| The Ice Cutters | |
|---|---|
 | |
| Artist | J. Alden Weir |
| Year | 1895 |
| Location | Portland Art Museum, Portland, Oregon, U.S. |
The Ice Cutters is an 1895 painting by J. Alden Weir, and part of the collection of the Portland Art Museum in Portland, Oregon, in the United States. [1]
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
John Henry Twachtman was an American painter best known for his impressionist landscapes, though his painting style varied widely through his career. Art historians consider Twachtman's style of American Impressionism to be among the more personal and experimental of his generation. He was a member of "The Ten," a loosely-allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.
The Cos Cob art colony was a group of artists, many of them American Impressionists, who gathered during the summer months in and around Cos Cob, a section of Greenwich, Connecticut, from about 1890 to about 1920.
Julian Alden Weir was an American impressionist painter and member of the Cos Cob Art Colony near Greenwich, Connecticut. Weir was also one of the founding members of "The Ten", a loosely allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.
Albert Pinkham Ryder was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist.
The Ten American Painters was an artists' group formed in 1898 to exhibit their work as a unified group. John Henry Twachtman, J. Alden Weir, and Childe Hassam were the driving forces behind the organization. Dissatisfied with the conservatism of the American art establishment, the three artists recruited seven others from Boston, New York City, and elsewhere on the East Coast, with the intention of creating an exhibition society that valued their view of originality, imagination, and exhibition quality. The Ten achieved popular and critical success, and lasted two decades before dissolving.
Theodore Robinson was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Robert Walter Weir was an American artist and educator and is considered a painter of the Hudson River School. Weir was elected to the National Academy of Design in 1829 and was an instructor at the United States Military Academy. His best-known work is Embarkation of the Pilgrims in the United States Capitol rotunda in Washington, D.C. More than 450 of his works are known, and he created many unsigned paintings that may never be attributed to him.
Kirtland Cutter was a 20th-century architect in the Pacific Northwest and California. He was born in East Rockport, Ohio, the great-grandson of Jared Potter Kirtland. He studied painting and illustration at the Art Students League of New York. At the age of 26 he moved to Spokane, Washington, and began working as a banker for his uncle. By the 1920s, Cutter had designed several hundred buildings that established Spokane as a place rivaling Seattle and Portland, Oregon in its architectural quality. Most of Cutter's work is listed in State and National Registers of Historic Places.
Weir Farm National Historical Park is located in Ridgefield and Wilton, Connecticut. It commemorates the life and work of American impressionist painter J. Alden Weir and other artists who stayed at the site or lived there, to include Childe Hassam, Albert Pinkham Ryder, John Singer Sargent, and John Twachtman.
The year 1895 in art involved some significant events.
John Ferguson Weir (1841–1926) was an American painter, sculptor, writer, and educator. He was a son of painter Robert Walter Weir, long-time professor of drawing at the Military Academy at West Point. His younger brother, J. Alden Weir, also became a well-known artist who painted in the style of American Impressionism. His niece was artist and educator Irene Weir.
The New Britain Museum of American Art is an art museum in New Britain, Connecticut. Founded in 1903, it is the first museum in the country dedicated to American art.
Dirck Ten Broeck was an American lawyer and politician. The first name is sometimes given as Derick.
Landscape, Branchville is an oil on canvas painting by John Henry Twachtman. Painted c. 1888, it is Twachtman's largest known work, and was painted in front of the home of his friend J. Alden Weir.
Dorothy Weir Young was an American artist. She was the daughter of the American Impressionist artist J. Alden Weir, and later married sculptor Mahonri Young. Dorothy Young was the primary author of The Life and Letters of J. Alden Weir, which was published posthumously.
Mystic Museum of Art is a museum of American art at 9 Water Street in Mystic, Connecticut.
The Red Bridge is an 1895 painting by American artist Julian Alden Weir. Done in oil on canvas, Red Bridge has been cited as an excellent example of Weir's Japanese-inspired style of impression. The painting is in the collection of the Metropolitan Museum of Art.
Irene Weir, was an American artist and art educator.
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