Related Research Articles
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
A Word to the Wise is a 1770 comedy play by the Irish writer Hugh Kelly. It was his second work after the 1767 hit False Delicacy. Kelly was known as a supporter of the government, and an opponent of the radical John Wilkes. During the second performance of the play a riot broke out amongst Wilkes' supporters at the Drury Lane Theatre and the play was subsequently withdrawn. When it was published instead Kelly wrote a long introduction defending himself and complaining about political prejudice. It was the first play performed at The Theatre, Leeds when it was opened on 24 May 1771. It was later staged by the American Company in North America.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Fatal Curiosity is a 1737 tragedy by the British writer George Lillo. It is also known by the alternative title Guilt Its Own Punishment.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
The Way to Keep Him is a 1760 comedy play by the Irish writer Arthur Murphy. Originally three-acts in length, it premiered at the Drury Lane Theatre in a double bill with Murphy's The Desert Island. Actor-manager David Garrick appeared in both productions. A great success, the following year it was extended to five acts, with music composed by Thomas Arne to accompany it. It had many revivals well into the nineteenth century.
The School for Lovers is a 1762 comedy play by the British writer William Whitehead.
The Countess of Salisbury is a 1767 tragedy by Hall Hartson. It is inspired by the 1762 novel Longsword by Irish writer Thomas Leland, who had been Hartson's tutor. It is based on the life of William Longespée, 3rd Earl of Salisbury, son of Henry II of England, and his wife Ela of Salisbury, 3rd Countess of Salisbury.
High Life Below Stairs is a 1759 comedy play by the British writer James Townley. An afterpiece, it premiered at Drury Lane on a double bill with a revival of Dryden's The Mourning Bride. A popular hit, it was frequently revived.
The School for Rakes is a 1769 comedy play by the British writer Elizabeth Griffith. It was inspired by the 1767 French play Eugénie by Pierre Beaumarchais.
The Triumphs of Love and Honour is a 1731 tragedy by the British writer Thomas Cooke.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
References
- ↑ Burling p.81
