock covers, until they discovered punk. They were the first punk band in Belfast to release a record – the "Suspect Device" single came out on their own independent label, Rigid Digits. Their album Inflammable Material, released in partnership with Rough Trade, became the first independent LP to enter the UK top 20.
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Good Vibrations was a Belfast record label and store. Founded by Terri Hooley in the early 1970s, Good Vibrations started out in a small derelict building on Great Victoria Street, Belfast. Good Vibrations began life as a record shop, opening in late 1976; it grew to become a popular record shop.
Events during the year 1978 in Northern Ireland.
Terence Wilfred Hooley is a businessman from Northern Ireland who is a prominent figure in the Belfast punk scene and founder of the Good Vibrations record shop and label. He was responsible for bands such as The Undertones, Rudi, Protex and The Outcasts making their mark on the music scene in Ireland and Britain. After playing "Teenage Kicks" on BBC, national radio John Peel then became a big supporter of the Good Vibrations record label.
The Tearjerkers are a five piece power pop band from Northern Ireland. Formed at the height of the punk rock boom in Ulster in 1978, the band were composed of members from other Northern Irish groups namely Cobra, Midnight Cruiser and The Detonators.
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"Suspect Device" is the debut single by Northern Irish punk band Stiff Little Fingers, released on 17 March 1978.