The Healers is a novel by Ayi Kwei Armah. [1] It was Armah's fifth novel which was published in 1979. [2] [3]
Kwame Kwei-Armah is a British actor, playwright, director, singer and broadcaster. He is best known for playing paramedic Finlay Newton in the BBC medical drama Casualty from 1999 until 2004. In 2005 he became the second black Briton to have a play staged in the West End of London. Kwei-Armah's award-winning piece Elmina's Kitchen transferred to the Garrick Theatre in 2005. He was appointed Officer of the Order of the British Empire (OBE) in the 2012 Birthday Honours for services to drama. He is currently the artistic director of the Young Vic theatre in London, succeeding David Lan.
Ayi Kwei Armah is a Ghanaian writer best known for his novels including The Beautyful Ones Are Not Yet Born (1968), Two Thousand Seasons (1973) and The Healers (1978). He is also an essayist, as well as having written poetry, short stories, and books for children.
The Beautyful Ones Are Not Yet Born is the debut novel by Ghanaian writer Ayi Kwei Armah. It was published in 1968 by Houghton Mifflin, and then republished in the influential Heinemann African Writers Series in 1969. The novel tells the story of an unnamed man who struggles to reconcile himself with the reality of post-independence Ghana.
Elmina's Kitchen, first performed in May 2003, is the fifth play from the British actor, playwright and broadcaster, Kwame Kwei-Armah. Set in a West Indian restaurant in London, Elmina's Kitchen tells a tale of family, drugs and crime on Hackney's Murder Mile. The play is centred on the character of Deli, the owner of a West Indian restaurant and father to Ashley. Ashley is a misguided teen who cannot help but be seduced by the gangster culture that surrounds him. Deli tries to run a successful restaurant while attempting to keep his son on the straight and narrow particularly when his son gets closer to a well-known local gangster, Digger.
Ato Sekyi-Otu is a Ghanaian political philosopher. He was born at Saltpond, Ghana in 1941 and until 1971 was known as Daniel Sackey Walker. He was educated at Mfantsipim School, Cape Coast, where he was Head Prefect in 1960-61 and completed his Cambridge Higher School Certificate in 1961 with distinctions in Greek and Latin. He went to Harvard and received an A.B. in Government in 1966. He pursued graduate studies at the University of Toronto where he worked with the renowned Canadian political theorist C.B. Macpherson and received his PhD in 1971.
Okyeame was a literary magazine founded by the Ghana Society of Writers in the post-Independence era, which saw the rapid rise of a new generation of thinkers, writers and poets in the country. The first issue of Okyeame appeared in 1960, and issues were published, at irregular intervals, up until 1972. Inspired by Kwame Nkrumah, the first Prime Minister of Ghana, the publication sought to explore the experiences of Africa from a new intellectual framework. Writers published in the magazine include its first editor Kofi Awoonor, Efua Sutherland, Ayi Kwei Armah and Ama Ata Aidoo.
Osiris Rising: A Novel of Africa Past, Present and Future is a novel written by Ayi Kwei Armah and published in 1995. The story revolves around an African-American woman, Ast, who goes to Africa looking for heritage after she gets her PhD. The text addresses a number of contemporary African issues, including the residual colonial institutions that limit African culture, the hypocritical nature of African Americans and expatriates who try to help Africa and the contemplation of "What is African history and culture?" The book is published by Per Ankh, a Senagalese publishing company.
Ken Diston Lipenga is a Malawian politician, journalist, and writer. He was the Member of Parliament for Phalombe East from 1997 to 2014. He has served in various ministerial positions.
Ayi is a unisex given name. Notable people with the name include:
Benjamin Kwakye is a Ghanaian novelist and lawyer. His first novel, The Clothes of Nakedness, won the 1999 Commonwealth Writers' Prize, best first book, Africa, and has been adapted for radio as a BBC Play of the Week. His novel The Sun by Night won the 2006 Commonwealth Writers' Prize, Best Book Africa. His novel The Other Crucifix won the 2011 IPPY award. His is also the winner of the 2021 African Literature Association's Book of the Year Award for Creative Writing.
Ode Ogede is a Nigerian-born American academic who is professor of African literature at North Carolina Central University and was a lecturer at Ahmadu Bello University.
The Beautyful Ones Are Not Yet Born is a jazz album by Branford Marsalis, leading a trio with Jeff "Tain" Watts and Robert Hurst and with guest appearances from Wynton Marsalis and Courtney Pine. It was recorded May 16–18, 1991, at CTS Studio A, Wembley, England, and June 24, 1991, at RCA Studio B in New York, New York. It peaked at number 3 on the Top Jazz Albums chart.
Two Thousand Seasons is a novel by Ghanaian novelist Ayi Kwei Armah. The novel was first published in 1973 and subsequently published a number of times, including in the influential Heinemann African Writers Series. It is an epic historical novel, attempting to depict the last "two thousand seasons" of African history in one narrative arc following a Pan-African approach.
Kwei-Armah is a Ga surname, which means "to find the way". Notable people with the surname include:
This Earth, My Brother is a 1971 novel by Ghanaian novelist Kofi Awooner published, later republished by Heinemann as part of the influential African Writers Series.
One Love: The Bob Marley Musical previously titled Marley is a stage musical based on the life and music of Bob Marley, written by Kwame Kwei-Armah.
Get Up, Stand Up! The Bob Marley Musical is a musical based on the life and music of Bob Marley written by Lee Hall.
The Emergence of African Fiction is a 1972 academic monograph by American scholar Charles R. Larson. It was published initially by Indiana University Press, and again, in a slightly revised edition, in 1978 by Macmillan. Larson's study has elicited very different responses: it was praised as an early and important book in the study and appreciation of African literature in the West, but for others it remained stuck in a Eurocentric, even colonizing mode in which Western aesthetics were still the unspoken standard for artistic assessment.