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The Huntes upp is a sixteenth century ballad attributed to William Gray.
The hunt is up was commonly associated to any song that would be sung in the morning. Shakespeare employs it as such in Romeo and Juliet (act iii, sc. 5). [1]
There is a keyboard version in C major by William Byrd. The work is included in two of the most important collections of keyboard music of the Renaissance, My Ladye Nevells Booke and the Fitzwilliam Virginal Book . The copying of My Ladye Nevells Booke, which contains a selection of Byrd's keyboard pieces, was completed in 1591. The Huntes upp is believed, on stylistic grounds, to be one of the earlier pieces in the collection
The piece has 11 variations on the songs The Hunt is Up and The Nine Muses. It is usually played on a harpsichord or piano and takes around 7 minutes.
The lyrics are: [1]
The hunt is up, the hunt is up,
And it is a well nigh daye;
And Harry our King is gone hunting,
To bring his deere to baye.
The east is bright with morning light,
And darkness it is fled,
And the merie horn wakes up the morne
To leave his idle bed.
Beholde the skyes with golden dyes
Are glowing all around,
The grasse is greene, and so are the treene
All laughing at the sound.
The horses snort to be at the sport,
The dogges are running free,
The wooddes rejoyce at the mery noise
Of hey tantara tee ree!
The sunne is glad to see us clad,
All in our lustie greene,
And smiles in the skye as he riseth hye,
To see and to be seen.
Awake, all men, I say agen,
Be mery as you maye,
For Harry our King is gone hunting,
to bring his deere to baye.
William Byrd was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continent. He is often considered along with John Dunstaple, Thomas Tallis and Henry Purcell as one of England's most important composers of early music.
Davitt Moroney is a British-born and educated musicologist, harpsichordist and organist. His parents were of Irish and Italian extraction – his father was an executive with the Anglo-Dutch Unilever conglomerate. From 1968 onward, he undertook his undergraduate and graduate studies in musicology at King's College London, the faculty of which was headed by Thurston Dart, a great influence on the world of early music. Moroney later pursued advanced harpsichord studies with Kenneth Gilbert and Gustav Leonhardt. Moroney also holds performance and teaching diplomas (1974) from the Royal Academy of Music and the Royal College of Music. After earning his PhD in musicology from the University of California, Berkeley in 1980 with a thesis on the music of Thomas Tallis and William Byrd, he returned to Paris and worked mainly as a freelance performer until returning to the United States to serve on the faculty at UC Berkeley in 2001.
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard.
Generally, a battle is a combat in warfare between two or more parties.
Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all plucked keyboard instruments – the harpsichord, muselaar and virginals, but most of the pieces are also suited for the clavichord and chamber organ. Though the date is uncertain, it was probably published around 1612. The 21 pieces included are ascribed to William Byrd, John Bull, and Orlando Gibbons, in three sections.
In the Elizabethan era (1558–1603), there was a wide range of leisure activities entertaining both the nobility and the common classes. Among these leisure activities were animal fighting, team sports, individual sports, games, dramatics, music and the arts.
My Ladye Nevells Booke is a music manuscript containing keyboard pieces by the English composer William Byrd, and, together with the Fitzwilliam Virginal Book, one of the most important collections of Renaissance keyboard music.
The Mulliner Book is a historically important musical commonplace book compiled probably between about 1545 and 1570, by Thomas Mulliner, about whom practically nothing is known, except that he figures in 1563 as modulator organorum (organist) of Corpus Christi College, Oxford. He is believed to have previously resided in London, where John Heywood inscribed the title page of the manuscript Sum liber thomas mullineri / iohanne heywoode teste.. A later annotation on the same page states that: T. Mulliner was Master of St Pauls school, but this has so far proved unsupportable. The provenance of the MS is unknown before it appears in the library of John Stafford Smith in 1776. After passing through the hands of Edward Francis Rimbault the MS was given to the British Museum in 1877 by William Hayman Cummings.
Priscilla Bunbury's Virginal Book is a musical commonplace book compiled in the late 1630s by two young women from an affluent Cheshire family. It is important more for its fingering indications than for the quality of the music it contains.
Elizabeth Rogers' Virginal Book is a musical commonplace book compiled in the mid-seventeenth century by a person or persons so far unidentified. Of all the so-called English "virginal books" this is the only one to mention the name of the instrument in the title, the others being so-called at a far later date.
The Dublin Virginal Manuscript is an important anthology of keyboard music kept in the library of Trinity College Dublin, where it has been since the 17th century under the present shelf-list TCD Ms D.3.29.
Clement Matchett's Virginal Book is a musical manuscript from the late renaissance compiled by a young Norfolk man in 1612. Although a small anthology, it is notable not only for the quality of its music but also for the precise fingering indications that reveal the contemporary treatment of phrasing and articulation. Moreover, the manuscript is unusual in that each piece bears the exact date of its copying.
Walsingham was a popular Elizabethan ballad tune. There are various versions of the lyrics, which relate to a pilgrimage site, suppressed during the English Reformation.
"Will Yow Walke the Woods soe Wylde" is the title of a song from the Tudor era, popularly believed to have been a favourite of Henry VIII. The complete text of the song has not survived, but contained the short refrain:
"The Carman's Whistle" is a song of the Tudor era. The title refers to the occupation of "carman". Carmen were known for their habit of whistling, which according to William Chappell was effective in the management of horses. Risqué lyrics have survived including a version entitled "The Courteous Carman and the Amorous maid: Or, The Carman's Whistle".
The Susanne van Soldt Manuscript is a keyboard anthology dated 1599 consisting of 33 pieces copied by or for a young Flemish or Dutch girl living in London. Its importance lies mostly in the fact that it is the only known source of early Dutch keyboard music prior to Sweelinck.
Battell is a surname. Notable people with the surname include:
The Forrest-Heyther partbooks are a set of six manuscript partbooks copied in England in the sixteenth century. They are an important source of polyphonic Mass Ordinary settings by composers from the reign of Henry VIII, including John Taverner and Robert Fayrfax.